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Girl with the green eyes : a play in four acts / by Clyde Fitch. Fitch, Clyde, 1865-1909. 400dpi TIFF G4 page images University of Kentucky, Electronic Information Access & Management Center Lexington, Kentucky 2002 b92-203-30752354 Electronic reproduction. 2002. (Beyond the shelf, serving historic Kentuckiana through virtual access (IMLS LG-03-02-0012-02) ; These pages may be freely searched and displayed. Permission must be received for subsequent distribution in print or electronically. Girl with the green eyes : a play in four acts / by Clyde Fitch. Fitch, Clyde, 1865-1909. Macmillan ; Macmillan & Co., Ltd., New York : London : 1905. 200, 4 p. ; 18 cm. Coleman Microfilm. Atlanta, Ga. : SOLINET, 1994. 1 microfilm reel ; 35 mm. (SOLINET/ASERL Cooperative Microfilming Project (NEH PS-20317) ; SOL MN04501.03 KUK) Printing Master B92-203. IMLS This electronic text file was created by Optical Character Recognition (OCR). No corrections have been made to the OCR-ed text and no editing has been done to the content of the original document. Encoding has been done through an automated process using the recommendations for Level 1 of the TEI in Libraries Guidelines. Digital page images are linked to the text file. THE GIRL WITH THE GREEN EYES - V o .1 The Girl with the Green Eyes A PLAY IN FOUR ACTS By CLYDE FITCH THE MACMILLAN COMPANY NEW rORK MCMV LONDON: MACMILLAN CO., LTD. I COPYRIGHT, 1905, By THE MACMILLAN COMPANY. ALL RIGHTS RESERVED. Set up and electrotyped. Published November, 1905. All acting rights, both professional and amateur, are reserved by Clyde Fitch. Performances forbidden and right of representation reserved. Apphcation for the right of performing this piece must be made to The Macmillan Company. Any piracy or infringement "ill be prosecuted in accordance with the penalties provided by the United States Stat- utes: - " SEC. 4966.-Any person publicly performing or representing any dramatic or musical composition, for which copyright has been obtained, without the consent of the proprietor of the said dramatic or musical composition, or his heirs or assigns, shall be liable for damages therefor, such damages in all cases to be assessed at such sum, not less than one hundred dollars for the first and fifty dollars for every subsequent per- formance, as to the Court shall appear to be just. If the unlawful per- formance and representation be wilful and for profit, such person or persons shall be guilty of a misdemeanor, and upon conviction be im- prisoned for a period not exceeding one year." - U. S. REVISED STATUrTLs, Title 60, Chap. 3. XNrtooeb Press J. S. Cushing X Co. - Berwick Smith Co. -Norwood, Mass., U.S.A. TO CLARA BLOODGOOD GOOD FRIEND AND IDEAL INTERPRETER OF " JINNY " This page in the original text is blank. THE GIRL WITH THE GREEN EYES ACT I. THE TILLMANS' HOUSE, NEW YORK. The Wedding. (Two months elapse.) ACT II. THE VATICAN, ROME. The Honeymoon. (Three weeks elapse.) ACT III. THE AUSTINS' HOUSE, NEW YORK. Home. (The night passes.) ACT IV. THE SAME. SCENE I. Dawn of the Next Day. SCENE II. Early the Same Morning. This page in the original text is blank. THE PERSONS MORE OR LESS CON- CERNED IN THE PLAY "JINNY" AUSTIN. MR. TILLMAN r Her Parents. MRS. TILLMAN ) GEOFFREY TILLMAN. Her Brother. SUSIE. Hfe Cousin. MISS RUTH CHESTER MISS GRACE DANE Her Bridesmaids. MISS BELLE WESTING MISS GERTRUDE WOOD, MAGGIE. A/aid at /he Tillmnans'. HOUSEMAID. At the Ti//mans'. BUTLER. At the Til/mans'. FOOTMAN. At the Ti//mans'. JOHN AUSTIN. ,MRS. CULLINGHAM. PETER CULLINCHAM. Her Son. MRS. Lopp. CARRIE. hfer Daughter. A FRENCH COUPLE. A GERMAN COUPLE. A GUIDE. A DRIVER. A GROUP OF TOURISTS. 9 This page in the original text is blank. Originally produced under the management of Charles Frohman at the Savoy Theatre, New York, on the 25th of December, 1902, with the following cast: - " Jinny " Austin Mr. Tillman Mrs. Tillman Geoffrey Tillman . Susie. Miss Ruth Chester Miss Grace Dane . Miss Belle Westing Miss Gertrude Wood Maggie. Housemaid . Butler Footman . John Austin Mrs. Cullingham. Peter Cullingham Mrs. Lopp . Carrie . A French Couple A German Couple A Guide. A Driver A Group of Tourists. ... . . Miss Clara Bloodgood ... . . .Mr. Charles Abbott Mrs. Harriet Otis Dellenbaugh . Mr. John M. Albaugh, Jr. ... . . Miss Edith Taliaferro .. . . . . Miss Lucille Flaven ... . . . .Miss Mary Blyth ... . . . .Miss Helena Otis . . . . . . Miss Felice Morris ... . . .Miss Lucile Watson ... . . . .Miss Angela Keir Mr. Gardner Jenkins ... . .Mr. Walter Dickinson ... . . .Mr. Robert Drouet ... . . .Mrs. McKee Rankin . . . . . Mr. Harry E. Asmus ... . . .Miss Ellen Rowland ... . . Miss Clara B. Hunter 5 Mr. Henry De Barry . ' 4 Miss Louise Delmar 5 Mr. J. R. Cooley .4... . . I Miss Elsa Ganett ... . . .Mr. Frank Brownlee ... . . . Mr. Lou W. Carter Miss Elizabeth French Miss Gertrude Bindley Miss Myrtle Lane 11 This page in the original text is blank. ACT I A charming room in the Tillmans' house. The walls are white woodwork, framing in old tapes- tries of deep foliage design, with here and there a flaming flamingo; white furniture with old, green brocade cushions. The room is in the purest Louis XVI. The noon sunlight streams through a window on the left. On the oppo- site side is a door to the hall. At back double doors open into a corridor which leads to the ballroom. At left centre are double doors to the front hall. A great, luxurious sofa is at the left, with chairs sociably near it, and on the other side of the room a table has chairs 13 14 THE GIRL WISH THE GREEN E YES grouped about it. On floral small table are books and objets d'art, and everywhere there is a profusion of white roses and maidenhair fern. In the stage directions Left and Right mean Left and Right of actor, as he f1ces audience. Three smart-looking SERVANTS are peering through the crack of the folding door, their backs to the audience. The pretty, slender MAID is on a chair. The elderly BUTLER dignifiedly stands on the floor. The plump, overfed little HOUSE- MAID is kneeling so as to see beneath the head of the BUTLER. HOUSEMAID. [Gasping.] Oh, ain't it a beautiful sight! BUTLER. [Pompously.] Not to me who 'ave seen a Lord married in Hengland. THE GIRL WITH THE GREEN EYES 15 MAGGIE. Oh, you make me sick, Mr. Potts, always talking of your English Aristocracy! I'm sure there never was no prettier wedding than this. Nor as pretty a bride as Miss Jinny. BUTLER. [Correcting her.] Mrs. Haustin! HOUSEMAID. She looks for all the world like one of them frosted angels on a Christmas card. My, I wish I could 'a' seen her go up the aisle with the organ going for all it was worth! MAGGIE. It was a beautiful sight! BUTLER. A good many 'appens to be 'aving the sense to be going now. HOUSEMAID. Could you hear Miss Jinny say "I do," and make them other remarks MAGGIE. Yes, plain, though her voice was trembly like. But Mr. Austin he almost shouted! [Laughing nervously in excitement. BUTLER. 'E's glad to get 'er! 6 THE GIRL WITH THE GREEN EYES MAGGIE. And her himI HOUSEMAID. Yes, that's what I likes about it. Did any one cry MAGGIE. Mrs. Tillman. Lots of people are going now. HOUSEMAID. What elegant clothes! Oh, gosh ! BUTLER. [Superciliously.] Mrs. Cullingham don't seem in no 'urry; she's a common lot! MAGGIE. I don't care, she's rich and Miss Jinny likes her; she just throws money around to any poor person or church or hospital that wants it, or don't! So she can't be so very common neither, Mr. Potts! HOUSEMAID. Say, I catch on to something! Young Mr. Tillman's sweet on that there tall bridesmaid. MAGGIE. [Sharply.] Who THE GIRL WITH THE GREEN EYES 17 BUTLER. Miss Chester. I've seen there was something goin' hon between them whenever she's dined or lunched 'ere. MAGGIE. [Angry.] 'Tain't true! BUTLER. I'll bet my month's wages. MAGGIE. I don't believe you! BUTLER. Why, what's it to you, please MAGGIE. [Saving herselj.] Nothing- HOUSEMAID. Well, I guess it's truth enough. That's the second time I've seen him squeeze her hand when no one wasn't lookin'. MAGGIE. Here, change places with me! [Getting down /rom her chair.] If you was a gentleman, Mr. Potts, you'd have given me your place! [Witheringly. BUTLER. If I was a gentleman, miss, I wouldn't be here; I'd be on the other side of the door. [He moves the chairs away. c i8 THE GIRL WITH THE GREEN EYES MAGGIE. [To Housemaid.] Honest, you saw something between them HOUSEMAID. Who MAGGIE. Him and her Mr. Geoffrey and Miss Chester - HOUSEMAID. Cheese it / they're coming this way! [She and the MAID and the BUTLER vanish through the door Right. [GEOFFREY and RUTH enter through the double doors quickly at back. GEOFFREY is a young, good-looking man, but with a weak face. He is of course very smartly dressed. RUTH is a very serenely beautiful girl, rather noble in type, but unconscious and unpretending in manner. They close the doors quickly behind them. GEOFFREY. We'll not be interrupted here, and THE GIRL WITH THE GREEN EYES 19 I must have a few words with you before you go. [He follows her to the sofa where she sits, and leans over it, with his arm about her shoulder. RUTH. Oh, Geof, - Geof, why weren't we married like this GEOFFREY. It couldn't be helped, darling! RUTH. It isn't the big wedding I miss, oh, no, it's only it seemed sweeter in a church. Why did we have to steal off to Brooklyn, to that poor, strange little preacher in his stuffy back parlour, and behave as if we were doing something of which we were ashamed GEOFFREY. YOU love me, I love you, - isn't that the chief thing, dearest RUTH. But how much longer must we keep it secret GEOFFREY. Till I can straighten my affairs 20 THE GIRL WITH THE GREEN EYES out. I can't explain it all to you; there are ter- rible debts, - one more than all the others, - a debt I made when I was in college. RUTH. If I could only help you! I have a little money. GEOFFREY. No, I love you too much; besides, this debt isn't money, and I hope to get rid of it somehow before long. RUTH. Forgive me for worrying you. It is only that every one is so happy at this wedding except me, - dear Jinny brimming over with joy, as I would be, - and it's made me feel - a little - GEOFFREY. [Comes around the sofa and sits beside her.] I know, dear, and it's made me feel what a brute I am! Oh, if you knew how I hate myself for all I've done, and for the pain and trouble I cause you now ! THE GIRL WITH THE GREEN E YES 21 [MAGGIE, her sharp features set tense, appears in the doorway on the left behind the curtains and listens. RUTH. Never mind, we won't think of that any more. GEOFFREY. I can never throw it off, not for a minute! I'm a worthless fellow and how can you love me- RUTH. [Interrupting him.] I do! You are worth everything to me, and you will be worth much to the world yet! GEOFFREY. I love you, Ruth - that's the one claim I can make to deserve you. But it's helped me to give up all the beastly pleasures I used to indulge in! RUTH. [Softly.] Geof! GEOFFREY. Which I used to think the only things worth living for, and which now, thanks to you, I loathe, - every one of them. 22 THE GIRL WITH THE GREEN EES RUTH. I'm so glad! I've been some help, then. GEOFFREY. If I'd only got you earlier, I'd have been a different man, Ruth! RUTH. [Smiling and taking his nervous hand in hers.] Then I mightn't have fallen in love with you if you were a diflerent man! GEOFFREY. Dear girl! Anyway, this is the good news that I want to tell you - I hope now to have things settled in a couple of weeks. RUTH. [In glad relie/.] Geoffrey! GEOFFREY. But - I mayn't be successful; it might be, Ruth - it might be, we would have to wait - for years - RUTH. [Quietly.] I don't think I could bear that! It's not easy for me to lie and deceive as I've had to the last few months; I don't think I could keep it up. THE GIRL WITH THE GREEN EYES 23 [PETER CULLLNGHAM enters suddenly, from the ballroom, a pale young man, but, unlike GEOFFREY, hard and virile. PETER. Oh, here you are! I say, are you two spoony Just the way I feel! [Laughing.] I caught and hugged old Mrs. Parmby just now! I think it's sort of in the air at weddings, don't you GEOFFREY. [Rising.] I'm surprised to see you've left the refreshment table, Peter. PETER. They sent me to find Miss Chester - they're going to cut the bridesmaid's cake, and if you two really are spoony, Miss Chester, you'd better not miss it- you might get the ring! [They laugh as PETER takes out a bottle from which he takes a round, black tablet which he puts in his mouth. RUTH. [Also rising.] I'd better go. 24 THE GIRL WI TH THE GREEN EYES [PETER is making frantic efforts to swallow the tablet. GEOFFREY. [Noticing him.] What's the matter with you PETER. 0 dear! I've eaten so many ices and fancy cakes, I've got awful indigestion, and I'm trying to swallow a charcoal tablet. RUTH. Come with me and get a glass of water. PETER. No, it's very bad to drink water with your meals; but I'll get a piece of bridesmaid's cake - that'll push it down! [PETER and RUTH go out through the double doors. [The moment they are out of the room, MAGGIE comes from behind the curtain and goes straight up to GEOFFREY. He looks astonished and frightened. GEOFFREY. What do you want Have you been listening THE GIRL WITH THE GREEN E YES 25 MAGGIE. So that's it, is it You want to marry her when you can get rid of me. GEOFFREY. [With relief.] What do you mean MAGGIE. Oh, I may not have heard everything, but I heard and saw enough to catch on that you're in love with Miss Chester. GEOFFREY. Well MAGGIE. Well, you won't marry her-I'll never set you free. GEOFFREY. Sh! [Looking about and closing the doors. MAGGIE. Oh, they're all in the dining room. GEOFFREY. [Angry.] What do you want, any- way MAGGIE. [She pleads a little.] When I came here to your house and got a position, it was because I loved you, if you had treated me bad, and I hoped by seeing you again, and being near 26 THE GIRL WITH THE GREEN E YES you, you might come back to me and everything be made straight! GEOFFREY. Never! Never! It's impossible. MAGGIE. [Angry again.] Oh, is it! Well, the dirty little money you give me now only holds my tongue quiet so long's you behave yourself and don't run after any other girls! But the minute you try to throw me down, I'll come out with the whole story. GEOFFREY. I was drunk when I married you! MAGGIE. More shame to you! GEOFFREY. You're right. But I was only twenty - and you - led me on - MAGGIE. [Interrupting him.] Me! led you on! me, as decent and nice a girl as there was in New Haven if I do do housework, and that's my wedding ring and you put it there, and mother's got the certificate locked up good and safe in her THE GIRL WIT!! THE GREEN EYES 27 box with my dead baby sister's hair and the silver plate off my father's coffin! GEOFFREY. We mustn't talk here any more! MAGGIE. You look out! If I wasn't so fond of your sister Miss Jinny, and if the old people weren't so good to me, I'd just show you right up here - nowI GEOFFREY. I'll buy you off if I can'tdivorce you! MAGGIE. YOU! Pooff! [GIRLS' voices are heard from the ballroom. GEOFFREY. Look out - some one's coming! MAGGIE. [Going.] You haven't got a red cent; my cheque's always one of your father's! [She goes out Right. GEOFFREY. Good God! what am I going to do - shoot myself, if I don't get out of this soon - I must get some air! [He goes out Left. 28 THE GIRL WITH THE GREEN E YES [(jINNY opens the double doors, looks in, and then enters. She is an adorable little human being, pretty, high-strung, temperamental, full of certain feminine fascination that defies analy- sis, which is partly due to the few faults she possesses. She is, nf course, dressed in the conventional wedding-dress, a tulle veil thrown over her face. JiNNY. Not a soul! Come on! [She is followed in by the four BRIDESMAIDS - nice girls every one of them - and also, very slyly, by SUSIE, a very modern spoiled child, who sits unobserved out of the way at the back. Now, my dears, I wish to say good-by all by ourselves so I can make you a little speech ! [All laugh gently.] In the first place I want to tell you that there's nothing like marriage! And THE GIRL WITH! THE GREEN E YES 29 you must every one of you try it! Really, I was never so happy in my life! GRACE. Must we stand, or may we sit down JINNY. Oh, stand; it won't be long and you'll only crush your lovely frocks. In fact, I advise you not to lose any time sitting down again until you've got the happy day fixed! RUTH. You know, Jinny darling, that there is no one so glad for your happiness as your four bridesmaids are -isn't that so, girls ALL. Yes! [And they all together embrace JINNY, saying, "Dear old Jinny," "Darling Jinny," "We'll miss you dreadfully," etc., ad lib., till they get tearful. JINNY. Good gracious, girls, we mustn't cry. I'll get red eyes, and Jack'11 think what an awful 30 THE GIRL WITH THE GREEN EYES difference just the marriage service makes in a woman. [The doors at the back open, and AuSTIN appears in the doorway. [AusTIN is a typical New Yorker in appearance, thirty-two years old, good-looking, manly, sel/- poised, and somewhat phlegmatic in tempera- ment. AusnN. Hello! May a mere man come in to this delectable tea party JINNY. No, Jack! But wait-by the door till I call you! AusnN. [Amused.] Thank you! [He goes out, closing the door. GERTRUDE. We'll miss you so awfully, Jinny. JINNY. Just what I say! Get a man to keep you company, and then you won't miss any one. THE GIRL WITH THE GREEN EYES 31 BELLE. Yes, but attractive men with lots of money don't come into the Grand Central Station by every train! JINNY. [Putting her arm about her.] You want too much, my dear Belle! And you aren't watch- ing the Grand Central Station either half so much as you are the steamer docks for a suitable person. Now don't be angry; you know you want a good big title, and you've got the money to pay, but, my dear Belle, it's those ideas of yours that have kept you single till - twenty-six! - now that you must confess was nice of me, to take off three years ! BELLE. [Laughing.] jinny, you're horrid! JENNY. No, I'm not! You know I'm really fond of you, or you wouldn't be my bridesmaid to-day; it's only that I want your wedding to be as happy as mine - that's all, and here's a little gift 32 THE GIRL WITH THE GREEN E YES for you to remember your disagreeable but loving friend by! [Giving her a small jewelry box. BELLE. Thank you, Jinny! Thank you! [A little moved. GRACE. Mercy! I hope you're not going to take each one of us! JLNNY. I am, and come here, you're next! GRACE. I'll swear I don't want to get married at all! JrN.zx. Don't be silly, you icicle! Of course you don't; you freeze all the men away, so that you've no idea how nice and comfy they can be! My advice to you, Grace darling, - and I love you, or I wouldn't bother,-is to thaw! [Laughs.] I used to be awfully jealous of you - GRACE. [Interrupting.] Oh l JINNY. Yes, I was! You're lots prettier than I am. THE GIRL WITH THE GREEN EYES 33 GRACE. Jinny! JINNy. You are! But I got over it because I soon saw you were so cold, there was no danger of any conflagration near you! Oh, I've watched your eyes often to see if any man had lighted the fires in them yet. And now I'm determined they shall be lighted. You're too cold! Thaw, dear, - not to everybody, - that would be like slushy weather, but don't keep yourself so continually so far below zero that you won't have time to strike - well - say eighty-five in the shade, when the right bit of masculine sunshine does come along! Here -with my best love! [Giving her a smaIl jewelry box. [GRACE kisses JINNY. GERTRUDE. I am the next victim, I believe JINNy. All I've got to say to you, Miss, is, that if you don't decide pretty soon on one of the D no THE GIRL WITH THE GREEN EYES half dozen men you are flirting with disgrace/ully at present, they'll every one find you out and you'll have to go in for widowers. GERTRUDE. [Mockingly.] Horrors! JINNY. Oh, I don't know! I suppose a widower is sort of broken in and would be more likely to put up with your caprices! For the sake of your charm and wit and true heart underneath it all, you dear old girl you! [Giving her a small jewel box. GERTRUDE. Thank you, Jinny. I'm only afraid I will do the wrong thing with you away! You know you're always my ballast! JINNY. Nonsense! Female ballast is no good; masculine ballast is the only kind that's safe if you want to make life's journey in a love balloon. [SHE turns to RUTH CHESTER.] Ruth - the trouble with you is, you're too sad lately, and THE GIRL WITH THE GREEN E YES 35 show such a lack of interest. I should think you might be in love, only I haven't been able to find the man. Anyway, if you aren't in love, you must pretend an interest in things. Of course, men's affairs are awfully dull, but they don't like you to talk about them, so it's really very easy. All you have to do is listen, stare them straight in the eyes, think of whatever you like, and look pleased! It does flatter them, and they think they are interesting, and you charmingl Wear this, and think of me! [Giving her a box.] and be happy! I want you to be happy -and I can see you aren't! RUTH. [Kissing her.] Thank you, dear! JINNY. There, that's all! - except - when I come home from abroad in October, if every one of you aren't engaged to be married, I'll wash my hands of you - [They all laugh. 36 THE GIRL WITH THE GREEN EYES [SUsIE, sliding ofi her chair at back, comes forward. SUSIE. Now, it's my turn! You can't chuck me! JINNY. [Trying not to laugh.] Susie! where did you come from and what do you mean SUSIE. Oh, you give me a pain! - I went up the aisle with you to-day, too - what's the matter with telling me how to get married! JiNNxr. I'll tell you this, your language is dreadful; where do you get all the boy's slang You don't talk like a lady. SUSIE. I'm not a lady. I'm a little girl! JINmy. You talk much more like a common boy. SUSIE. Well, I'd rather be a boy! JINNY. Susie, I shall tell Aunt Laura her daughter needs looking after. THE GIRL WITH THE GREEN EYES 37 SUSIE. Oh, very well, cousin Jinny. If you're going to make trouble, why, forget it! [Turns and goes out haughtily, Right. JINNY. [Going to the double doors, calls.] Now you can come in, Jack. [AUSTIN enters. AUSTIN. And now I've only time to say good- by. All your guests have gone except the Cul- linghams, who are upstairs with your mother, looking at the presents. GERTRUDE. Come! All hands around him! [The five GIRLS join hands, with AUSTIN itn the centre. BELLE. We don't care if every one else has gone or not, we're here yet! AUsTIN. So I see! But I am ordered by my father-in-law - ahem! [all laugh] - to go to my room, or he thinks there will be danger of our losing our train. 38 THE GIRL WITH THE GREEN E YES ALL THE BRIDESMAIDS. [Ad lib.] Where are you going Where are you going We won't let you out till you tell us. AusnN. I daren't - I'm afraid of my wife ! JINNY. Bravo, Jack ! GRACE. Very well, then, we'll let you out, on. one condition, that you kiss us all in turn. [The GIRLS laugh. JINNY. No! No! [Breaking away.] He shan't do any such thing! [They all laugh and break up the ring. GERTRUDE. Dear me, isn't she jealous! BELLE. Yes, it is evidently time we all went! Good-by, Jinny! [Kissing her.] A happy jour- ney to Washington! Jnow. No, it isn't! [General good-bys. JmnwY begins with RUTHI as one end, and AUSTIN at the other; he THE GIRL WIT7H THE GREEN E YES 39 says good-by and shakes hands uith each girl. GERTRUDE. [Kissing JINNY.] Good-by, and a pleasant trip to Niagara Fallsl JINNY. Not a bit! GRACE. [Kissing JINNY.] Good-by, I believe it's Boston or Chicago! JINNY. Neither! RUTH. Good-by, dear, and all the happiness in the world! [Kisses her. JINNY. Thank you. [She turns and goes with the other three girls to the double doors at back, where they are heard talking. RUTH. Mr. Austin AUSTIN. Yes [Joining her. 40 THE GIRL WITH THE GREEN EYES RuTH. [Embarrassed.] You like your new brother, don't you AUSTIN. Geoff most certainly I do, and Jinny adores him. RUTH. I know, then, you'll be a good friend to him if he needs one. AUSTIN. Surely I will. RuTH. I think he does need one. AUSTIN. Really - [The GIRLs are passing out through the doors. BELLE. Come along, Ruth. [THEY pass out and JINNY stands in the doorway talking to them till they are out of hearing. RUTH. Sh! please don't tell any one, not even jinny, what I've said! I may be betraying something I've no right to do, and don't tell him I've spoken to you. AusimN. All rightl THE GIRL WITH THE GREEN EYES 41 [JiNNY turns around in the doorway. RUTH. Thank you - and good-by. [Shaking his hand again. [JINNY notices that they shake hands twice. A queer little look comes into her face. AusniN. Good-by. RuTm. Have they gone - Oh! [Hurrying past JINNY.] Good-by, dear. [She goes out through the double doors. JiNNY. [In a curious little voice.] Good-by . . . [She comes slowly down the room toward AusTIN, and smiles at him quizzically.] What were you two saying AusTmI. Good-by! JrNNr. But you'd said it once to her already! Why did you have to say good-by twice to Ruth Once was enough for all the other girls! Austin. [Banteringly.] The first time I said 42 THE GIRL WITH THE GREEN EYES good-by to her, and the second time she said good-by to me! JiNN-w. Do you know what I believe -Ruth Chester's in love with you! AusTIN. Oh, darling! [Laughs. JiNNy. Yes, that explains the whole thing. No wonder she was triste to-day. AUSTIN. [Laughing.] Jinny, sweetheart, don't get such an absurd notion into your head. JINNY. [Looks straight at him a moment, then speaks tenderly.] No - no - I know it's not your fault. There was no other woman in this house for you to-day but me, was there AusnN. There was no other woman in the world for me since the first week I knew you. [Taking her into his arms. JINNY. This is good-by to Jinny Tillman! THE GIRL WITH THE GREEN EYES 43 [He kisses her. Jack, darling, do you think I could sit on your knee like a little child and put my arm around your neck and rest my head on your shoulder for just five seconds-I'm so tired! [MRS. CULLINGHAM opens the door. MIRS. CULLINGHAM. Oh! [Shuts the door very quickly and knocks. [JINNY and AUSTIN laugh. JINNY. Yes, yes -come in! [MRS. CULLINGHAm enters. She is a handsome, whole-souled, florid woman; one of those creatures of inexhaustible vitality who make people of a nervous tenperament tired almost on contact by sheer contrast. She is the kindest, best meaning creature in the world. MRS. CULLLNGHAM. Oh, do excuse me! I haven't any more tact! -and I hate to inter- 44 THE GIRL WITff THE GREENE EYES rupt you, but I must say good-by. [Calls.] Peter ! PETER. Yes'm. [Entering with a glass of water and a powder. He sits in the arm-chair at right, and con- stantly looks at his watch. AusT=N. I'm much obliged to you, Mrs. Cul- lingham, for the interruption, as I was sent long ago to make myself ready for the train, if you'll excuse me! MRS. CULLINGHAM. Certainly! JuNwy. Good-by! [Taking his hand as he passes her. AusTiN. Good-by! [He goes out Right. MRS. CULLINGHAM. If it's time for him, it's certainly time for you. I won't keep you a minute! THE GIRL WITH THE GREEN EYES 45 JiNNY. No, really we've plenty of time, - [both sit on sofa.] Wasn't it a lovely wedding! MRS. CULLINGHAM. I never saw a sweeter, my dear! And it was perfectly elegant! Simply great ! JINNY. And isn't Jack - MRS. CULLINGHAM. He is! And so are you! In fact I've been telling your mother I don't know how to thank you both. You've asked me to-day to meet the swellest crowd I've ever been in where I was invited, and didn't have to buy tickets, and felt I had a right to say some- thing besides "excuse me," and "I beg your pardon." Of course, I've sat next to them all before in restaurants and at concerts, but this time I felt like the real thing myself, and I shall never forget it! If you or your husband ever want any mining tips, come to me; what my 46 THE GIRL WIT!! TILE GREEN E YES husband don't know about mines isn't worth knowing! JINNY. I'm as glad as I can be if you've had a good time, and you mustn't feel indebted to us. Ever since we met in Egypt that winter, mamma and I have always felt you wiere one of our best friends. MRS. CULLLNGHAM. Of course you know it isn't for my own sake I'm doing these stunts to get into Society. It's all for my boy. He's got to have the best - or the worst, however you look at it' [Laughing.] Anyway, I want him to have a chance at it, and it belongs to him through his father, for my first husband was a real swell! [Looking at PETER lovingly. [At this moment, PETER, having again looked at his watch, tips up the powder on his tongue, and swallows it down with the water. THE GIRL WITH THlE GREEN EYIES 47 MRS. CULLINGFIAM. Poor darling! He suffers terribly from indigestion. That's an alkali powder he takes twenty minutes after eating. Peter, we must say good-by now. PETER. [Coming up.] Good-by, Miss Jinny. MRS. CULLINGHAM. Mrs. Austin! JINNY. Oh, I'll always be "Miss Jinny" to Peter ! PETER. Thank you! We've had a great time at your wedding! Bully food! But I'm leding it! [He turns aside.] Excuse me! MRS. CULLINGHAM. I was just telling Mrs. Austin - [Interru pled JINNY. "Jinny" -don't change. MRS. CULLINGFIAM. Thank you - [Rises to go.] I was just saying we won't forget in our social life, will we, Peter, that Miss 48 THE GIRL WITH THE GREEN EYES jinny gave us the biggest boost up we've had yet [JINNY also rises. PETER. Well, you know, mother, I don't think the game's worth the candle. It's begun to pall on me already. MRS. CULLINGMQ. I really think he's going to be superior to it! PETER. I only go now for your sake. [MRS. TILLMAN, coming from Right, speaks off stage. MRS. TILLMAN. jinny ! Jinny ! JwNyN. Mother! [MRS. TILLMAN tnters. JmNwY. I ought to dress MRS. TILLMAN. [To MRS. CuULLNGAM.] She'll be late if she isn't careful. JINNY. I'm going to. Is Maggie there THE GIRL WITH THE GREEN EYES 49 MRS. TILLMN. Yes, waiting! JINNY. Good-by. [Kisses MRS. CULLINGHA.] Good-by. [Shakes PETER'S hand.] PETER. Many happy returns! [JINNv goes out Right. MRS. TILLMAN. Come, I want to give you some of Jinny's flowers to take home with you. Would you like some MRS. CULLINGHAM. I should love them! [They go out through the doors at back. [PETER is suffering with indigestion. He takes a charcoal tablet, and SusiE cautiously enters Right. SusIE. There you are! Have you got 'em PETER. No, I gave them back to you. SusIE. Then they're in there on the table - get 'em quick, the trunks are coming down now! [PETER goes out quickly at back, as the E 5o THE GIRL WITH 7HE GREEN E YES BUTLER and MAN SERVANT enter Right, car- rying a large new trunk with a portmanteau on top of it. SUSIE. Put them right over there for a minute' [They put them down in he centre of the room, and the FOOTMAN goes out Right.i And mind, you don't split on us, Thomas. Auntie Tillman knows all about it - it's just to be a nice little surprise for Cousin Jinny and my new uncle. BUTLER. Very well, miss. [He also goes out Right. [At the same time PETER reenters at back with a roll of papers and some broad white satin ribbon. The papers are about hall a foot broad and two feet long, and on them is printed, " We are on our honeymoon." PETER. [With gay excitement.] I've got 'em. THE GNtIL WITH1 THE GREEN E YES 5! SU TE. Get some water -there's sticky stuff on the back! [PETER gives hez the papers and ritbens and goes out again at back. SUSIE. Quick! [Ties a big white bow on the Port fanteau and on a trunk handle.] If Auntie Tillman sees 'em, I'll bet she'll grab 'em off. She'll be as mad as hops! [The BUTLER and FOOTMAN reenter Right, and bring down an old steamer trunk and a gentle- man's dressing-bag. BUTLER. [To the FOOTMAN.] Go and see if the carriage is there! FOOTMAN. Yes, sir. [He goes out Left. [As PETER reenters from the back, with the water. SUSIE. Quick now! Quick! 52 THE GIRL WITH THE GREEN E YES [They stick one label on the big steamer trunk lacing the audience. PETER. I say isn't that great! [SUSIE giggles aloud with delight. The BUTLER, standing at one side, smiles. They put another label on the other trunk. SUSIE. [Giggling.] I heard them plan it, - they're taking one old trunk purposely so as people would not catch on they were just married! [Giggles delightedly. [The FOOTMAN reenters with a driver, Left. FOOT\MAN. Yes, sir, it's here. BUTLER. [To the driver.] You can take that first. [Pointing to the steamer trunk. [DRIVER goes out Left -with it on his shoulder, and the portmanteau. BUTLER. Now, James, you're to go over with THE GIRL WITH TILE GREEN E YES 53 the luggage to Twenty-third Street Ferry and check the heavy baggage; you know where to. FOOTMAN. Yes, sir. SUSIE. [Eagerly.] Oh, where to BUTLER. I am hunder hoath not to tell, Miss. SUSIE. 0 pish ! [Kneeling in the big arm-chair and watching proceedings from behind its back. BUTLER. [Continues to the FOOTMAN.] And wait with the checks and Mr. Austin's dressing- bag - [Showing it.] - until they come. FOOTMAN. Yes, sir. PETER. And make haste, or, I say, somebody'll turn up and give our whole joke away! [The DRIVER revners. SusIE. Yes, do hurry! FOOTMAN. [To the DRIVER.] Come along. 54 THE GIRL WITH THE GREENV E i-ES [They take the big trunk out Left. BUTLER follows 'with the dressing-bag. MRS. CULLINGHAM. [Calls from the room at back.] Peter darling, are you there SusIE. Phew! Just in time! [Sliding down into a more correct position in the chair. PETER. Yes, mother! [Going to back. MRS. CULLINGRAM. [In the doorway, at back.] Come, take these beautiful roses from Mrs. Till- man! [MRS. CULLINGRAM and MRS. TILLMAN enter. MRS. TILLMAN-. [With her arms full of roses.] Thomas will take them down. PETER. No, I'd like to. Aren't they bully [He takes them. MRS. CULLINGEAM. [To MRS. TILLMAN.] THE GIRL WITH THE GREEN EYES 55 Good-by, and thank you again. I know you must want to go up to Jinny. MIRS. TILLMAN. Yes, she may need me to help her a little. Good-by. Good-by, Peter. PETER. Good-by, ma m. [MIRS. TILLMAN goes out Right. MIRS. CULLINTGHAM. W hy, Susie, how do you do SUSIE. [Glides out of the chair and stands be- lore it.] How do you do [Embarrassed. MRS. CULLINGHAM. You're a good little girl, I hope SUSIE. I don't! I hate good little girls! MRS. CULLINGHAM. 0 my! [She goes out, laughing, Left. [PETER, coining to SuswE, catches her in his arms and kisses her, much against her will. SUSIE. [Furious.] Oh, you horrid, nasty thing, 56 THE GIRL WITH THE GREEN EYES you! [She strikes at him; heruns; she chases him from one side of the room to the other, around a sofa and table, and out Left, screaming as she chases him.] I hate you! I hate you! [MAGGIE enters Right. MAGGIE. Miss Susie, Mrs. Tillman wants to see you upstairs. SusIE. What for MAGGIE. I don't know, Miss. SusIE. Pshaw! have I got to go All right! [Going toward the door at Right. [AusnN enters, meeting SusE AusTiN. Hello! Where are you going SusrE. Oh, up to Auntie Tillman's room. Goodness knows what for; it's an awful bore! Want to come along AusTrm. No, thank you; but if you see your Cousin Jinny, you might tell her I am down. THE GIRL WITH THE GREEN EYES 57 SUSIE. [Hanging on to him.] I say! Where are you and Cousin Jinny going to, anyway AusTIN. [Smiling.] I don't know. SUSIE. 0 my, what a fib! And that's a nice example to set a little girl! [She goes out Right. MAGGIE. [Coming lorward.] I beg pardon, sir, but may I speak to you a minute AusTrN. Certainly, Maggie, what is it MAGGIE. I've been trying for a chance to see you alone. I wouldn't bother you, sir-but it's only because I'm fond of Miss Jinny, and of Mr. and Mrs. Tillman, and they've all been so good to me; I know it would nearly kill 'em if they knew. AusrIm. Come, Maggie, knew what MAGGIE. Well, one member of this family ain't been good to me, sir. [From this point her feelings 58 THE GIRL WITH THE GREEN EYES begin to get the better of her and she speaks rapidly and hysterically.] He's been bad, bad as he could, and somebody's got to talk to him, and I don't see who's a-goin' to do it but you. If he don't change, I'll not hold my tongue any longer. It's all I can do for their sakes to hold it now! AusTIN. Look here, what are you talking about You don't mean Mr. Geoffrey MAGGIE. Yes, I do, sir; he's my husband. AUsTIN. What !! MAGGIE. We was married when he was at Yale, sir; I was in a shop there. AusTIN. But -! Well, after all, isn't this your and Geoffrey's affair Why bring me in MAGGIE. Because he's making love to Miss Chester, and promising to marry her now, and if he don't stop - I'll make trouble! THE GIRL WITH THE GREEN EYES 59 AUSTIN. But if he's married to you, as you say - he can't marry - any one else. MAGGIE. He's tried to make me believe our marriage ain't legal, because he was only twenty and he'd been drinking! AUSTIN. What makes you think Mr. Geoffrey cares for - Miss Chester MAGGIE. I just heard and see him making love to her here! AUSTIN. This is a pretty bad story, Maggie. MAGGIE. Yes, sir, and the worst is, sir, I know I ain't good enough for him, and that's why I've kept still about it these three years, but I can't help loving him no matter how ugly he's treated me. [Breaking down into tears.] I just can't help it! I love him, sir, even if I'm only a servant girl, and I can't stand it thinking he's going to try and get rid of me for some one else! 60 THE GIRL WITH THE GREEN E YES [She sobs out loud. AusTiX. Sh! - Maggie. Sit down a minute, and control yourself. Somebody'll hear you, and besides they'll be coming down presently. I'll have a talk with Mr. Geoffrey when I come back - [Interrupted as GEOFFREY enters Left. He doesn't see MAGGIE, who is collapsed in a corner of the so/a. GEOFFREY. [To Ausm-.] Ah! Thank good- ness I've caught you; I had an awful headache and went out for a breath of air, and then I was afraid I might have missed you! I knew in that case Jinny would never forgive me, nor -I - myself - for that - matter - [His voice grows less exuberant in the middle of his speech and finally at the end almost dies away, as he sees the expression in AUSTLN'S face and realizes that something is wrong THE GIRL WITH THE GREEN EYES 6i somewhere. When he stops speaking, MAGGIE gives a gasping sob. He hears it, and start- ing, sees her. GEOFFREY. Maggie! AUSTIN. Geoffrey, is what this girl says true GEOFFREY. That I married her in New Haven Yes. MAGGIE. [Rises.] I'll go, please, I'd rather go. AusTiN. Yes, go, Maggie; it's better. [MAGGIE goes out Right. GEOFFREY. [As soon as she is out o/ the room.] Promise me, Jack, you won't tell any one! It's awful, I know! For two years at college I went all to pieces and led a rotten life, -and one night, drunk, I married her, and it isn't so much her fault. I suppose she thought I loved her,- but this would break up the old lady and gentle- man so, if they knew, I couldn't stand it! And 62 THE GIRL WITH THE GREEK E YE S Jinny, for God's sake, don't tell Jinny. She respects me. You won't tell her, will you AusTIN. No. But Maggie says you want to marry some one else now. GEOFFREY. [With a change, in great shame.] That's true, too. [He sits in utter dejection on the so/a. AusTIN. How are you going to do it GEOFFREY. I must make money somehow and buy off Maggie. AusTiN. Yes, go out to Sioux Falls, get a divorce there on respectable grounds, and settle a sum of money on Maggie. GEOFFREY. But I can't do that! AusTiN. Why not GEOFFREY. I can't do anything that would give publicity, and that divorce would. ArsT=r. Any divorce would; you can't get rid of that. THE GIRL IVITH THE GREEN EYES 63 GEOFFREY. I tell you I can't have publicity. Ruth - Miss Chester - would hear of it. AusTIN. Well, if she loves you, she'll forgive your wild oats, especially as every one sees now what a steady, straight fellow you've become. GEOFFREY. It's Ruth! But I can't do that. No, Jack, you must help -you will, won't you Oh, do, for Jinny's sake! Help me to persuade Maggie to keep silent for good, tear up that certificate of marriage. I was only twenty; it's hardly legal, and I'll settle a good sum - [Interrupted. Ausimi. [Going straight to him, puts his hand heavily on his shoulder.] Good God, you're proposing bigamy! You've done enough; don't stoop to crime/ [The two MEN face each other a moment. GEOFFREY'S head drops. 64 THE GIRL WITH THE GREEN E YES AusIN=. Forget you ever said that; do what I tell you when Jinny and I have gone abroad, so she will be away from it a little, and if you want money, let me know. [JINY enters Right, with nervous gaiety, covering an upheaving emotion which is very near the surface. JuNY. Ready! And there you are, Geof. I've been sending all over the house after you! Good- by! [Throwing her arms about him.] Dear old Geof! Haven't we had good times together! Always, always from the youngest days I can re- member-I don't believe there were ever a brother and sister so sympathetic; I know there was never a brother such a perfect darling as you were-I'll miss you, Geof ! [The tears come into her voice, anyway.] I used to think I'd never marry at all if I couldn't marry you, and I do think he is the THE GIRL WITH THE GREEN E YES 65 only man in the world who could have taken me away from home, so long as you were there ! [To AusTiN, smiling.] You aren't jealous AusTrN. No! JINNY. [In jest.] Isn't it awful! You can't make him jealous! I think it's a positive flaw in his character! Not like-us, is he GEOFFREY. Dear old girl- JINNY. [Whispers to him.] And I've noticed how you've overcome certain things, dear Geof. I know it's been hard, and I'm proud of you. GEOFFREY. Sh! Jinny, dear old sister ! I'll miss you! By George, Jin, the house'll be awful without - but you - [His voice grows husky.] -just excuse me a minute! [He is about to break down, and so hurries out Right. JomY. [Sniffling.] He was going to cry! Oh, F 66 THE GIRL WITH THE GREEN EYES Jack, you'll be a brother to Geoffrey, won't you You know he's been awfully dissipated, and he's changed it all, all by himself ! If he should go wrong again -I believe it would break my heart, I love him so! AUSTIN. I'll do more for him, if he ever needs me, than if he were my oun brother, because he's yours I JINNY. [Presses his hand and looks up at him lovingly and gratefully.] Thank you. Wait here just a minute; I know he won't come back to say good-by. He's gone up to his room, I'm sure - I'll just surprise him with a hug and my hands over his eyes like we used to do years ago. [She starts to go out Right, and meets MR. and MRS. TILLMAN, who enter. TILLMAN. The carriage is here! JENNY. I won't be a second - THE GIRL WITH THE GREEN EYES 67 [She goes out Right. MRS. TILLMAN. Where has she gone AUSTIN. Up to her brother. MRS. TILLMAN. Her father's been locked up in his study for three hours - he says thinking, but to me his eyes look very suspicious! [Taking her husband's arm affectionately. TILLMAN. [Clears his throat.] Nonsense! MRS. TILLMAN. Well, how many cigars did you smoke TILLMAN. Eight. MRS. TILLMAN. The amount of emotion that a man can soak out of himself with tobacco is wonderful ! He uses it just like a sponge! TILLMAN. Jack, the first thing I asked about you when I heard that-er-that things were getting this way was, does he smoke A man who smokes has always that outlet. If things 68 THE GIRL WITH THE GREEN EYES go wrong - go out and smoke a cigar, and when the cigar's finished, ten to one everything's got right, somehow! If you lose your temper, don't speak! -a cigar, and when it's finished, then speak! You'll find the temper all gone up in the smoke! A woman's happiness is safest with a man who smokes. [He clears his throat, which is filling.] God bless you, Jack, it is a wrench; our only girl, you know. She's been a great joy - ahem! [He quickly gets out a cigar. MRS. TILLMAN. [Stopping him from smoking.] No, no, dear, they're going now! TILLMAN. Well, the best I can say is, I wish you as happy a married life as her mother and I have had. MRS. TILLMtAN. Thirty-five dear years! But now, George, let me say a word - you always have THE GIRL WITH THE GREEN EYES 69 monopolized our new son - he'll be much fonder of you than me I TILLMAN. Old lady! - Jealous! - MRS. TILLMAN. Turn about is fair play - you're jealous still of Jinny and me. [She pauses a moment.] I think we'd better tell him! TILLMAN. All right. The only rifts in our lute, Jack, have been little threads of jealousy that have snapped sometimes! MRS. TILLMAN. Nothing ever serious - of course, but it's a fault that Jinny shares with us, and the only fault we've ever been able to find. TILLMAN. We called her for years the girl with the green eyes. She goes it pretty strong sometimes! AuSTIN. Oh, that's all right -I shall like it! MRS. TILLMAN. You'll always bear with her, won't you, if she should ever get jealous of you 70 THIE GIRL WITH TIZE GREEN E YES AusTIN. Of me I'll never give her the chance. MRS. TILLMAN. It isn't a question of chance; you just can't help it sometimes, can you, George TILLMAN. No, you can't. MRS. TILLMAN. And so - AUSTIN. Don't worry! Your daughter's safe with me. I'm not the jealous sort myself and I love Jinny so completely, so calmly, and yet with my heart, and soul, and mind, and body, she'll never have a chance even to try to be jealous of me! TILLMAN. Sh! [JINNY enters Right. JINNY. I found poor Maggie up in my room crying! She says she can't bear to have me go away. I think she's sorry now she wouldn't come with me as maid - and I said good-by to cook and she sniffed! TlE GIRL WITH THE GREEN E YES 71 [AUSTIN looks at his watch. AUSTIN. Oh! we ought to go! MRS. TILLMAN. Good-by, darling! [Kissing JINNY and embracing her a long time, while AUSTIN and TILLMAN shake hands warmly and say good-by. JINNY. [Going to her father.] Good-by, father. Dear old father! [With happy emotion. [AUSTIN meanwhile is shaking hands with MRS. TILLMAN. JINNY. [Returns to her mother.] Darling- oh, how good you've always been to me! Oh, mummy darling, I shall miss you! You'll send me a letter to-morrow, won't you, or a telegram Send a telegram-you've got the address! MRS. TILLMAN. [With tears in her eyes.] Yes, it's written down! 72 THE GIRL WITH THE GREEN EYES JINNY. You can tell father, but no one else! [Hugs and kisses her mother. TILLMAN. Come, Susan! They'll lose their train! [JrnNY again embraces her father. ALL. Good-by! Good-by! [JLNNY, starting to go with AUSTIN, suddenly leaves him and runs back again to her mother and throws herself in her arms. They embrace, in tears. JINNY. Good-by, mother! MRS. TILLMAN. Good-by, my darling! TILLMAN. Come, come! they'll lose their train! [JLNxv runs to AUSTIN, and with his arms about her, they hurry to the door Left. They go through the doors at back to window in the corridor. JrzNY stops at the door and she and AusnN face each other a moment. THE GIRL WITH THE GREEN E YES 73 JLNNY. [Looking up at him.] Oh, Jack! [She throws her arms about his neck and buries her lace on his shoulder. AUSTIN. Jinny, Jinny dear, you're not sorry JINNY. [Slowly raises her head and looks at him, smiling through her tears, and speaks in a voice full of tears and little sobs.] Sorry Oh, no! Oh, no! It hurts me to leave them, but I never was so happy in my life! [He kisses her and they hurry out, with his arm about her. MRS. TILLMAN. [In the corridor, lifts the win- dow.] I hear the door - TILLMAN. There they are! [SUSIE rushes across the stage with a bowl of rice in her arms and goes out Left. [MR. and MRS. TILLMAN wave and say "Good- by!" "Good-by!" "Good-by!" They close 74 THE GIRL WITH THE GREENV E YES the window in silence. The sound is heard as the window frame reaches the bottom. They turn and come slowly forward, TILLMAN wiping his eyes and MRS. TILLMAN biting her lips to keep the tears back. They come into the front room and stop, and for a second they look around the empty room. TILLMAN puts his hand in his pocket and takes out his cigar case. MRS. TILLMAN, turning, sees him; she goes to him swiftly and touches his arm, looking up at him through her tears. He turns to her and slowly takes her in his arms and holds her there close and kisses her tenderly on the cheek. [SUSIE enters Left, with empty bowl, sobbing aloud, as THE CURTAIN FALLS ACT II (Two months later) The Vatican, Rome; the Tribune of the A polio Belvedere; a semicircular room with dark red walls; in the centre is the large statue of Apollo. There are doorways at Rightand Left. There is a bench on the right side of the room. A single LADY TOURIST enters Right, takes a hasty glance, yawns, and looking down at her Baedeker, goes out Left. A PAPAL GUARD is seen passing outside in the court. A FRENCEH- MAN and his WIFE (with Baedekers) are seen apptroaching; they are heard talking volubly. They enter Left. BOTH. Ah! - [They stand a moment in silent admiration. 75 76 THE GIRL WITH THE GREEN EYES HE. [Reading Irom Baedeker.] Apollo Bel- vedere. [He looks up.] C'est superb! SHE. [Beaming with admiration.] Magnifique! Voilk un homme! HE. Quelle gracel SHE. Quelle lorce! [Both talk at once in great admiration and in- tense excitement for a few moments. Then he suddenly drops into his ordinary tone and manner. HE. Allons, allons nous! SHE. [In the same tone.] Oui, j'ai faim! [They go out Right. [JYNvY and AusnN enter Left, he looking over his shoulder. They stand a moment just inside the doorway. JINNY. What are you looking back so much for, Jackie THE GIRL WITH THE GREEN EYES 77 AUSTIN. I thought I saw some one I know. JINNY. Who AUSTIN. I didn't know who; it just seemed to be a familiar back. JINNY. [Play/ully.] Oh, comeI I think the present works of art and your loving wife are quite enough for you to look at without hunting around for familiar backs! AUSTIN. And Baedeker! [Reading from Baedeker about the Apollo.] Apollo Belvedere, found at the end of the fifteenth century, probably in a Roman villa - JINNY. Of course, Apollo! AUSTIN. Great, isn't it JINNY. Stunning! [She turns and looks at him, smiling quizzically.] Still - but I suppose I'm prejudiced! AUSTIN. [Obtuse.] Still what 78 THE GIRL WITH THE GREEN EYES JINY. You dear old stupid! You know, Jack, you're deeply and jundamentally clever and brilliant, but you're not quite-bright-not quick ! [Laughing. AuSTLN. Don't you think having one in the family quick as chain lightning is enough What have I missed this time, Jinny You don't mean you've found a family likeness in the statue over there I don't want to be unappreciative, but it doesn't suggest your father to me in the least,- nor even Geoffrey. JINNY. Stupid! ! Of course it doesn't sug- gest anybody to me - I was only thinking I sympathized with Mrs. Perkins of Boston, don't you know the old story about her AusTIL. No, what was it JiN-Ny. [Alter a quick look around to see that THE G/RL WITH THE GREEN EYES 79 they are alone.] Well - Mrs. Perkins from Boston was personally conducted here once and shown this very statue, and she looked at it for a few moments, and then turned around and said, "Yes, it's all right, but give me Perkins!" AUSTIN. jinny! [Laughing. JINNY. Are you shocked Come, I'm tired; let's sit down here and read my letters - there's one from Geof. [They sit on the bench at Right, and JINNY takes out a letter from GEOFFREY. AUSTIN. I'll read ahead in Baedeker and you tell me if there's any news. [He opens the Baedeker and reads, and she opens and reads the letter.] Where is Geof's letter from JINNY. New York, of course; where else would it be 8o THE GIRL WITH THE GREEN EYES AUSTIN. I had an idea he was going away. jINNY. Geof! Where AusTN. West, a good way somewhere. JLN\Y. But why would he go WXest AusnTI. Oh, he had some business, I believe; I remember thinking it was a good idea when he told me. It was the day we were married - I was waiting for you to come downstairs. JiNNY. I think it's very funny Geof never said anything about it to me. AusTiN. My dear, what time had you You were getting married! I JiNNY. I was! Thank heaven! I'm so happy, Jack! [Snuggling up to him on the bench. AusTIN. [Steals a little, quick hug with his arm about her waist.] Bless you, darling, I don't think there was ever a man as happy as I am! THE GIRL WITH THE GREEN EYES 8z [They start apart quickly as a GERMAN COUPLE enter Right, with a YOUNG DAUGHTER, who is munching a cake, and hanging, a tired and unwilling victim, to her mother's hand. WOMAN. Ach! schon! sehr sch!3n!! MAN. Grosses, nicht WOMAN, Yah I [They stand admiring. AUSTIN. By the way, when you answer your brother's letter, I wish you'd say I seemed sur- prised he was still in New York. JINNY. [Reading.] Um - urn - MAN. [Wiping his warm brow.] Wunderbaum! WOMAN. Yak 11 [They go out Left, talking. JINNx. [Looking up /rom her letter.] Oh! what do you think G 82 THE GIRL WIEr71 T11L GREEN EYES AUSTIN. That you're the sweetest woman in the world. JINNY. No, darling, I mean who do you think Geoffrey says is over here and in Italy AUSTIN. I haven't the most remote idea! So far as I've been able to observe there has been absolutely no one in Italy but you and me. JINNY. If you keep on talking like that, I shall kiss you! AUSTIN. What! before the tall, white gentle- man [Motioning to Apollo.] I am dumb. JINNY. [Very lovingly.] Silly! Well!-NMrs. Cullingham and Peter are over here and have brought Ruth Chester! AUSTIN. [Speaking without thinking.] Then it was her back. JiNNY. [With the smallest sharpening of the look in her eye.] When THE GIRL WITH THE GREEN EYES 83 AUSTIN. That I saw just now. JINNY. [Wi/It the tiniest suggestion of a strain in her voice.] You said you didn't know whom it reminded you of. AUSTIN. Yes, I know, I didn't quite. JINNY. But if you thought it was Ruth Chester, why not have said so AUSTIN. No reason, dear, I simply didn't think. JINNY. Well - [Sententiously.] - next time - tih ink ! AUSTIN. What else does Geoffrey say JINNY. Oh, nothing. The heat for two days was frightful-already they miss me more than he can say - [Interrupted. AUSTIN. I'll bet. JINNY. Father smoked nineteen cigars a day the first week I was gone. 84 THE GIRL WITH THE GREEN E YES AUSTIN. I haven't had to smoke any! JINNY. Mercy I don't boast! - and he thinks they will all soon go to Long Island for the summer. AuSTrN. Doesn't he say a word nor a hint at his going West JmNNY. No, he says he may go to Newport for August, and that's all. [Putting away letter, and getting out others. AusnN. Going to read all those JxNNm. If you don't mind, while I rest. Do you mind AusTIN. Of course not, but I think while you're reading I'll just take a little turn and see if I can't come across the Cullinghams. [Rising. JINNXY. [After the merest second's pause, and looking seriously at him.] Why don't you THE GIRL WITH THE GREEK E YES 85 AUSTIN. I'll bring them here if I find them - [He goes out Right. [JINNY looks up where he went ofl and gazes, motionless, /or a jew moments. Then she throws off the mood and opens a letter. [Two tired Americans enter Right, a girl and her mother, MRS. LOPP and CARRIE. MRS. Lopp. What's this, Carrie CARRIE. [Looking in her Baedeker.] I don't know; I've sort of lost my place, somehow! MRS. Lopp. Well, we must be in Room No. 3 or 4-ain't we CARRIE. [Reads out.] The big statue at the end of Room No. 3 is Diana the Huntress. MRS. Lopp. This must be it, then, - Diana! Strong-looking woman, ain't she CARRIE. Yes, very nice. You know she was the goddess who wouldn't let the men see her bathe. 86 THE GIRL WITH THE GREEN EYES MRS. LoPp. Mercy, Carrie! and did all the other goddesses I don't think much of their habits. I suppose this is the same person those Italians sell on the streets at home, and call the Bather. [JmNNY is secretly very muck amused, finally she speaks. Jxnwy. Excuse me, but you are in one of the cabinets-and this is the Apollo Belvedere. MRS. LOPP. Oh, thank you very much. I guess we've got mixed up with the rooms, - seems as if there's so many. CARRE. [Triumphantly.] There! I thought it was a man all the time! MRS. Lopp. Well, what with so many of the statues only being piecemeal, as it were, and so many of the men having kinder women's hair, THE GIRL 1WITH TIHE GREEN EYES 87 I declare it seems as if I don't know the ladies from the gentlemen half the time. CARRIE. Did the rest of us go through here J INN-. I beg your pardon CARRIE. Thirty-four people with a gassy guide WVe got so tired hearing him talk that we jes' sneaked off by ourselves, and now we're a little scared about getting home; we belong to the Cook's Gentlemen and Ladies. JINNY. Oh, no, the others haven't passed through here; probably they have gone to see the pic- tures; you'd better go back and keep asking the attendants the way to the pictures till you get there. MRS. Lopp. [With rather subdued voice.] Thank you! We've come to do Europe and the Holy Land in five wseeks for 400 - but I don't know, seems as if I'm getting awful tired -after jes' sevin days. 88 THlE GIRL WI TH THE GREENE YES CARRIE. [Affectionately.] Now, mommer, don't give up; it's because you haven't got over being seasick yet; that's all! JryNY. [Helplessly.] Oh, yes, you'll find it much less tiring in a few days, I'm sure. MRS. Lopp. Still Rome does seem a powerful way from homel How'll we ask for the pictures CARRIE. Why, mommer! "Tableaux!" "Tab- leaux! " I should think you'd 'a' learned that from our church entertainments! Good-by; thank you ever so much. MRS. Lopp. You haven't lost your party, too, have you Jriwy. [Smiling.] I hope not! He promised to come back!! MRS. Lopp. Oh! pleased to have met you - Good-by! [They start off Left. THE GIRL WITH THE GREEN EYES 89 JINNY. No, not that way -back the way you came. MRS. Lopp. Oh, thank you! [She drops her black silk bag; out of it drop crackers, an account book, a thimble, a thread- and-needle case, a bottle of pepsin tablets, etc. They all stoop to pick the collection up, JENNY helping. JINNY. [Handing.] I'm sure you'll want these! Mis. Lopp. Yes, indeed; don't you find them coupon meals very dissatisfactory CARRIE. Thank you ever so much again. Come on, mommer! [MRS. Lopp and CARRIE go out Left. [JiNNv looks at her watch and goes back to her letter. [MRS. CULLINGHAM enters Left MRS. CULLINGHAM. [Screams.] jinny! 90 THE GIRL WITH THE GREEN E1YES JmrN-. [Jumps up.] Mrs. Cullinglham! [They embrace.] Did Jack find you MRS. CULLINGHAM. No, we haven't seen him! Ruth and Peter are dawdling along, each on their own; I like to shoot through a gallery. There's no use spending so much time; when it's over you've mixed everything all up just the same! JiNNY. [Laughing.] Well, I've this minute read a letter from Geoffrey saying you were over here. And Jack, who thought he got a glimpse of you a little while ago, went straight off to try and find you. MRS. CULLINGHAM. What fun it is to see you -and how happy you look! JiNNY. I couldn't look as happy as I feel! MRS. CULLINGHAM. [Glancing at the statue.] Who's your friend Nice gent, isn't he [Laughing. YIIE GIRL WITH THE GREEN EYLS 91 JiNNy. Mr. Apollo! Would you like to meet him MRS. CULLINGHAM. [Hesitates.] Er-no-I don't think! You must draw the line somewhere ! He wouldn't do a thing to Corbett, would he JINNY. Who was Corbett MRS. CULLINGHAM. He was a prize fighter, and is -but that's another story - Do you mean to say you've never heard of him JLNNY. Oh, the name sounds familiar. But this, you know, is Apollo. MRS. CULLINGHAM. No, I don't know; was he a champion JENNY. No, he was a Greek god! MRS. CULLINGRIAM. Oh, was he Well, I wouldn't have cared about being in the tailoring business in those days, would you Let's sit down. [They sit on bench Right.] Of course you 92 THE GIRL WITH THE GREEN EYES know we wouldn't accept a thing like that in Peoria, where I come from, as a gift! No, indeed! If the King of Italy sent it over to our Mayor, he'd return it C.O.D. JIxNY. Sounds like Boston and the Macmon- nies Bacchante! MRS. CULLDJGHAM. Oh, my dear, worse than that! It reminds me of a man at home who kept an underclothing store in our principal street and had a plaster cast of this gent's brother, I should think, in his window to show a suit of Jaegers on, -you know, a "combination " ! And our Town Committee of Thirteen for the moral improvement of Peoria made the man take it out of his window and hang the suit up empty! JmNmv. Poor man! MRS. CtTLLINGHAM. You ought to see our Park! - you know we've got a perfectly beautiful THE GIRL WITH THE GREEN EYES 93 park, -and all the men statues wear Prince Alberts, and stand like this -[She poses wnith li/ted arm at right angle to body.] -as if they were saying, "This way out" or "To the monkey cage and zoo." JniqY. [Laughing.] But the women statues MRS. CULLINGHAM. My dear! They only have heads and hands; all the rest's just clumps of drapery-we only have "Americans" and "Libertys," anyway. They apply the Chinese emigration law to all Venuses and sick ladies [They both laugh. JINNY. Where did you say Peter and Ruth were MRS. CUtLLINGrAM. Well, I left Peter -who isn't at all well; I hoped this trip would help his indigestion, but it seems to have made it worse! - I left him-er-in a room with a lot of broken- 94 THE GIRL WITH THE GREEN E YES up Venuses - I thought it was all right; he was eating candy, and there wasn't a whole woman among 'em! JINN-Y. [Slight strain in her voice.] How did you happen to bring over Ruth Chester MRS. CULLINGHAM. Well, :;ou know I always liked her. She never snubbed me in her life - I don't think any one you've introduced me to has been quite so nice to Peter and me as Mrs. Chester and her daughter. JINNY. 0 they are real people! MRS. CULLiNGIRAM. Ruth is terribly depressed over something. She's thin as a rail and the family are worried. She says there's nothing worrying her, and the doctors can't find anything the matter with her, - so Mrs. Chester asked me if I wouldn't take her abroad. They thought the voyage and change might do her good, and I THE GIRL WITH THE GREEN EYES 95 seem to have a more cheery influence over her than most people. So here we are! [As PETER enters Left, eating.] Here's Peter! How do you think the darling looks PETER. How do you do, Mrs. Austin JINNY. How do you do, Peter [They shake hands.] I'm sorry to hear you are seedy, but you eat too many sweet things. PETER. I'm not eating candy; it's soda mints! [Showing a small bottle.] I am bad to-day, mother. MRS. CULLINGHAM. If you don't get better, we'll go to Carlsbad. JINNY. How do you like Rome, Peter PETER. Oh, I don't know-too much Boston and not enough Chicago to make it a real lively town. JiNwY. [Laughing.] I think I'll go look for Jack and tell him you've turned up. 96 THE GIRL WITH THE GREEN E YES MRS. CULLINGHAM. Perhaps he's found Ruth. JinnY. [With a change in her voice.] Yes, perhaps. [She goes out Right. PETER. [Going to the doorway Right, calls after her.] Ruth's in a room on your left, with rows of men's heads on shelves, Emperors and things, - but gee, such a job lot! [Comes back and looks up at the statue. MRS. CITLLINGHAM. Isn't it beautiful, Peter PETEL No, it's too big! MRS. CULLXNGEAM. Still this one isn't broken! PETER. That's a comfort! Yes, it has been mended, too! [Examining.] Oh, yes, it's only another of these second-hand statues. Say, you missed one whole one, the best I've seen yet! A Venus off in a fine little room, all mosaics and painted walls, - that's where I've been. THE GIRL WITH THE GREEN EYES 97 MRS. CULLINGHAM. Why, Peter Cullingham! Alone What kind of a Venus PETER. Oh, beautiful! I forgot to take my medicine! MRS. CULLINGHAU. Was she-er-dressed, darling PETER. We - you know - she had been, but she'd sort of pushed it a good way off! MRS. CULLINGEAM. [With a sigh.] You know we ought to admire these things, Peter darling; that's partly what we've come to Europe for! PETER. 0 pshaw! here comes a gang of tour- ists. Come on, let's skip! MRS. CULLINGHAM. But Ruth and Mrs. Austin PETER. We didn't agree to wait, and we can all meet at our hotel. [A crowd of TOURISTS, led by a GUIDE, preSSes and crowds in the doorway. They drag H 98 THE GIRL WITH THE GREEN EYES their tired feet in a listless shuffle across the room and stand in a somewhat sheepish and stupid bunch at the statue. One or two of the younger women nudge each other and giggle. The GUUE stands a little in advance of them. The GU-ME describes the statue, and while he is doing so PETER and MRS. CUL- LINGHAM go out Right. Most of the TOUR- ISTS turn and watch them go instead of looking at the statue. GUmE. This is the Apollo Belvedere, discov- ered at the end of the fifteenth century, some say in a Roman villa or farm-house near the Grotter Terratter. Very fine specimen both as marble and man. This statyer is calculated to make Sandow et cetery look like thirty cents. Height seven feet, weight - A MAN TOURIST. How much THE GIRL WITH THE GREEN EBYES 99 A GIRL TOURIST. Was he married [Titters from the group. GUIDE. Give it up! Should judge he was. The god once held a bow in his left hand and probably a laurel wreath in his right. ANOTHER WomAN TOURIST. A what GUIDE. A laurel wreath. You want to take a good look at this, as it is a very fine piece. Now come along, please -make haste; we must finish up this place before feeding! [He leads the way out Right, and the TOURISTS follow, shuffling along, -without speaking, MRS. Lopp and CARRIE lagging in the rear. [AUSTIN enters Left, jollowed by Ruth. AUSTIN. This is where I left her with Apollo! [Calls.] Jinny! She seems to have gone! [He looks behind the statue and out door, Right. RUTH. Probably the Cullinghams, who were io0 THE GIRL WITH THE GREEN EYES headed in this direction, found her, and they've all gone back for us; you see I walked all around the court first without going into the rooms, so I missed them, but found you. AusTiN. What shall we do Sit down here and wait for them to come back, or shall I go in search RuTH. Oh, no, you might miss them, and then we'd all be lost! If you left Jinny here, she's sure to come back to meet you. [She sits on the bench and AusTIN stands behind her. AusnN. I'm sorry to learn you've been ill. RuTH. Oh! it's nothing. AusTrN. Ah, I'm afraid it's a good deal. Will you forgive me if I say I think I know what it is! [She looks up startled. [After a moment. THE GIRL WITH THE GREEN' EYES 1o0 You haven't forgotten the day of Jinny's and my wedding, when you told me Geoffrey Tillman needed a friend RUTH. I hoped you'd forgotten; I oughtn't to have told you; I oughtn't to have! AUSTIN. Why not I had a talk with Geoffrey, then, and he told me everything. RUTH. He did! You are sure AUSTIN. Sure. [He sits beside her. Rum. That he and I - AUSTIN. Love each other. RUTm. Oh, but that isn't all. AusTIN. I know the rest! RUTH. He told you - about - about - AusTIN. The marriage - Yes Rum. Oh, I'm so glad, so glad! Now I can speak of it to some one, and some one who can advise me, and will help us. 102 THE GIRL WITH THE GREEN E YES AUSTIN. I have already advised him, but he doesn't seem to be taking my advice; it has worried me. RUTH. When I left he was awfully depressed. He said he saw no prospect of being able to pub- lish our marriage for years, maybe! AUSTIN. What marriage [In astonishment. RUTH. OUT marriage, in Brooklyn! [She notices his expression and is alarmed.] You said he had told you! AUSTIN. [Recovering himself, and speaking at first with hesitation.] Yes, but not the details, not -wait, I'm a little confused. [Rising and walking a moment.] Let's get it all quite clear now, that's the only way I can help you - both; I ought, of course, to have gone through it all with him, but there really wasn't time. THE GIRL WITH THE GREEN E YES 103 RUTH. I can't go on like this much long-r. It's killing me to deceive mother; I must tell her soon ! AUSTIN. [Quickly, stops walking.] No. You mustn't, not yet, if I'm going to help you; you'll obey me, won't you RUTH. Yes, if you only will help us! AUSTIN. You said you and Geoffrey Tillman were married where RUTH. In Brooklyn. AUSTIN. When RUTH. A month before your wedding. AUSTIN. [To himself.] It's impossible! [Walking up and doun. RUTH. [Smiling sadly.] Oh, no! I remember the date only too well. AUSTIN. I didn't mean that. RUTH. I lied to my mother that day for the 104 THE GIRL WITH THE GREEN E YES first time - at any rate, since I was a child - and I've been lying to her ever since. AUSTIN. [Probing her.] But - but why were you married so secretly RuAT. We couldn't afford to marry and set up for ourselves. He expected then to be sent off at once to the Philippines, and -well he didn't want to leave me behind, free; I'm afraid he's rather jealous - you must have found out by now that Jinny is. They all are! And I didn'twant him to go so far off without my belonging to him either; I'm that jealous, too! [Smiling.] So - that's why! AusmrN. And this long period of secrecy since then-do you understand that RuTH. Hasn't he explained to you his debts You know before he loved me he was very fast, but since - THE GIRL WITH THE GREEN EYES 105 AUSTIN. Yes, I know how he gave up every one of his old habits with a great deal of courage. RUTT. Nobody knows what it cost him! How can you help us Get him something to do to pay off his debts Or can't you make him feel even if we do have to go on living at our different homes for a while, it is better to publish the fact that we are married - AUSTIN. I shall go back at once to America if I can persuade Jinny! RUTH. And I, too AUSTIN. No. You must stay abroad till I send word for you to come home. If I am going to help you, you will help me by doing exactly as I say, won't you RUTH. Yes. AUSTIN. It's very important that you should absolutely obey me 1o6 THE GIRL WITH THE GREEN EYES RuTH. I will. [A pause. [JINNY, unnoticed by either ov them, appears in the doorway at Right. AusTnN is walking up and down. RuTH is leaning her elbow on the back of the bench and burying her face in her hands. Ausin-. It's awful! My God, it's awful! JrNNY. [In a strained, assumed, nonchalant tone.] What is RUTH. Jinny ! [Rising. Avsin. I didn't hear you, Jinny! JINNY. No, you both seemed so absorbed. RUTH. [Going to JINNY.] I'm so glad to see you. [Kisses her, but JiNNY only gives her her cheek and that rather unwillingly; she is looking all the time at her husband. JrwNw. Thank you, I've just left the Culling- THE GIRL WITH THE GREEN E YES 107 hams. They sent word to you they were going and would wait for you outside. RUTH. Oh, then, I mustn't keep them waiting. We'll all meet at dinner to-night, won't we Good-by - good-by. [With a grateful look at Ausn, she goes out Right. JINNY. [Watches her go; then turns to AusTIN.] That wasn't true, what I told her -I haven't seen the Cullinghams, and I don't know where they are, and what's more, I don't care! AUSTIN. What do you mean JINNY. [Beginning by degrees to lose control of hersell.] What did she mean by lollowing you to Rome AusTiN. jinny! JiNNY. Oh, don't try to deny it; that'll only make me suspect you I xo8 THE GIRL WITH THE GREEN EYES AusTI. My dear girl, you don't know what you're saying! JINNY. She's ill, they say at home! Yes, and they don't know what's the matter with her, do they No! But I can tell them! She's in love with another woman's husband! AusniN. [Taking her hand.] Hush! I won't allow you to say such things! JwNNY. [With a disagreeable little laugh.] Oh, won't you You'd better be careful,-my eyes are opened! Aus=. Yes, and much too wide. JlXNY. A half-blind person would have known there was something between you two. When I came into this room just now, it was in the air - it was in both your faces! [She sits on the bench. Ausrmi. You've worked yourself up to such a THE GIRL WITH THE GREEN EYES 0og pitch you're not responsible for what you're saying! JINNY. I not responsible I What was it you were saying was so "awful" when I came in here "My God, so awful!" [He doesn't answer. [Almost hysterical, she rises. She had told you she loved you! She'd confessed she'd followed you over here! AUsTIN. Absolutely false, both your suppositions! JiNxr. Oh, of course you'd protect her; you're a gentleman! But if I thought you knew she was coming over- Aus=N. Jinny! Jinny! How can you have such a thought JnINy. Well, why didn't you tell me when you thought you saw her a little while ago AUsTIN. Oh - xio THE GIRL WITH THE GREEN EYES JvqNY. Oh, it's very easy to say " Oh!" [Imitating him.] but why didn't you AusTiN. I told you I didn't think who it was; I only thought something familiar flashed across my eyes. Jinny darling, this is sheer madness on your part, letting yourself go like this. It has no reason, it has no excuse! Ask your own heart, and your own mind, if in speaking to me as you have, you haven't done me at least an injustice and my love for you a little wrong. JaiNmy. Well, I'm sure she's in love with you, anyway. AusnN. No, she isn't! And it's disgraceful of you to say so! I know she isn't- JiNNY. How do you know she isn't Aus=N. There's no question of it. I'm sure of it! You mustn't think, dear, that because you love me, everybody does - you idealize me! THE GIRL WITH THE GREEN EYES iii [Smiling apologetically. JINNY. Oh, you're so modest you don't see! but I do -on the steamer, in the hotels, every- where we go, always, all the women admire you awfully! I see it! AusTIN. [Laughing.] What utter nonsense! [Taking her into his arms.] You've got some- thing in your eyesl JiNNY. Only tears! AusTrm. No, something else,-something green. JrNNY. [Laughs through her tears.] Somebody's told you my old nickname! AusTN. What JINNY. [Laughs and is a litte embarrassed. ] The girl with the green eyes. AusTm. Ahem! - JINNY. Well, I don't care if it is appropriate, I can't help it. II2 THE GIRL WITH THE GREEN EYES [Slipping fromn his arms. AUSTIN. You must - or it will threaten our happiness if you let yourself be carried away by jealousy for no earthly reason outside of your dear, little imagination, like you have this time - [Interrupted. JiNNY. You honestly don't think she cares for you AusrTN. Not a bit! JINNY. But what was it you were so serious about - what is between you Ausin. She is in a little trouble, and I happen to know about it. JINNY. How AusnN. [After a second's hesialaion.] That you mustn't ask me; it was not from her I knew of it. JunwY. Truly THE GIRL WITH THE GREEK EYES i113 AusmiN. Truly. JiNNY. I don't care, she hadn't any business to go to you! I should think she'd have gone to a woman instead of a man for sympathy. She's got Mrs. Cullingham! AUSTIN. She can't go to her, poor girl. Mrs. Cullingham knows nothing about it. JINNY. Now don't you get too sympathetic -that's very dangerous / AUSTIN. Look out, your imagination is peeping through the keyhole. [A moment's pause. JINNY. [In a sympathetic tone, the jealousy gone.] What is her trouble, Jack AUSTIN. That, dear, I can't tell you now; some day, perhaps, if you want me to, but not now. Only I give you my word of honor, it has nothing to do with you and me -does not touch our 11 4 THE GIRL WITH THE GREEN EYES life! And I want you to tell me you believe me, and trust me, and won't let yourself be jealous again! JINNY. I do believe you, and I do trust you, and I will try not to be jealous again! AUSTIN. That's right. JINNY. You know that book of De Maupassant's [They move away together.] I was reading in the train the other day, - about the young girl who killed herself with charcoal fumes when her lover deserted her AUSTIN. [Hall laughing.] This is apropos of what, please I have absolutely no sympathy with such people. JINNY. In America that girl would have simply turned on the gas. AUSTIN. You're getting morbid, Jinny! JINNY. No, I'm not! but if ever - THE GIRL WITH THE GREEN EYES 115 AUSTIN. [Interrupting - laughing it ofi]. I shall install electric light as soon as we get home! [They both laugh. JINNY. I'm sorry I was so disagreeable to Ruth, but I'll try to make up for it in every way I can. [She sits on the bench and he leans over the back toward her. AUSTIN. There's one other thing, Jinny, I'd like to speak of now. Would you mind giving up the Lakes and going home this week JINNY. Going home - at once AUSTIN. Yes - Wall Street is very uncertain. I'm worried, - I don't mind telling you, - and I want to see Geoffrey about his business. JINNY. [Hall in earnest.] Jack! You're not running away from her, are you zi6 THE GIRL WITH THE GREEN EYES AUSTIN. Jinny! After all we've said! JINNY. No! I wasn't in earnest! I'm ready to go. I've seen the Lakes, and whether you are in Italy or in New York, so long as we are together, it's our honeymoon just the same. AuSTIN. And may it last all our lives! JiNNY. Still, I don't mind owning up that leaving Ruth Chester behind here is rather pleas- anter! [She rises quickly witth a sudden thought.] She is not going back, too AusmN. Oh, no, not for a long time. They are over here indefinitely. JrNNY. I've been too horrid and nasty for words this morning, Jack -I'm so sorry. AUSTIN. It's over and forgotten now. JINNY. You do forgive me AUSTIN. Of course, dear; only I want to say THE GIRL WITH THE GREEN EYES 117 this one thing to you: to suspect unjustly a true love is to insult that love! JINNY. I didn't really suspect you. AUSTIN. Of course I know you didn't; this is only by way of a grandfatherly warning! It is possible to insult a true love too often - and love can die - JINNY. Sh! don't, please, say any more. You have forgiven me, haven't you AUSTIN. Yes I JINNY. Then kiss me! AUSTIN. [Smiling.] Here! My dear, some one will see us! JINNY. No, only Apollo; see, there's no one else about - it's luncheon hour! AUSTIN. But - [Taking her hand. JINNY. [Pulling him.] Come along, then, be- hind the statue. No one will see us there! ii8 THE GIRL WITH THE GREEN EYES [They are behind the statue a moment and then come around the other side. jwNr. There! no one saw us, and I'm so happy, are you AUSTIN. "So happy! " [JINNY takes his arm and they go to the Lelt entrance. She stops and looks up at him. JINNY. Are my eyes green now AusTIN. Now they're blue I J nNY. Hurrah! and I'm going, from now on, to be so good, you won't know me. [And hugging his arm tight they go out as- THE CURTAIN FALLS ACT III (Three weeks later) The A ustins' library; a warm, attractive room, with dark woodwork, and the walls hung in crim- son brocade; Dutch marqueterie furniture; blue and white china on the mantel and tops of the book shelves; carbon photographs of pictures by Reynolds, Ronney, and Gainsborough on the wall. There is a double window at the back. A door at Right leads to the hall, and another on the Left side of the room leads to JIN-v's own room. MRS. TILLMAN sits at a pianota Right, playing " Tell me, Pretty Maiden "; she stops once in a while, showing that she is unaccustomed to the instrument. JINNY enters from Left, singing as her mother plays. X19 x2o THE GIRL WITH THE GREEN EYES JINNY. Darling mother! [She puts her arms about her and kisses her. [They come away from the pianola together, to a big arm-chair. MRS. TILLMAN. I really must get one of those sewing-machine pianos for your father. I believe even he could play it, and it would be lots of amusement for us. JINNY. Jack adores it; I gave it to him for an anniversary present. MRS. TILLMAN. What anniversary [Sitting in the chair. JINNy. Day before yesterday. The eleventh Tuesday since our marriage. Have you been in town all day I am glad to see you! [She sits on the arm of the chair with her arm about her mother. MRS. TILLMAN. Yes, and I told your father to THE GIRL WITH THE GREEN E YES 121 meet me here and we'd take the six-thirty train from Long Island City. JrtNNv. Jack and I are going to the theatre to-night. MRS. TILLMAN. I thought they were all closed ! JrNrY. Oh, no, there are several musical comedies on, -Jack's favorite form of amuse- ment, - and I've bought the tickets myself for a sort of birthday party. MRS. TILLMAN. Is it his birthday JiNNY. No, that's only my excuse! MRS. TILLMAN. [Laughing.] Had we dreamed you and Jack were coming home in June, your father and I wouldn't have gone into the country so early. JINNY. We've been home two weeks and it hasn't been hot yet 122 THE GIRL WITH THE GREEN EYES MRS. TILLMAN. And you're still ideally happy aren't you, darling JINNY. Yes - [She rises and goes to a table near the centre of the room and looks at the titles of several books without realizing what they are. MRS. TILLMAN. Why, Jinny, - what does that mean JiNwy. Oh, it's all my horrid disposition! MRS. TILLMAN. Been seeing green JINNY. Umr! Umr! Once in Rome, ahd on the steamer, and again since we've been back. MRS. TILLMAN. Nothing serious JINNY. [Hesitatingly, she turns and faces her mother.] No -but the last time Jack was harder to bring around than before, and he looked at me for fully five minutes without a particle of love in his eyes, and they were almost -dead eyes! THE GIRL WITH THE GREEN EYES 123 MRS. TILLMAN. What was it all about JINNY. Ruth Chester, principally. MRS. TILLMAN. Why Ruth JINNY. Well, the first real scene I made was in Rome in the Vatican. I was jealous of her; I can't explain it all to you - as a matter of fact, it hasn't been all explained to mel Something was troubling Ruth that Jack knew, and he said he'd help her. MRS. TILLMAN. What JINNY. That's just it; Jack won't tell me. And the day we sailed from Naples a telegram came, and of course I opened it, and it said, "Trust me, I will do everything you say. Ruth." MRS. TILLMAN. Why haven't you told me any- thing of all this before, dear JINNY. [Going back to her mother.] I was x24 THE GIRL WITH THE GREEN EYES ashamed to! Somehow, in the end I always knew I was wrong and had hurt him -hurt him terribly, mother, the man I love better than everything else in the world! Yes, even better than you and father and Geoffrey -all together! [In her mother.; arms, crying a little. MRS. TILLMAN. Oh, this curse of jealousy! I was in hopes he was so strong he would help you to overcome it. Jrnqxy. He does try hard, I can see sometimes; but he hasn't a spark of it in him, and he can't understand it, and I know I'm unreasonable, and before I know it I am saying things I don't know what, and some day he won't forgive them! I'm sure some day he won't! - [Breaking down again. [She rises and turns away. MRS. TmLLnAN. [Rising and putting her arms THE GIRL WITH THE GREEN EYES 125 about her.] Come, dear! Now you're getting your- self all unstrung, and that won't do you any good; you've got to fight this battle out, I'm afraid, by yourself, trusting in the deep love of your husband to teach him forbearance. Your father's and my troubles were never very big because we shared the curse, so we knew how to sympathize with each other! JINNY. What an awful thing it is! MRS. TILLMAN. Yes, my dear child. Jealousy has no saving grace, and it only destroys what is always most precious to you. jinny, don't let it destroy your best happiness! JINNY. Mother, if it should, I'd kill myself! MRS. TILLMAN. [Shocked, but quite disbelieving her.] My dear! [MAGGIE enters Right. MAGGIE. Mr. Tillman is downstairs, madam. 126 THE GIRL WITH THE GREEN EYES MRS. TILLMAN. Tell him to come up. MAGGIE. Yes, madam. [She goes out Right. JNwwY. Don't tell father anything before me. MRS. TILLMAN. I don't know that I shall tell him at all; he would only advise more cigars! [TILLMAN enters Right. [MRS. TILLMAN sits on the so/a at Left. TILLMAN. Are you here JINNY. [Going to meet him.] We are, father dear, and your presence almost completes us. [Kisses him.] I say almost, because Jack hasn't come up town yet, and Geoffrey's heartless enough to stay on fishing at Cape Cod! TILLIIAN. No, he isn't; he's back to-day. [He sits in the arm-chair at Right. JINNY. Oh, I do want to see him! [Sitting near her /ather. THE GIRL WITH THE GREEN EYES 127 TILLMAN. He ought to have been in by now - I met them this morning. He was to lunch with Jack, and he's going to put up for a few days at the University. JINNY. He must dine with us every night. TILLMAN. Jinny! - [Looking at her.] - You look as if you've been crying I [The two WOMEN are embarrassed, and JINNY doesn't reply. TILLMAN. [Hurt.] Oh, if you prefer to have secrets from your father, it's all right! I don't be- grudge your mother her first place in your affections! JiNNY. Not at all, father; with you and mother there's no first place. She will tell you all about it on the way home! Please, mother. MRS. TILLMAN. Very well, dear. TILLMAN. A little "scrap" between you and Jack i2S THE GIRL WITH THE GREEN EYES JINNxY. Yes, but it's all over! TILLMAN. Urn! - [Thinks a second, then tak- inlg out his cigar case, he empties it of cigars and hands them to JWNY.] Give your husband these, please, when he comes in! [JaiwY and her MOTHER exchange a smile. JINNY. But, father, Jack's got boxes full - TILLMAN. Never mind; give him those, from me, with my compliments! JITNY. [Laughing.] Very well! TILLMAN. How are you and Maggie getting on JiNy. Splendidly. MRS. TILLMAN. Such a nice girl! JiNNY. And wasn't it odd Jack was bitterly opposed to my taking her MRS. TILLMAN. My dear, if we hadn't lent her to you for these few weeks, you wouldn't have got anybody decent for so short a time. THE GIRL WITH THE GREEN EYES 129 TILLMAN. Why didn't Jack want her to come JINNY. I don't know, he just didn't want her; and then last week he talked with her in the library for three-quarters of an hour by my watch. MRS. TILLMAN. Why JINNY. Oh, it seems she has troubles, too! All single young women with troubles, of no matter what class, seem to make a bee line for my hus- band, even if they have to cross the ocean! TILLMAN. What do you mean JiNNY. [Hall laughing.] Oh, nothing, but it was about that talk with Maggie that we had our last quarrel. [MAGGIE enters Right. MAGGIE. Mrs. Cullingham. [A second's dead silence, the announcement lalling like a bombshell. JENNY. [Astounded.] Who K 130 THE GIRL WITH THE GREEN EYES [she rises. TILLMAN AND MRS. TILLMAN. Who MAGGIE. Mrs. Cullingham and her son, madam. JINNY. They're in Europe. MRS. TILLMAN. Are you sure you're not mis- taken, Maggie MAGGIE. Oh, yes'm. Even if you could mis- take Mrs. Cullingham, you couldn't mistake Mr. Peter! JINNY. Ask them to please come up, Maggie. MAGGIE. Yes'm. [She goes out Right. TILLMAN. Why, they only just sailed the other day, didn't they MRS. TILLMAN. Yes, and they were supposed to be gone all summer at least, for Ruth Chester's health! What in the world can they have come back for THE GIRL WITH THE GREEN EYES 131 JINNY. [With curious determination.] That is what I intend to find out. TILLMAN. [Rising.] We must be going, Susan; we've lost our train as it is. MRS. TILLMAN. [Rising.] We can take the seven-two. [MAGGIE shows in MRS. CULLINGHAm and PETER. PETER shakes hands with MRS. TILLMAN, then with JiNNY, and then with MR. TILLMAN. [MRS. CULLINGHAm kisses MRS. TILLMAN and shakes hands with MR. TILLMAN. MRS. CULLINGHAM. jinny, you angel, aren't you surprised! [Kissing her. JINNY. Well, rather! MRS. CULLINGHAM. Well, you aren't a bit more surprised than I am. [A clock strikes six- 132 THE GIRL WITH THE GREEN EYES thirty.] There goes the half hour, Peter; you must take your powder. PETER. I beg your pardon, mother; it's the tablet now. MRS. CULLINGHAM. Excuse me, dear, I'm so dead tired. [Sits on the sofa. Junwy. [To Peter.] Will you have some water PETER. No, thank you, I've learned now to take them au naturel, and without much, if any, inconvenience ! [Takes his tablet with still a certain amount of difficulty, and sits Right. MRS. TiLLmAN. [To MRS. CULLINGHAM.] Did you have a bad voyage MRS. CULLINGHAM. No, perfectly beautiful ! PETER. [Reproachfully, and with a final swallow.] Oh, mother! THE GIRL WITH THE GREEN E YES 133 MRS. CULLINGRAM. Except, of course, for poor Peter; he gets worse every trip! He can eat absolutely nothing-that is for long! But it's the Custom House that's worn me out; I was there from twelve till four. MRS. TILLMAN. But you wouldn't have had time to buy anything! MRS. CULLINGHAM. Of course not! But I took plenty of new dresses for the entire summer; most of them hadn't been worn, and they were determined to make me pay duty. JINNY. We had to pay awfully for things! I wanted to try and smuggle, but Jack wouldn't let me! MR. TILLMAN. I'm afraid we must go! [ALL rise. MRS. CULLINGHAM. What do you think the Inspector had the impudence to ask me finally, i34 THE GIRL WITH THE GREEN EYES - if I wanted to bring the dresses in as theatrical properties! [They laugh. MRS. TILLMIAN. You must have some gorgeous frocks ! MRS. CULLINGHAM. Oh, there are some pail- lettes ! But who do you suppose he took me for -Sarah Bernhardt! TILLMAN. [Looking at his watch.] I don't wish to interrupt this vital political conversation, but, Susan, if you don't want to miss the seven-two train, too-! MRS. TILLMAN. [Rising.] Oh, no, we mustn't do that. Good-by. [To MRS. CULLINGHAM, shaking hands.] It's nice to see you again, any- way. Is Ruth better MRS. CULLINGHAM. I'm sorry to say - I don't think she is - good-by. THE GIRL WITH THE GREEN EYES 135 [To MR. TILLMAN, who says good-by -general good-bys. MRS. TILLMAN. [To JINNY.] YOU want me to tell your father JINNY. Yes, it's better; it does make him jealous if he thinks I tell you things and keep secrets from him. TILLMAN. Good-by, Peter. MRS. TILLMAN. Good-by, Peter. PETER. By-by. [MR. and MRS. TILLMAN quickly go out Right, JINNY going to the door wih them. JINNY. [Coming back /rom doorway.] Now do tell me what it means. I thought you were abroad indefinitely, or for the summer at least. MRS. CULLINGHAM. So did I! I'm just as surprised to be here as you seem to be! [They 136 THE GIRL WITH THE GREEN EYES sit down near each other.] Didn't you really know we were coming JiNNY. No! How should I MRS. CULLINGHAM. I don't know-I thought- [She hesitates, embarrassed. [After a pause. JINNY. What did you think MRS. CULLINGRAM. Nothing, except that you must know we were coming home. JLNNY. Why -that I must MRS. CULLINGHAM. YOU mustn't put me into a corner like that! JINNY. How do you mean "corner " How did you happen to come home like this MRS. CULLINGRAM. Ruth suddenly got a cable - she didn't tell me from whom - but she said she must go home at once. J nny. But her mother's never been better! THE GIRL WITH THE GREEN EYES 137 MRS. CULLINGHAM. [Carelessly. ] The cable wasn't from her mother. JINNY. Oh, then, you know who it was from [No answer.] Oh, I see now why you thought I ought to know about it; the cable was from Jack, wasn't it MRS. CULLINGHAM. [Relieved.] Yes. JINNY. Oh, it was! MRS. CULLINGHAM. I looked at it when she was out of the room; of course, it was sort of by accident - [Very much embarrassed.] - that is, I just happened to see - 0 dear, there! You know what I mean; it was dreadful of me, but I couldn't help it. JiNNY. [In a strained voice.] Jack and Ruth are very good friends and he looks after some of her affairs. You know having no man in the family complicates things. 138 THE GIRL WITH THE GREEN EYES PETER. Oh! I say ! [Standing up, suddenly. MRS. CULLINGHAM. What is it, dear PETER. I believe I haven't got my before-dinner tabs. MRS. CULLINGHAM. Oh, look carefully! PETER. [He looks in his right-hand pocket, takes out a bottle.] Soda mints! [From his le/t- hand pocket a box.] Alkali powders 1 [From third pocket a bottle.] Charcoal tablets! [From /ourth pocket another bottle.] Dr. Man's Positive Cure! [From filth pocket a box.] Bicarbonate soda! MRS. CULLINGHAM. There's your other side pocket! PETER. That's my saccharine [Shouing bottle.] and my lithia tabs. [Shouwing another bottle.] We'll have to go, mother; I've left them home! 7'IE GIRL WITH THE GREEN EYES 139 MRS. CULLINGHAM. We must go, anyway, my dear. [Rising. [JINNY also rises. PETER. [Suddenly claps his hand behind him and speaks joyfully.] No, we needn't go after all; I forgot my hip pocket. Here they are! [Bringing them ouL MRS. CULLINGHAM. We must go all the same! [To JiNNY.] Sometimes I think he takes too much medicine stuff ! JENNY. I should think so! Peter, you ought to diet. PETER. I can't! I've tied, and I lose my appetite right away! MRS. CULLINGEAM. Good-by, dear. How long will you be in town JIwNY. I don't know-several weeks, I imagine. 140 THE GIRL WITH THE GREEN EYES Jack came home on some business, you know, and I don't think it's settled yet. Good-by. [To PETER. PETER. Good-by. You know you mustn't drink water with your meals; that's the great thing. So I drink only champagne. [He goes out Right. MRS. CtTLLINGHAM. [Waits and speaks to JrNNY with real feeling.] I'm awfully ashamed of myself, and I hope I haven't made any trouble or fuss with my meddling. Don't let me! JwN . No, of course not. [With a strained smile. MRS. CULUNGI. I wish I could believe you. JuiTNY. Well, do. MRS. CULLINGHAM. Good-by. [She goes out Right. THE GIRL WITH THE GREEN EYES 14I jINNY. Good-by. Where's that telegram that came for him a little while ago [Going to the desk at Right, and finding the telegram.] Of course it's from her, saying that she's arrived. That's the trouble with telegrams; the address doesn't give the handwriting away. She must have sent it from the dock! Couldn't even wait till she was home! [She walks to the window and stands there a moment, then comes back, look- ing at her watch.] Nearly seven already, and no sign of him, and we must dress and dine - huh! I think I might as well tear up my theatre tickets! [She paces up and down the room, stopping now and then with each new thought that comes to her.] I wonder if he went down there to meet her -he must have known the boat; if he cabled her to come back, she must have cabled an answer and what boat she'd take! But no other telegram 142 THE GIRL WITH THE GREEN E YES has come for Jack here to my knowledge -oh! of course, what am I thinking of, she sent that one to his ofice to-day; she was afraid he might have left before this one could get there, so she risked it here. Good Heavens! why am I maud- ling on like this to myself oat loud It's really nothing - Jack will explain once more that he can't explain, but that Ruth has "troubles," and I'll believe him again! But I won't! He prom- ised me she should stay over there! [Looks at her watch again.] He's there, with her ! Nothing ever kept him half as late down town as this! What a little fool I am! [GEOFFREY enters suddenly Right. JiNmy. [Cries out, joyfully.] Geoffrey! [And rushing to him, embraces him.] You brute, you, not to come straight back to New York when you heard I was home! You dear old darling, you! THE GIRL WITH THE GREEN EYES 143 GEOFFREY. I couldn't, old girl; there were reasons - I don't have to tell you I wanted to. JINNY. I don't know! Was there a pretty girl up there, Geof I'm sure I shouldn't think her pretty if you were in love with her. I believe I shall be awfully jealous of your wife when you get one! GEOFFREY. Rubbish! Hasn't Jack come back yet JINNY. "Come back" from where GEOFFREY. Brooklyn. JINNY. Brooklyn! Why, he told me-what did he go there for GEOFFREY. [Embarrassed.] I don't know if you don't - JINNY. You dol! GEOFFREY. No - really - I - 44 THE GIRL WITH THE GREEN EYES JINNY. Oh, it's something to be concealed, then GEOFFREY. Hang it, Jinny! drop the subject. I thought he said he was going to Brooklyn; probably I was mistaken. JINNY. [Satirically.] One is so apt to think just casually that every one's going to Brooklyn! [Looks at her watch.] Of course it's Brooklyn. [Goes and looks at the telegram; turns.] So you're going back on me, too, are you You're going to protect Jack at my expense! [AusTN enters Right. AusrTr. [Absorbed.] Good evening, Jinny dear. JENwY. It's after seven! AusmrN. [Pleasantly.] Is it Have you been waiting long, Geoffrey GEOFFREY. No, I've only just now come in. JiNNY. It's I who have done the waiting! THE GIRL WITH THE GREEN EYES 145 AUSTIN. I'm sorry, but it couldn't be helped. JINNY. You didn't tell me you were going to Brooklyn. AUSTIN. [Alter a quick, sharp look at Geoffrey, who shakes his head once emphatically.] It must have escaped my mind. JINNY. That's very likely! Going to Brook- lyn's the sort of thing one talks about and dreads for days. AUSTIN. Well, Jinny, that will bear postpone- ment, and my conversation with Geoffrey won't; will you please leave us together here for a while JINNY. And what about the theatre AusTIN. What theatre JINNY. Oh, you've forgotten entirely my little birthday party! Thanks! AUSTIN. Oh, Jinny' I did! Forgive me! I'm awfully sorry! I've got a lot on my mind to-day. L 146 THE GIRL WITH THE GREEN E YES [Tries to put his arms about her and kiss her. She pushes herself away from him, re/using to let him kiss her. JINNY. Yes - I know you have - [At door Left.] - I'll leave you two to your confidences. You can trust Geof; he just now refused to betray you. [AUSTIN only looks at her fixedly, seriously. She looks back at him with bravado. Then she deliberately crosses the room, gets the cable, and recrosses with it and goes out Left. AUSTIN. Poor Jinny ! [Turning to GEOFFREY.] and that, too, lies largely on your already over- crowded shoulders. GEOFFREY. [Breaking down.] I know! I know! AUSTIN. [Sitting in the corner of the sofa.] THE GIRL WITH THE GREEN EYES 147 Here, don't cry! You've got to be strong now, and you've no use nor time for crying. I've had another long interview with the Brooklyn minister. GEOFFREY. Yes - AUSTIN. [Drawing a chair near to him and sitting.] Well, of course we both know that he's doing wrong to keep silent, but he will. He wishes I hadn't told him, because he thinks he'd never have noticed your divorce from Maggie when it was granted - nor remembered your name if he had seen it in the papers. GEOFFREY. That's what I told you! AUSTIN. You only argued that for fear I'd insist on your going to this minister yourself. But in the bottom of your heart you know it was a risk we couldn't afford to run. I've explained everything to him -how such a fine, sweet girl 148 THE GIRL WITH THE GREEN E YES would suffer if he did expose you, and I gave him my word you would be remarried to Ruth at once after the divorce. Of course we both know it's wrong, but we both hope the end justifies the means that removes difficulty number two. GEOFFREY. You're sure about Maggie AuSTLN. She's signed a paper; she realizes you'll never live with her, and - it's pathetic - she loves you - that girl, too - so much as to give you your freedom - Good Lord! what is it about you weak men that wins women so What is it in you that has made two women love you to such a self-sacrificing extent GEOFFREY. [Hall tragic, hall comic laugh.] I give it up! AUSTIN. [Bitterly.] So do I. Well, Maggie is to have six hundred dollars a year. GEOFFREY. Where'll I get it THE GIRL WITH THE GREEN EYES 149 AUSTIN. We'll talk about that when the time comes. [He rises.] Now the most im- portant, the most painful, task of all must be done and you must do it. Not I this time - you! GEOFFREY. [Looking up, frightened.] What AUSTIN. Ruth Chester landed this morning. GEOFFREY. [Starting up.] Impossible! [Rising. AUSTIN. The moment Maggie signed my paper I cabled Miss Chester to return. You can't go out west and institute proceedings for divorce without her knowing the whole truth from you first! You don't want her to find it out from the newspapers, do you GEOFFREY. And you want me to tell her AUSTIN. To-day. And to-morrow you start west 1 150 THE GIRL WITH THE GREEN E YES GEOFFREY. [Facing AusTnN.] I won't tell her! AusTrn. [Calmly.] You've got to! GEOFFREY. I'd rather shoot myself; do you understand me -I'd rather shoot myself! AUSTIN. That's nothing! That would be de- cidedly the easiest course out of it, and the most cowardly. GEOFFREY. She'll hate me! She'll loathe me! How could she help it at first! But just after a little, if I weren't there, the love she has for me might move her somehow or other -and by degrees perhaps - to forgive - Ausrr-. I don't deny that you will have to go through a terrible degradation with her - but that is nothing compared with what you deserve. If you tell her, at least the humiliation is secret, locked there between you two, and no one else in the world can ever know what happens; but THE GIRL WITH THE GREEN EYES 1;1 if you send some one else, and no matter who,- any one else but you is an outsider, - you ask her to make a spectacle of her humiliation, to let a third in as witness to the relations and emotions between you two! It's insulting her again! Don't you see [A pause. GEOFFREY. Yes, I see! My God! I must tell her myself. Atusn. That's right, don't waver, make up your mind and do it-Come! [Urging him up. GEOFFREY. [Hesitates a moment.] And Jinny AUSTIN. Oh, she'll come round all right; she always does. GEOFFREY. And she doesn't suspect AUSTIN. Not the slightest. [A pause. 152 THE GIRL WITH THE GREEN EYES GEOFFREY. Need she AusTr.n. The worst No, neaeri GEOFFREY. [He rises, with new encouragement.] You'll give me your word AusTi. Yes. [Shakes his hand.] I know how much she loves you; I wouldn't have her know anything. It's made us some ugly scenes, but they soon pass, and when you are once out of your trouble for good, we'll have no excuse, I'm sure, for any more! GEOFFREY. Then I shall go to bed to-night with the respect still of at least two women who are dear to me, my mother and Jinny, even if I lose the respect and love of the one woman who is dearer! Only think, Jack, how I've got to stand up there - never mind about myself - and make her sufler tortures! Good-by. God give me cour- age to do the heart-breaking thing I must do. THE GIRL WITH THE GREEN EYES 153 AusTiN. I am sure the one hope you have of forgiveness is in your manliness of going to her as you are doing and telling her yourself all the truth ! GEOFFREY. And that, like everything else, I owe to you. AUSTIN. No, to Jinny! Good luck! [He shakes GEOFFREY'S hand and GEOFFREY goes out Right. AusTIN. [Goes to the door Left, opens it, and calls to JiN-Y, in the newt room.] jinny, Geoffrey's gone, -what are you doing JINNY. [Answers in a very little staccato voice.] Waiting till you should have the leisure to receive me! AusTIN. Come along! [Leaves the doorway. [JINNY enters Left and stands in the doorway. 154 THE GIRL WITH THE GREEN EYES JINNY. [With affected nonchalance.] I didn't care to go downstairs for dinner, so I have had a tray up here. Maggie brought up something for you, too; would you like it now AusimN. [Ignoring purposely her mood and manner.] I shouldn't mind! I do feel a little hungry. [He sits in the arm-chair. JiNNY. [Speaks off through the doorway Left.] Bring in the tray for Mr. Austin, Maggie. MAGGIE. [off stage.] Yes'm. [JiNNY pulls forward a little tea table beside his chair. Her whole manner must be one of slow, dragging carelessness, like the calm before a storm. Her expression must be hard. She carries the telegram still THE GIRL WITH THE GREEN EYES 155 unopened, and on top o it the theatre tickets torn into pieces. [MAGGIE brings in the tray, puts it on the table, and goes out Right. On the tray are chops, peas, some whiskey, a syphon, a roll, etc. AUSTIN. [Sits down quickly and with a show of eagerness.] AMI [Begins to eat as if he were hungry and enjoyed it. [JINNY sits on the so/a at his Le/t, and looks at him, - AUSTIN is oj course conscious of JINNY'S mood, but pretends not to notice it. AusTIN. [Alter a silence during which he eats.] I say I am hungry! And these chops are very good, aren't they [No answer. I'll tell you what it is, Jinny! Of course travel- ling is great sport and all the rest of it, but after 156 THE GIRL WITH THE GREEN EYES all one does get tired of hotels, and to quote a somewhat familiar refrain, "There's no place like home." [No answer. Have you a headache, Jinny JINNY. [Very short.] No. AusTN. That's a good thing, and I hope you are not as disappointed as I am about the theatre. JINNY. [Hall laughs.] Humph! AusTnN. I'll celebrate your birthday to-morrow and take you. JiNNY. [Quickly.] Why did you go to Brooklyn AusTiN. On the private business of some one else. JINNY. [With all her nerves tied light.] That's the best answer you will give me AusTIN. My dear girl, it's the only answer I can give you. THE GIRL WITH THE GREEN EYES 157 JINNY. When you are through I have something for you ! AUSTIN. What JINNY. I'll give it to you when you have finished. AUSTIN. I'm ready. [He rises. JINNY rises too, and gives him the telegram with the torn tickets on top, and then rings the bell, at Right.] What are these torn papers JiNNY. Our theatre tickets! [He looks at her. AUSTIN. And when did this telegram come JINNY. This afternoon. AUSTIN. Why didn't I get it when I came in JINNY. [Bitingly.] I kept it to have the pleas- ure of giving it to you myself; it's from Ruth Chester. AUSTIN. How do you know 158 THE GIRL WITH THE GREEN EYES JIrNY. Oh, I haven't opened it! But I know! When I held it in my hand it burnt my fingers! [MAGGIE enters Right.] Take away the tray, please, Maggie. MAGGIE. Yes'm. [She leaves the room with the tray. [JINNY replaces the small table carelessly, almost roughly. [AusTiN opens and reads the telegram; there is a second's pause. JINNY. May I read it AusTiN. [Alter a momen's hesitation.] Yes, if you wish. [Not handing it to her. JINNY. I do! AussrN. [Reaches over and hands her the telegram; he speaks quietly.] When you behave like this it's impossible for me to feel the same toward you. THE GIRL IVITH THE GREEN EYES 159 JINNY. And how do you think I feel when I read this [Reads it, satirically, bitterly. "Arrived safely; please let me see you before the day goes. Ruth." "Ruth" if you please! AusTN. [Standing over JINNY.] I want you to be careful to-night. I want you to control yourself. I've been through a great deal to-day, and if you make me angry God knows what I mightn't say and do! JINNY. And I've been through a great deal for many a day now, and I want the truth about this at last! It's all very well for you to spare her by not telling me what this mysterious trouble is about which you've been hoodwinking me ever since we were married, but now you've got to choose between sparing her and sparing me! [She sits determinedly. z6o THE GIRL WITH THE GREEN EYES AusNx. Is this your answer to me when I beg you to be very careful to-night to control yourself JINKY. It's your turn to be careful! What did you marry me for if you were in love with Ruth Ausmn. Jinny! JuNNY. [A little frightened, to excuse herself.] You gave me your word of honor she would stay abroad indefinitely. Aumsn. Nonsense! I said I understood she was going to stay some time-indefinitely. JncrY. It's the same thing, and here she is back practically the moment we are! Ausnll. I can't control Miss Chester's move- ments - I couldn't foresee when she would come back. In Rome she told me she would stay on. THE GIRL WITH THE GREEN EYES i6i JiNNY. [Rising and facing him.] Ah I that's what I wanted to see, if you really would lie to me! AUSTIN. What do you mean JINNY. [Beside herself.] Liar! [He only looks at her, with his lace hard and set; she is insane with jealousy for the moment.] You sent for Ruth to come back. AusniN. And if I did JINYry. You tried to deceive me about it. And if you'll tell me a lie about one thing, you'll tell me a lie about another, and I don't believe one word of all your explanations about the intrigue between you and Ruth Chester! AusTriN. [Taking her two hands.] Sit down! [She sits in the arm-chair, half forced by him. JrqNY. Why did you send for Ruth Chester to come back M i62 THE GIRL WITH THE GREEN EYES AusTIN. I have told you before, I am trying to help Miss Chester. JiNNY. "Ruthi " AusTN. I am trying to help her in a great and serious trouble. JiwNNY. Why did you send for her to come back What's the trouble AusnN. I've told you before I can't tell you. jINNY. You daren't tell me, and you haven't even the face to tell another lie about it ! AusTIN. If you say another word, I shall hate you! If you won't control yourself, I must make you, as well as keep my own sane balance. You have insulted my love for you to-night as you've never done before; you've struck at my own ideal of you; you've almost done, in a word, what I warned you you might do - kill the love I have for you! THE GIRL WITH THE GREEN EYES 163 JINNY. [Frightened.] Jack! AUSTIN. I mean what I say! JINNY. [In tears.] That - that you-you don't love me AUSTIN. That is not what I said, but I tell you now that since I first began to care for you, never have I loved you so little as I do to-night. JiNNY. [With an effort at angry justification.] And suppose I tell you it is your own fault, because you haven't treated me - AUSTIN. [Interrupting her.] Like a child, in- stead of a woman! JINOY. No, because you've kept part of your- self from me, and that part you've given - AUSTIN. For God's sake, stop! [A pause - JiNNY is now thoroughly frightened; slowly she comes to her senses.] Do you want a rupture for 164 THE GIRL WITH THE GREEN E YES good between us [No answer.] Can't you see what I tell you is true That I can't bear any more to-night That if you keep on you will rob me of every bit of love I have for you, just as you've already robbed me of the woman I thought you were JINNY. " Already ! " No, no, Jack, don't say that. Oh, what have I done! [She cries. AusnT. You've done something very serious, and before you do more -[Speaking hardly.] -I think we'd better not stay in this evening; it would be wiser for both of us if we went out somewhere. JrgNY. No, I couldn't go out feeling this way! I've hurt you, hurt you terribly! Oh, why do I do it Why can't I help myself AusnN. I think one more scene to-night THE GIRL WITH THE GREEN EYES 165 would finish things for us. I warn you of that, Jinny - [He goes to the desk and sits at it, looking blankly be/ore him. She comes slowly, almost timidly, behind his chair. JLNNY. No, don't say it! don't say it! Try to forgive me - oh, Jack, I hate myself, and I'm so ashamed of myself ! I know I've disappointed you awfully, awfully! You did idealize me; I knew it when you married me, but I told you then I wasn't worth your loving me, didn't I I never pretended to be worthy of you. I always knew I wasn't. AusTIN. Hush! JINy. It's true! it's only too awfully true. But do you remember how you answered me then when I told you I wasn't worth your loving me 166 THE GIRL WITH THE GREEN EYES AusTmN. [Coldly and wthout looking at her.] No. JiN-y. You took me in your arms and held me so I couldn't have got away if I'd wanted to -which I didn't -and stopped the words on my lips with your kisses. [Her throat fills. He makes no reply. She goes on very pathetically.] How I wish you'd answer me that way now! AusThN. Whose fault is it JiNNY. Oh, mine! mine! I know it. You don't know it one-half so well as I! I love you better than anything in the world, love everything of you - the turn of your head, the blessed touch of your hand, the smallest word that comes from your dear lips - the thoughts that your forehead hides, but which my heart guesses when I'm sane! And yet, try as hard as I can, these mad fits take hold of me, and although I'd willingly die to save you pain, still 1, I myself, hurt and wound you THE GIRL WITZ THE GREEN EYES 167 past all bearing! It doesn't make any difference that I suffer too! I ought to! I deserve to - you don't! Oh, no! I know I'm a disappoint- ment and a failure! [Her eyes fill up with tears and her voice breaks. AUSTIN. [He turns to her.] No, Jinny, not so bad as that, only I thought you were big -and you're so little, oh, so small! JINNY. Yes, it's true; I'm small -I'm small! Oh, I'd like to be big, too! I want to be noble and strong, but I'm not - I'm as weak as water- only it's boiling water! I want to be Brunbilde, and I'm only Frou Frou! Yes, I'm little; but I love you-I love you ! [She sinks on to a stool beside him. A moment's pause. [With a trembling voice. You don't mind my sitting here i68 THE GIRL WITH THE GREEN EYES AusnN. No - [Very quietly, he places his arm about her neck, his hand on her shoulder. She quickly steals up her hand to take his, and leaning her head over it, kisses his hand. He draws it away and kisses her hair. JiNwy. [Timidly, very softly.] You forgive me AusnTN. [With a long sigh.] Yes. JENNY. [Bursting into tears and burying her face upon his knees.] Thank you - thank you - I know I don't deserve it - I don't deserve it - I don't deserve it! AusnN. [Softly.] Sh !- [JINwy half turns and looks up at him. JINNY. [Very, very quietly.] You forgive me - but still - yes, I see it in your face, you don't love me the same. You look so tired, dear. AusmrN. [Also very quietly.] I am, Jinny. THE GIRL WITH THE GREEN EYES x69 JINNY. And-happy AusTvq. I'm not quite happy. JINNY. I wish I could make you so -make you love me the old way. You used to smile a little when you looked at me -Jack, you don't any more. But I mean to make you to-night, if I can, and to make you love me as much as ever you did. AusiN. Good luck, dear. JLNN-s. [Brightening.] What time is it AusTIN. [Looking at his watch.] Nearly nine. JmNNY. I suppose it is too late for me to dress and for us to go to the theatre AUSTIN. Oh, yes, -and I'm too tired. JiNNY. [Triumphantly.] Well, then, you shall have your theatre at home! If Mahomet won't go to the mountain, the mountain must go to your lordship ! 170 THE GIRL WITH THE GREEN EYES AusnrN. I don't understand! JLNNY. Well, just wait -[She blows her nose.] - till I bathe my face and eyes a little; I feel rather bleary! [Starting to go, she stops and turns.] Good-by [Questioningly. Ausmi. [Quietly.] Good-by. JINNY. [Who wanted him to call her to him and kiss her.] Oh, very well ! but I'll make you smile yet and kiss me of your own accord to-night - you'll see! [She goes out Lelt. [She is heard singing in her room. Aus=n goes to the desk and alter a long sigh he begins to write.] AusuN. [Writing.] Dear Ruth. The satisfaction of the visit to Brooklyn prevents me from being disappointed at having missed your telegram till THE GIRL WITH THlE GREEN E YES 1 71 too late to go to your house to-night. My heart aches for the blow you must have this evening, but please God you will bear it bravely. The man who loves you is not bad, but he has been weak. However, I feel once he can shake off the burden of his present marriage, you will never have cause to complain of him again. And if your future happiness lies truly in his hands, it will be safe there. JLNNY. [Calls from her room.] Are you ready AUSTIN. Yes. [He stops writing. JLNNY. In your orchestra chair AUSTIN. Yes. JINNY. What will you have, tragedy or comedy AUSTIN. [Smiling.] Shall we begin with tragedy JIN\\Y. All right. 172 THE GIRL WITH THE GREEN EYES AusnrN. [Continues to write.] So far I have been able to keep Jinny in absolute ignorance, but I fear the blow must fall upon her soon, and I dread to think of what she, too, will suffer. Help me to keep it from her as long as we can, won't you [JINNY comes back; she has changed her dress to a loose negligee gown, with a red turban on her head; she brings two sheets with her. JiNNY. Excuse me one minute while I set the stage! [Moving toward each other the big arm- chair and the sofa, she covers them with the sheets. AustiN turns from his letter on the desk, to watch.] Uncle Tom's Cabin, Act Four! [She goes out only for a moment, and reenters, wearing a man's overcoat, with a pillow tied in the middle with a silk scarf, eyes, nose, and mouth made on it with a burnt THE GIRL WITH THE GREEN EYES 173 match.] Eliza crossing the ice! Come, honey darling! [To the pillow.] Mammy'll save you from de wicked white man! [Jumping up on the sofa, and moving with the springs.] You ought to do the bloodhounds for me, Jack! Excuse me, but you look the part! [AUSTIN watches her, not unamused, but without smiling.] Hold tight to Lize, honey, and don't be afeerd o' dat big black man over dah - dat's Uncle Tom. [Crossing to the arm-chair.] Don't be afeerd, honey; it's Lize dat's cuttin' de ice this time. [She throws the pillow away and drags ofi the two sheets.] Oh, I can see this is too serious for you! [She starts singing a cakewalk and dances across the room until she reaches him, where she finishes. AusnN. Very good, Jinny! I'm sure we couldn't have seen better at the theatre. 174 THE GIRL WITH THE GREEN E YES JINNY. Ah! You're getting yourself again! - Darling! Come! - Come! - come to the pianola and you shall have the sextette! It's in there ready; I heard mother struggling with it. You don't suppose she has designs upon the Casino, do you Now-ready [He goes to the pianola and starts to play the sextelte from "Florodora." She runs to the opposite side of the room and begins to sing and dance, crossing to AUSTIN as he plays. AusTiN. [After a few moments.] But I can't see you and play at the same time; I don't like it! JINNY. [Delighted.] You want to see me, do you AuSTIN. Of course I do! JLNNY. Jack! [Delighted.] Well, then, turn round! THE GIRL WITH THE GREEN E YES 175 [JINNY, hurrying the time of the song, turns it into a regular skirt dance. She dances de- light/ully and AUSTLN cannot resist her charm. His lace lightens, he smiles, and love comes into his eyes. JINNY sees and dances and sings all the better till she reaches him. AUSTIN. [Rising, he takes her into his arms.] You adorable Jinny! JINNY. Ah, Jack I You're smiling again and -you love meI [Clasping her arms about his neck. AusiiN. Yes! Is the theatre finished INNY. No, only the first act. [He sits in the big arm-chair, JENN on his knee.] I'm tired! [He kisses her. There is a pause. There is a knock on the door at Right.] Oh, hang it! [Knock repeated.] Don't answer it! We haven't half made up yet I 176 THE GIRL WITH THE GREEN EYES AUSTIN. But we must answer it, dear. JINNY. [As she rises unwillingly.] I don't see why - I should have let her knock till she went away. AusTIN. Come in! [MAGGIE enters with a letter. JOiNY. What is it, Maggie MAGGIE. A note from Miss Chester, m'm, and she's downstairs herself waiting for an answer. JUiNY. For me [Taking the letter. MAGGIE. No, m'm; I think she said it was for Mr. Austin. JINNY. Oh!-You may wait outside for the answer, Maggie. MAGGIE. Yes, m'm. [She goes out. Jnnny. [Slowly goes to Ausmri and gives him THE GIRL WITH THE GREEN EYES 177 the letter, lightly.] I see now why you were so anxious to let Maggie in. Perhaps you were expecting this. AUSTIN. Jinny! [Holding her by the hand and trying to pull her over to him.] Come, I'll give you a kiss for the letter. JINNY. No, thank you, I don't want kisses that are given by you for letters from Ruth Chester. Yes! do kiss me! [He kisses her.] I won't be jealous! I won't be! [Clinching her teeth.] See, I'm not jealous a bit! Read your old letter! [AUSTIN opens the note and reads it. As he does so JINNY has passed on to the desk and sees AUSTIN's unfinished letter to RUTH, which after a little hesitation she picks up and reads. AUSTIN, having read RUTH'S note, looks up thoughtfully a second, and then re- reads it. JINNY is furious over what she N 178 THE GIRL WITH THE GREEN E YES reads. As she finishes she gives a little cry from the very depths of her heart. jINNY. Oh, Jack Ausriq. What is it JiNNY. Nothing ! [She sinks by the desk, crushing the letter in her hand. She looks over at him, and then down at the letter, and then back at him. AUSTIN. Maggie! JixNY. [Rising suddenly. She speaks with a voice trembling with only hall-contained emotion and passion.] I told her to wait in the hall; may I read it [Holding out her hand for the letter. AusnN. Now look here, Jinny, -I always let you read everything, don't I JINNy. [Hiding his letter behind her back.] Yes. [Holding out her other hand.] Give it to me! THE GIRL WITH THE GREEN E YES 179 AUSTIN. Now begin to show that you really are going to turn over a new leaf, and that your love is going to have perfect confidence, and don't ask to see this letter. JIN-NY. But I do ask to see it! AUSTIN. Then this time I must refuse you! JINNY. What! is it even more compromising than your letter to her AUSTIN. What letter [Looking first on the desk, he looks across at her and sees it in her hand. He is angry, but also frightened for fear it has told her her brother's secret.] And you've read it JINmY. It lay open on the desk there, and any- way the end justifies me! AusnN. [In an agony.] What does it tell you I forget what I wrote! JLN.NY. It tells me that my jealousy all along i8o THE GIRL WITH THE GREEN EYES has been right, that I've been a fool to let you blind me! AusTnN. [With a great sigh of relief.] Is that all JmNNY. [Beside herself.] "Is that all!" Isn't that enough Dear God, isn't that enough That there's an understanding between you and Ruth to get rid of me! AusriN. If it tells you that, the letter lies! Give it to me! Jrivy. No! I'll read it to you! [Reads w-ith bitter emphasis.] "The satisfaction of the visit to Brooklyn prevents me from being disap- pointed at having missed your telegram till too late to go to your house to-night!" So-y ou and she went to Brooklyn, did you, and that's why you came back too late to go to the theatre with me You cheat! [She screams in her mad- THE GIRL WITH THE GREEN EYES t8i ness. A pause.] Why don't you answer- why don't you say something AUSTIN. Because if I speak as I feel, I'm afraid of saying something I'll regret all my life! JLNNY. You don't deny, then AUSThN. Yes! that is due to Ruth. Whatever you may feel about me, you have no right to insult her! Jf'irY. Oh, there's more to the letter! AusmN. jinny, don't you see what you're doing JiN-Y. Yes, I'm getting at the truth at last! [Reads.] "My heart aches for the blow you must have this evening! The man who loves you -" AusnN. You shan't read any more; you're mad now! [Tearing the letter away from huer. 182 THE GIRL WITH THE GREEN E YES JINNY. I don't need the letter, the words are burning in here! [Pressing her hands to her forehead.] "The man who loves you isn't bad, only weak. However, I feel once we can shake off the burden of this present marriage" - oh! you -you brute to say that! - "you will never have cause to complain of him again! So far I have been able to keep Jinny in perfect ignorance, but I feel the blow must fall upon her now -" [Interrupted. AusnN. Shall I tell you the truth JiNNY. You don't have to; I've found it out for myself! AUSTIN. [In weariness, in disgust, in utter hope- lessness.] No! what's the use. You've done it now-let it go! Let it all go-the whole thing! What's the use! - it's finished ! - [A knock on the door at Right.] Come in! THE GIRL WITH THE GREEN EYES 183 [Maggie enters and closes the door behind her. MAGGIE. Please, sir, Miss Chester came up- stairs and made me knock again to see if there was an answer and if you will see her now or not. JINNY. [Suddenly-aflame with her idea.] Yes! Maggie, show her in! AusTIN. No, no! What do you want to do I I'll see Miss Chester to-morrow, Maggie. [JNNxrw has crossed to the door, Right. JiNNY. Ruth! Ruth! RUTH. [Of stage.] Yes May I come JEvNY. Do come in! [She recrosses room; she and AusnA lace each other for a second. AUSTIN. [In a lowered voice.] For God's sake, be careful ! rRuTH enters Right 184 THE GIRL WITH THE GREEN E YES RUTH. jinny! [Going to her quickly to embrace her. [JINu , without speaking, draws away and stares at her with a look of hatred. RUTH, seeing it, stops short, and looks from JINwY to AuSTIN for explanation - she turns to AusTIN and gives him her hand, which he takes, presses, and drops; JiNNY's shoulders contract at this moment; RUTH immediately turns again to JWNY. RUTH. What is it, Jinny [To Austin.] Surely she doesn't blame me in any way. JINNy. Blame you! AUSTIN. She doesn't know. JuNzw. That's a lie! I know everything, Ruth! I know why you followed my husband to Rome, and why he sent for you to come back here. I know that you and he were in Brooklyn THE GIRL WITH THE GREEN EYES 185 this afternoon, and that you only plan to get rid of me by some divorce, and by hook or crook to marry each otherl RuTH. No!-No !- JENNY. Oh, you can lie, too, can you I won't keep you waiting long! You've stolen my hus- band from me -take him. I won't share him with any woman! He's yours now, and I'll soon be out of your way! AUSTIN. Jinny! RuTH. [To Austin.] She must be told the truth. [AusTnN bows his head. JnNY. Now you'll make up your story, will you I tell you it's useless. If he wouldn't let me see your compromising letter, I've seen a letter from him to you to-night that gives the whole thing away. i86 THE GIRL WITH THE GREEN EYES RUTH. [Very quietly.] Your husband went to Brooklyn without me, as your brother will tell you, to see the clergyman who married me, or thought he married me to Geoffrey Tillman three months ago! [JINNY looks up with a start.] That marriage was illegal because your brother was already married, and Mr. Austin tried and did get the promise of silence this afternoon about the Brooklyn service, to prevent a charge of bigamy against your brother. The first marriage, which still holds good, was with - Maggie, your present servant - [JINNY stands immovable. There is a silence. AusnN. Geoffrey is not at your house RUTH. No, he left when I came on here. As I wrote you in the note I sent upstairs, I was too stunned by what he told me to answer then, and I wanted a word of advice with you. [Sihe turns THE GIRL WITH THE GREEN E YES 187 t0 JINNY.] I knew what I thought was my mar- riage to your brother must be kept secret, but I could not learn why. This was my trouble, which, after your marriage, I selfishly laid on your hus- band's shoulders, thinking he might help me! [No answer from JINNY, who stands as if struck dumb and into stone.] Air. Austin only learned the whole truth when we met that day in Rome. I did not learn till to-day that I was not honestly your brother's wife. I had to be told, because divorce proceedings are to be started at once to break - the other - marriage. [No answer from JINNY.] To spare me, and above all to spare you the knowledge of your brother's sin, your husband has kept Geoffrey's secret from you. You have well repaid him! [She turns again to AUSTrN.] Good-by - I feel to-night I couldn't marry Geoffrey again. HIe's tumbled so far off his z88 THE GIRL WITH THE GREEN EYES pedestal he has fallen out of my heart. But still-we'll see; I've told him to come to-morrow. Thank you from the bottom of my heart-it's full of gratitude, even if it is broken! [She goes out Right. [JINNY slowly turns, almost a/raid to look at AusrN. He stands stern, with set face. JrNNy. [In a low voice, ashamed to go near him.] Can you forgive me Can you - AusimN. Ugh! [Crossing room for his coat. JINNY. I'm mad! You know I don't know what I do. But I love you -I love you! For- give me! AustiN. Never! (Taking up his coal. JINNY. Where are you going AusTIN. Out of this house. THE GIRL WITH THE GREEN EYES 189 JINNY. If you leave me, I'll not bear it! I'll kill myself ! I warn you! AusnN. Bah! - Good-by! [Going to the door Right. JiNNY. No! Where are you going AuSTsN. Out of this house for good! [At the door he turns and looks at her. JINNY. [Echoes.] For good AuSTIN. For good! [He goes out, slamming the door behind him. [JINNY stands a moment motionless. She then cries Jaintly - "Jack!" She goes to the door and pushes it open, crying out again in loud, strong despair, "Jack!" There is a moment's pause. She cries out again weakly, heartbrokenly, "Jack!" - comes back into the room, and throwing herself down on the floor, her head resting on her arms in the 9go THE GIRL WIThI THE GREEN E YES arm-chair, she sobs hysterically, wildly, "What have I done! Dear God, what have I done!" as 1H CURTAIN FALLS ACT IV SC12E I Dawn oj the next day. At the rise oj tke curtain JrxY is by the open windcw, whose curtains she has thron aside. The sky is blood-red and streaked uith gold the moment before sun- rise. JiN-Y is w;orn and haggard, with hair dishevelled. J\N\Y. [Turning and leaning against the win- dow.] Day at last! What a night-what a night - but now it's morning and he hasn't come back-! He means it! And it's my own fault - it's my own fault! [She shivers. She closes the windo-w and comes away. After a momenl-s pause she goes deliberately and looks at the several gas 191 192 THE GIRL WITH THE GREEN EYES fixtures in the room. She then closes all the doors and locks them. She carefully draws down the shade and closes in the curtains of the window. She hesitates, then pulls aside the curtains and the shade, and takes a long, last look at the dawn. She closes it all in again. She gets Austin's picture from the desk and places it on the table near the centre o/ the room. She then goes to the gas bracket at the Right and turns on the gas. She lights it to see i/ the gas is all right; then blows it out. She then crosses to the other bracket and turns that on; she goes to the chan- delier at centre, and, mounting a chair, turns on its three jets. She then sits down by the table with AusTmI's picture be/ore her, and looking into its eyes, her elbows on the table, her head in her hands, she waits.] Oh, Jack, my beloved! I couldn't help it -I never for one minute stopped loving THE GIRL WITH THE GREEN EYES 193 you better than everything else in my life, but no more than I could stop loving you could I stop or help being jealous! Once the cruel idea has got hold of me it seems to have to work its way out I Everything gets red before me and I don't seem to know what I say or do! It's no excuse, I know. I've got no excuse, only I love you! You'll for- give me when I'm gone, won't you, Jack You'll know I loved you! - loved you so I couldn't live without you !-loved you !-loved you! [She kisses the photograph tenderly, adoringly, slowly, in tears.] Loved - you - loved you! - loved - [Her head drops forward as THE CURTAIN FALLS 194 THE GIRL WITH THE GREEN E YES SCENE II The same morning, three hours later. The curtain rises on the same scene in a dull, cold, early morning light. The lamp has burnt itself out. A tiny ray of sunlight steals through a slip between the curtains. JTINNY sits by the table, her arms spread over it and her head on her arms - she is perfectly still. AusTrN's picture is before her. There is a moment's silence. Voices are heard outside, approaching door, at Right. Gradually what they say is distinguished. MAGGIE. No, sir. She hasn't been to bed; I've been to her bedroom - that door's not unlocked. TILLMAN. She's been here all night MAGGIE. Yes, sir. But twice in the night, sir, I came to the door and spoke to her and she THE GIRL WITH THE GREEN EYES i95 wouldn't answer me - but I could hear her walk- ing up and down and sometimes talking to herself. TILLMAN. [Calls softly.] Jinny! [Knocks sofily.] It's father! [No answer.] It looks as if she were asleep now. AusTIn. [At a little distance.] Father! TILLMAN. I'm outside the library door. AusnmN. [Nearer.] I can't wait-have you seen her Will she see me TILLMAN. She's locked herself in here. She's not been to her own room. AusTrN. Not been to bed at all! Poor Jinny - God forgive me. TILLMAN. Maggie says she's walked the floor all night. [He knocks on the door Right. Ausinx. [Outside the door, Right, rather so/dy.] jinny! I'm so sorry! I can't say how sorry I 196 THE GIRL WITH THE GREEN EYES I've thought it out through the night, and I think I understand things better. [He waits a moment for an answer.] Jinny, answer me! you shall be as jealous as you like, and I'll always explain and kiss away those doubts of yours, and I'll have no more secrets from you, dear. Not one! Jinny! [As he calls there is a slight movement of one of JINNY's arms. With a note of alarm.] Father! I can't hear a sound of breathing! [A moment's pause as they listen.] She threatened it - she threatened it several times! [With great determination.] We must get into this room - do you hear me - we must get in if we have to break the door down! [They shake the door. He calls a little louder.] Jinny, Jinny darling - do you hear me [JiNNr makes a sort of feeble effort to lift her head, but fails.] Jinny, for God's sake, answer me! I love you jinny-Jinnyl [Very slowly JuNyw lifts her THE GIRL WITH THE GREEN EYES 197 head and, uith difficulty, she hears as if in a dream; she is dazed, barely alive.] She doesn't answer! TILLMAN. See if the key is in the lock. AusTrm. No. TILLMAN. Get the other keys, Maggie. Ausin. Father! Gas! Don't you smell it TILLMAN. What! AusTN. Gas, I tell you! 0 God! she's killed herself! Jinny! Jinny! [Beating the door. [JrNNY staggers up, she tries to call "Jack" -but the word only comes out in a halj- articulate whisperI She tries again, but Jails. MAGGIE. Here's a key, sir. [JINNY tries to go to the door; she staggers a few steps and then falls. 198 THE GIRL WITH THE GREEN E YES [They try one key - it does not unlock the door; they try another. [JINmY half raises hersel/ and makes an eflort to crawl, but is unable and sinks back upon the floor. Ausn:x. Break the door in, father! We daren't waste any more time! TELLMAN. No, this has done it! [They open the door and rush in. They stop aghast at JuNNy and the oppressiveness of the gas in the room. TILLMAN. jinny! AusTiN. Quick -the window! [TILLMAN tears aside the curtains and throws open the window. The sunshine of full morning pours in. He then rushes to the opposite gas burners and turns them off. Kneeling quickly beside her.] Jinnyl My wilel My beloved! THE GIRL WITH THE GREEN EYES ig9 [He takes her up in his arms and hurries to the window. TILLMAN. Are we too late AUSTIN. I don't know. No! she's breathing -and see - see! - she knows me! - she knows me! [JINNY smiles at him pathetically.] Send Maggie for the doctor! [TILLMAN goes out Right. AusTiN. Jinny, forgive me! Forgive me! Forgive me ! [She slips her two arms up and joins them about his neck. AusTIN kisses her.] Father! We've saved her ! Oh, thank God, we've saved her! [Bringing her to big chair and putting her in it, he kneels at her Jeet. JINNY. [Whispers laintly.] Dear Jackl You forgive me-all my beastly jealousy AusiTN. There's one thing stronger even than 2oo THE CIRL WITH THE GREEN EYES jealousy, my Jinny. And that's LOVE! That's LOVEI [He kisses her hands, and THE CURTAIN FALLS REPRESENTATIVE PLAYS BY WELL-KNOJWN PLAYWRIGHTS By IR. CLYDE P'ITCH Each 75C. net (postage 6c.) The Climbers A keen satire on contemporary New York society, which explains its title thus: - "There are social climbers, but wealth is as good a goal. I was a climber after wealth and everything it brings." "And I after happiness and all it brings." -Act he. 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