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False gods / by George Horace Lorimer. Lorimer, George Horace, 1869-1937. 400dpi TIFF G4 page images University of Kentucky, Electronic Information Access & Management Center Lexington, Kentucky 2002 b92-232-31280846 Electronic reproduction. 2002. (Beyond the shelf, serving historic Kentuckiana through virtual access (IMLS LG-03-02-0012-02) ; These pages may be freely searched and displayed. Permission must be received for subsequent distribution in print or electronically. False gods / by George Horace Lorimer. Lorimer, George Horace, 1869-1937. D. Appleton, New York : 1906. , 91 p.,  leaves of plates : ill. ; 20 cm. Coleman Frontispiece and plates facing p. 4, 24 and 56, signed by J.C. Leyendecker. Decorations throughout. Advertisements on p. - at end. Microfilm. Atlanta, Ga. : SOLINET, 1994. 1 microfilm reel ; 35 mm. (SOLINET/ASERL Cooperative Microfilming Project (NEH PS-20317) ; SOL MN04807.04 KUK) Printing Master B92-232. IMLS This electronic text file was created by Optical Character Recognition (OCR). No corrections have been made to the OCR-ed text and no editing has been done to the content of the original document. Encoding has been done through an automated process using the recommendations for Level 1 of the TEI in Libraries Guidelines. Digital page images are linked to the text file. Leyendecker, J. C., 1874-1951. TUB IFALSE GOD S . GEORGE HORACE LRMv 4. ,, I This page in the original text is blank. This page in the original text is blank. R ,--...... ------ -- THE FALSE GODS " Then . . .the arms crushed him against the stone breast." THE FALSE GODS BY GEORGE HORACE LORIMER Author of " Letters from a Self-made Merchant to His Son " D. APPLETON AND COMPANY NEW Y(ORK 1906 COPYRIGHT, x906, BY GEORGE HORACE LORIMER COPYRIGHT, 1906, BY D. APPLETON AND COMPANY Entered at Stationer's Hall, London Puhldijsled April, 1906 I4 4K i To A. V. L. ,f 2i CONTENTS PAG.E IVI....... 21 I........39 VI39 V.........SI 'X- 7 - 75 X......... 8 i LIST OF ILLUSTRATIONS FACING PAGE " Then . . . the arms crushed him against the stor.e breast" FronHsfiece " ' Aw, fergit it'". . . I . . 4 ' She's the Real Thing " .. . . 24 - Suddenly she felt him coming, and turned" . . . . . . . I6 - Q - THE FAL'SE GODS I v T was shortly after ten o'clock one morning when Ezra Simpkins, a reporter from the Boston Banner, entered the Oriental Building, that dingy pile of brick and brownstone which cov- ers a block on Sixth Avenue, and began to hunt for the office of the RoN al Society of Egyptian Exploration arid Research. After wandering through a labyrinth of halls, he finally found it on the second floor. A few steps farther on, a stairway led down to one of the side entrances; for the building could The False Gods be entered from any of the four bounding streets. Simpkins regarded knocking on doors and sending in cards as formalities which served merely to tempt people of a retiring disposition to lie, so when he walked into the waiting- room and found it deserted, he passed through it quickly and opened the door beyond. But if he had expected this manceuver to bring him within easy distance of the person whom he was seeking, he was disappointed. He had simply walked into a small outer office. A self-sufficient youth of twelve, who was stuffed into a be-buttoned suit, was its sole occupant. "Hello, bub !" said Simpkins to this Cerberus of the threshold. "Mrs. Athelstone in" and he drew out his letter of introduction; for he had instantly decided to use it in place of a card, as being more likely to gain him ad- mittance. "Aw, fergit it," the youth answered with fine American independence. "I'll let youse know when your turn comes, an' youse can 2 The Falre Gods keep your references till you're asked for 'em," and he surveyed Simpkins with marked dis- favor. The reporter made no answer and asked no questions. Until that moment he had not known that he had a turn, but if he had, he did not propose to lose it by any foolish slip. So he settled down in his chair and began to turn over his assignment in his mind. That Simpkins had come over to New York was (ILe to the conviction of his managing editor, Mr. Naylor, that a certain feature which had been shaping up in his head wvould possess a peculiar interest if it could be "led" with a few remarks by MIrs. Athelstone. Though her husband, th. Rev. Alfred W. R. Athelstone, was a Church of England clergy- man, whose interest in Egyptology had led him to accept the presidency of the American branch of the Royal Society, she was a leader among the Theosophists. And now that the o0l head of the cult was (lead, it wvas rumored that MIrs. Athelstone had announced the rein- 3 The False Gods carnation of Madame Blavatsky in her own person. This in itself was a good "story," but it was not until a second rumor reached Naylor's ears that his newspaper soul was stirred to its yellowest depths. For there was in Boston an association known as the Ameri- can Society for the Investigation of Ancient Beliefs, which was a rival of the Royal Society in its good work of laying bare with pick and spade the buried mysteries ahng the Nile. And this rivalry, which was strong between the societies and bitter between their presi- dents, became acute in the persons of their sec- retaries, both of whom were women. Mad- ame Gianclis, who served the Boston Society, boasted Egyptian blood in her veins, a claim which 'Mrs. Athelstone, who acted as secre- tary for her husband's society, politely con- ceded, with the qualification that some ances- tor of her rival had contributed a dash of the Senegambian as well. This remark, duly reported to Madame Gi- anclis, had not put her in a humor to concede 4 - ' Aw, fergit it."' This page in the original text is blank. The False Gods Madame Blavatsky's soul, or any part of it, to Mrs. Athelstone. Promptly on hearing of her pretensions, so rumor had it, the Boston woman had announced the reincarnation of Theosophy's high priestess in herself. And Boston believers were inclined to accept her view, as it was difficult for them to understand how any soul with liberty of action could de- liberately choose a New York residence. Now, all these things had filtered through to Naylor from those just without the temple gates, for whatever the quarrels of the two societies and their enemies, they tried to keep them to themselves. They had had experi- ence with publicity and had found that ridicule goes hand in hand with it in this iconoclastic age. But out of these rumors, unconfirmed though they were, grew a vision in Naylor's brain-a vision of a glorified spread in the Sunday Banner's magazine section. Under. a two-page "head," builded cunningly of six sizes of type, he saw ravishingly beautiful pic- tures of Madame Gianclis and Mrs. Athelstone, 3 5 The False Gods and hovering between them the materialized, but homeless, soul of Madame Blavatsky, try- ing to make choice of an abiding-place, the whole enlivened and illuminated with much "snappy" reading matter. Now, Simpkins was the man to make a managing editor's dreams come true, so Nay- lor rubbed the lamp for him and told him what he craved. But the reporter's success in life had been won by an ability to combine much extravagance of statement in the written rxith great conservatism in the spoken word. Early in his experience he had learned that Naylor's optimism, though purely professional, entailed unpleasant consequences on the reporter who shared it and then betrayed some too gener- ous trust; so he absolutely refused to admit that there was any basis for it now. "You know she won't talk to reporters," he protested. "Those New York boys have joshed that whole bunch so they're afraid to say their prayers out loud. Then she's Eng- lish and dead swell, and that combination's 6 The False Gods hard to open, unless you have a number in the Four Hundred, and then it ain't refined to try. I can make a pass at her, but it'll be a frost for me." "Nonsense! You must make her talk, or manage to be around while some one else does," Naylor answered, waving aside ob- stacles with the noble scorn of one whose busi- ness it is to set others to conquer them. "I want a good snappy interview, understand, and descriptions for some red-hot pictures, if you can't get photos. I'm going to save the spread in the Sunday magazine for that story, and you don't want to slip tip on the Athelstone end of it. That hall is just what the story needs for a setting. Get in and size it tip." "You remember what happened to that Coui- rier man who got in " ventured Simpkins. "I believe I did hear something about a Co i- rier man's being snaked out of a closet and kicked downstairs. Served him right. V'erv coarse work. Very coarse work indeed." There's a better way and you'll find it." 7 The False Gods There was something unpleasantly significant in his voice, as he terminated the interview by swinging around to his desk and picking up a handful of papers, which warned the re- porter that he had gone the limit. Simpkins had heard of the hall, for it had been written up just after Doctor Athelstone, who was a man of some wealth, had assembled in it his private collection of Egyptian treas- ures. But he knew, too, that it had become in- creasingly difficult to penetrate since Mrs. Athelstone had been made the subject of some entertaining, but too imaginative, Sunday spe- cials. Still, now that he had properly magni- fied the difficulties of the undertaking to Nay- lor, that the disgrace of defeat might be dis- counted or the glory of achievement en- hanced, he believed that he knew a way to gain access to the hall and perhaps to manage a talk with Mrs. Athelstone herself. His line of thought started him for Cambridge, where he had a younger brother whom he was help- ing through Harvard. 8 The FaIs, Gods As a result of this fra'ernal visit, Simpkins minor cut the classes of Professor Alexander Blackburn, the eminent archaeologist, for the next week, and went to his other lectures by back streets. For the kindly professor had given him a letter, introducing him to Mrs. Athelstone as a worthy young student with a laudable thirst for that greater knowledge of Egyptian archaeology, ethnology and epigra- phy which was to be gained by an inspection of her collection. And it was the possession of this letter which influenced Simpkins major to take the smoking car and to sit up all night, conning an instructive volume on Ancient Egypt, thereby acquiring much curious infor- mation, and diverting two dollars of his ex- pense money to the pocket in which he kept his individual cash balance. 9 This page in the original text is blank. II OR five minutes the decorous si- lence of the anteroom was unbro- ken. Then the door of the inner office swung open and closed be- hind a dejected-looking yDung man, and the boy, without so much as asking for a card, preceded the secretly-elated Simpkins into the hall. They had stepped from the present into the past. Simpkins found himself looking be- tween a double row of pillars, covered with hieroglyphics in red and black, to an altar of polished black basalt, guarded on either side by stone sphinxes. Behind it, straight from the lofty ceiling, fell a Aveil of black velvet, I I The False Gods embroidered with golden scaraboei, and fringed with violet. The approach, a hundred paces or more, was guarded by twoscore mummies in black cases, standing upright along the pillars. "Watcher gawkin' at" demanded the youth, grinning up at the staring Simpkins. "Lose dat farmer-boy face or it's back to de ole home- stead for youse. Her royal nibs ain't lookin' for no good milker." "Oh, I'm just rubbering to see where the goat's kept," the reporter answered, trying to assume a properly metropolitan expression. " Suppose I'll have to take the third degree be- fore I can get out of here." The youth started noiselessly across the floor, and Simpkins saw that he wore sandals. His own heavy walking boots rang loudly on the flagged floors and woke the echoes in the vaulted ceiling. He began to tread on tiptoe, as one moves in a death-chamber. And that was what this great room was: a charnel-hotuse filled with the spoil of tombs and temples. The dim light fluttered down from I2 The Fals Gods quaint, triangular windows, set with a checker- work of brick-red and saffron-colored panes about a central design, a scarlet heart upon a white star, and within that a black scarabxus. The white background of the walls threw into relief the angular figures on the frieze, scenes from old Egyptian life: games, marriages, feasts and battles, painted in the crude colors of early art. Between wiere paneled pictures of the gods, monstrous and deformed deities, half men, half beasts; arid the dado, done in black, pictured the funeral rites of the Egyp- tians, with explanatory passages from the rit- ual of the dead. Rudely-sculptured bas-reliefs and intaglios, torn from ancient mastabas, were set over windows and doors, and stone colossi of kings and gods leered and threat- ened from dusky corners. Sarcophagi of black basalt, red porphyry and pink-veined alabaster, cunningly carved, were disposed as they had been found in the pits o:L the dead, with the sepulchral vases and the hideous wooden idols beside them. 4 '3 The False Gods The descriptions of the place had prepared Simpkins for something out of the ordinary, but nothing like this; and lhe looked about him with wonder in his eyes and a vague awe at his heart, until lhe found himself standing in the corner of the hall to the right of the black altar in the west. Two sarcophagi, one of ba- salt, the other of alabaster, were placed at right angles to the walls, partially inclosing a small space. Within this inclosure, bowed over a stone table, sat a woman, writing. At either end of the table a mummy case, one black, the other gilt, stood upright. The boy halted just outside this singular private office, an(l the woman rose and ca-me toward them. Simpkins had never read Virgil, but lie knew the goddess by her walk. She was young- not over thirty-and tall and stately. Her gown was black, some soft stuff which chlng about her, and a bunch of violets at her waist made the whole corner faintly sweet. Her fea- tures were regular, but of a type strange to Simpkins, the nose slightly aquiline, the lips 14 The False Gads full and red-vividly so by contrast to the clear white of the skin-and the forehead low and straight. Black hair waved back from it, and was caught up by the coils of a golden asp, from whose lifted head two rubies gleamed. Doubtless a woman would have pronounced her gown absurd and her way of wearing her hair an intolerable affectation. But it was effective with the less discriminat- ing animal-instantly so with Simpkins. And then she raised her eves and looked at himl. To the first glance they were dusky eves, deep an(l fathomless, changing swiftly to the blue-black of the northern skies on a clear winter night. and flashing out sharp points of light, like star-rays. He knew that in that glance he had been weighed, gauged and classed, and, thouohi he was used to question- ing Governors and Senalors quite unabashed and unafraid, he found h.mself standing awk- ward and ill-at-ease in the presence of this woman. Had she addressed him in Greek or Egyp- '5 The False Gods tian, he would have accepted it as a matter of course. But when she did speak it was in the soft, clear tones of a well-bred English- woman, and what she said was commonplace enough. "I suppose you've called to see about the place" she asked. "Ye-es," stammered Simpkins, but with wit enough to know that he had come at an op- portune moment. If there were a place, de- cidedly he had called to see about it. "Who sent you " she continued, and he un- derstood that he was not there in answer to a want advertisement. "Professor Blackburn." And he presented his letter and went on, with a return of his glibness: "You see, I've been working my way through Harvard-preparing for the min- istry-Congregationalist. Found I'd have to stop and go to work regularly for a while be- fore I could finish. So I've come over here, where I can attend the night classes at Co- lumbia at the same time. And as I'm inter- i6 T7he False Gods ested in Egyptology, and had heard a good d1cal about your collection, I got that letter to you. Thought you might know some one in the building who wanted a man, as work in a place like this would be right in my line. Of course, if you're looking for any one, I'd like to apply for the place." And he paused expec- tantly. "I see. You want to lie a Dissenting minis- ter, and you're working for your education. Very creditable of you, I'm sure. And you're a stranger in New York, you say' "Utter," returned Simpkins. Mrs. Athelstone proceeded to question him at some length about his qualifications. When he had satisfied her that he was competent to attend to the easv, clerical work of the office and to care for the more valuable articles in the hall, things which she did not care to leave to the regular cleaners, she concluded: "I'm disposed to give you a trial, 'Mr. Simp- kins, but I want you to understand that under no circumstances are otu. to talk about me or 17 The False Gods your work outside the office. I've been so hunted and harried by reporters " And her voice broke. "What I want above all else is a clerk that I can trust." The assurance which Simpkins gave in re- ply came harder than all the lies he had told that morning, and, some way, none of them had slipped out so smoothly as usual. He was a fairly truthful and tender-hearted man out- side his work, but in it he had accustomed himself to regard men and women in a purely impersonal way, and their troubles and scan- dals simply as material. To his mind, nothing was worth while unless it had a news value; and nothing was sacred that had. But he was uneasily conscious now that he was doing a deliberately brutal thing, and for the first time he felt that regard for a subject's feelings which is so fatal to success in certain branches of the new journalism. But he repressed the troublesome instinct, and when Mrs. Athel- stone dismissed him a few minutes later, it wvas with the understanding that he should I8 The False Gods report the next morning, ready for work. He stopped for a moment in the ante- chamber on the way out; for the bright light blinded him, and there were red dots before his eyes. He felt a little subdued, not at all like the self-confident man who had passed through the oaken door ten minutes before. But nothing could long repress the exuberant Simpkins, and as he started down the stair- way to the street he was exclaiming to himself: "Did you butt in, Simp., old boy, or were you pushed " '9 This page in the original text is blank. III T nine o'clock the next morning ! U 8 Simpkins presented himself at the Society's office, and a few minutes later he found himself in the fascinating presence of 'Mrs. Athelstone. He soon grasped the details of his simple du- ties, and then, like a lean, awkward mastiff, padded along at her heels while she moved about the hall and pointed out the things which would be under his care. "If I were equal to it, I should look after these myself," she explained. "Careless hands would soon ruin this case." And she touched the gilt mummy beside her writing-table affec- tionately. "She was a queen, Nefruari, daugh- 5 21 The False Gods ter of the King of Ethiopia. They called her 'the good and glorious woman.'" "And this-this black boy " questioned Simpkins respectfully. "Looks as if he might have lived during the eighteenth dynasty." He had not been poring over volumes on Ancient Egypt for two nights without knowing a thing or two about black mummies. "Quite right, Simpkins," Mrs. Athelstone replied, evidently pleased by h.s interest and knowledge. "He was Amosis, a king of the eighteenth dynasty, and Nefruari's husband. A big, powerful man!" "What a bully cigarette brand he'd make!" thought Simpkins, and aloud he added: "They must have been a fine-looking pair." "Indeed, yes," was the earnest answer, and so they moved about the hall, she explaining, he listening and questioning, until at last they stood before the black altar in the west and the veil of velvet. Simpkins saw that there was an inscription carved in the basalt, and, drawing nearer, slowly spelled out: 22 The False Gods TIBI VNA QVE ES OMNIA DEA ISIS "And what's behind the curtain" be began, turning toward MIrs. Athelstone. "The truth, of course. But remember," and her tone was half serious, "none but an adept may look behind the veil and live." "The truth is my long suit," returned Simp- kins mendaciously. "So I'll take a chance." As he spoke, the heavy velvet fell aside and disclosed a statue of a woman carved in black marble. It stood on a pedestal of bronze, over- laid with silver, and above and behind were. hangings of blue-gray silk. A brilliant ray of liglht beat down on it. Glancing lup, Simp- kins saw that it shone from a crescent moon in the arched ceiling above the altar. Then his eyes came back to the statue. There was something so lifelike in the pose of the figure. something so winning in the smile of the face, 23 The False Gods something so alluring in the outstretched arms, that he involuntarily stepped nearer. "And now that you've seen Isis, what do you think of her " asked Mrs. Athelstone, breaking the momentary silence. "She's the real thing-the naked truth, sure enough," returned Simpkins with a grin. "It is a wonderful statue!" was the literal answer. "There's no other like it in the world. Doctor Athelstone found it near Thebes, and took a good deal of pride in arranging this shrine. The device is clever; the parting of the veil, you see, makes the light shine down on the statue, and it dies out when I close it- so"; and, as she pulled a cord, the veil fell before the statue and the light melted away. "Aren't you initiating the neophyte rather early" a man's voice asked at Simpkins' el- bow, and, as he turned to see who it was, Mrs. Athelstone explained: "This is our new clerk, MIr. Simpkins; Doctor Brander is our treas- urer, and our acting president while my hus- band's away. He left a few days ago for a 24 "'Sle s the Real Thing." This page in the original text is blank. The False Gods little rest." And Mrs. Athelstone turned back to her desk. Simpkins instantly decided to dislike the young clergyman beside him. He was tall and athletic-looking, but with a slight stoop, that impressed the reporter as a physical as- sumption of humility which the handsome face, with its faintly sneering lines and bold eyes, contradicted. But he acknowledged Brander's .,ffhand "How d'ye do " in a properly deferen- tial manner, and listened respectfully to a few careless sentences of instructions. For the rest of the morning, Simpkins me- chanically addressed circulars appealing for funds to carry on the good work of the So- ciety, while his mind was busy trying to form- ulate a plan by which he could get Mrs. Athel- stone to tell what she knew about the where- abouts of Madame Blavatsky's soul. He felt, with the accurate instinct of one used to class- ing the frailties of flesh and blood according to their worth in columns, that those devices which had so often led women to confide to 25 The False Gods him the details of the particular sensation that he was working up would avail him nothing here. "You simply haven't got her Bertillon measurements, Simp.," he was forced to ad- mit, after an hour of fruitless thinking. "You'll have to trust in your rabbit's foot." But if 'Mrs. Athelstone was a new species to him, the office boy was not. He knew that youth down to the last button on his jacket. Ile knew, too, that an office boy often whiles away the monotonous hours by piecing togeth- er the president's secrets from the scraps in his xaste-basket. So at the noon hour he slipped out after Buttons, caught him as he was dis- appearing up a near-by alley in a cloud of ci- garette smoke, like the disreputable little devil that he was, and succeeded in establishing friendly and even familiar relations with him. It was not, however, until late in the after- noon, when he was called into the ante-cham- ber to discover the business of a caller, that he improved the opportunity to ask the youth some leading questions. 26 The False Gods "Suppose you open up mornings "' he began carelessly. "Naw; Mrs. A. does. She bunks here." "How " "In a bed. She's got rooms in de buildin'. That door by Booker T. leads to 'em." "Booker T. Oh, sure! Trhe brunette statue. And that other door-the one to the left. Where does that go " "Into Brander's storeroom. He sells mum- mies on de side." "Does, eh Curious business !" commented Simpkins. "Seems to rub it into yotu pretty hard. And stuck on hir.iself! Don't seem able to spit without ringing his bell for some one to see him do it. Guess you'd have to have four legs to satisfy him, all right." "Say, dat duck ain't on de level," the griev- ance for which Simpkins had been probing coming to the surface. "Holds out on what he collects Steals" "Sure t'ing-(le loidies," and the bov low- ered his voice; "he's dead stuck on 'Mrs. A." 27 The False Gods "Oh ! nonsense," commented Simpkins, an invitation to continue in his voice. "She's a married woman." " Never min', I'm tellin' youse; an dat's just where de stink comes in. Ain't I seen 'im wid my own eyes a-makin' goo-goos at 'er. An' wasn't there rough house for fair goin' on in dere last mont', just before de Doc. made his get-away He tumbled to somethin', all right, all right, or why don't he wri-e her Say, I don't expect him back in no hurry. He's hived up in South Dakote right now, an' she's in trainin' for alimony, or my name's Dennis Don'tknow." "Does look sort of funny," Simpkins replied, sympathetic, but not too interested. "When was it Doc. left Last week" "Last week, not; more'n a mont' ago, an' he ain't peeped since, for I've skinned every mail dat's come in, an' not a picture-postal, see" "That isn't very affectionate of Doc., but I wouldn't mention it to any one else; it might get you into trouble," was Simpkins' com- 28 TAe False Gods ment. "You better Holy, jumping Pha- raoh! what a husky pussy!" As he spoke a big black cat, with blinking, tawny eyes, sprang from the floor and curled itself up on the youth's desk. "Where'd that-" A snarl interrupted the question; for the temptation to pull the cat's tail had proved too strong for the boy. Bowed over his desk in a fit of laughter at the result, he did not see the door behind him open, but Simpkins did. And he saw Mrs. Athelstone, her eyes blazing, spring into the room, seize the youth by the collar and shake him roughly. "You nasty little brute!" she cried. "How dared vou do that to a--" And then catch- ing sight of Simpkins, she dropped the fright- ened boy back into his chair. "I can't stand cruelty to animals," she ex- plained, panting a little from her effort. "If anything of this sort hacpens again, I'll dis- charge you on the spot," she added to the boy. "Shame !" Simpkins echoed warmly. "Didn't know what was up or I'd have stopped him." 6 29 The False Gods "I'm sure of it," she answered graciously, and, stooping, she picked up the now purring cat and left the room. Simpkins followed her back to his desk and went on with his addressing, but he had some- thing worth thinking about now. Not for nothing had he been educated in that news- paper school which puts two and two together and makes six. And by the time he was through work for the day and back in his room at the hotel, he had his result. He em- bodied it in this letter to Naylor: Dear Mr. Naylor: I am in the employ of Mrs. Athelstone. How I managed it is a yarn that will keep till I get back. [He meant until he could invent the story which would reflect the most credit on his ingenuity, for though he knew that the whole thing had been a piece of luck he had no intention of cheapening himself with Navlor by owning as much.] I had intended to return to Boston to-night. but I'm on the track of real news, a lovely stink, something much big- ger than the Sunday story. There's a sport- ing parson., quite a swell, in the office here who's gone on \Irs. A., and I'm inclined to 30 The False Gods hope she is on hIimi. Anyway, the Doc. left in a hurry after somic sort of a row over a month ago, and hasn't written a line to his wife since. She's as cool as a cuctumber about it and handed me a hot one rignt off the bat about poor old Doc.'s having gone away for a rest a few datys ago. I've drawn cards and am going to sit in the game, unless you wire me to come home, for I smell a large, fat, front-page ex- clusive, which will jar the sensitive slats of some of our first families both here and in dear old London. Yours, SIMPKINS. He hesitated a few minutes before he mailed the letter. He really did not want to do any- thing to involve her in a scandal, but, after all, it was simply anticipating the inevitable, and-lhe pulled himself r.p short and put the letter in the box. He could not afford any mawkish sentiment in his. 31 This page in the original text is blank. IV IMPKINS received a monosvlla- bic telegram from Naylor, in- structing hini to "stav," but after working in the Society's office for another three days he was about ready to give up all hope of getting at the facts. Some other reason, he scarcely knew what, kept him on. Perhaps it was Mrs. Athelstone herself. For though lie appreciatel how ridiculous his infatuation was, lie found a miserable pleasure in merely being near her. And she was pleased with her new clerk, amused at what she called his quaint Americanisms, and if she noticed his too unrepressed admiration for her, she smiled it aside. It was something to which 33 T/ie False Gods she was accustomed, an involuntary tribute which most men who saw her often rendered her. She never referred, even indirectly, to her husband, but Simpkins, as he watched her move about the hall, divined that lie was often in her thoughts. And there was another whom he watched-Brander; for he felt certain now that the acting president's interest in his hand- some secretary was not purely that of the Egyptologist. And though there was nothing but a friendly courtesy in her manner toward him, Simpkins knew his subject well enough to understand that, whatever her real feelings were, she was far too clever to be tripped into betraying them to him. "She doesn't wear her heart on her sleeve-if she has a heart," he decided. He was trying to make up his mind to force things to some sort of a crisis, one morning, when 'Mrs. Athelstone called him to her desk and said rather sharply: "You've been neglecting your work, Simp- 34 The False Gods kins. Isis looks as if she hadn't been dusted since you came." This was the fact. Simpkins never passed the black altar without a backward glance, as if he were fearful of an attack from behind. And he had determined that nothing should tempt him to a tete-A-tete with the statue be- hind the veil. But having so senseless, so cowardly a feeling was one thing, and letting Mrs. Athelstone know it another. So he only replied: "I'm very sorry; afraid I have been a little careless about the statue." And taking up a soft cloth, he walked toward the altar. It was quite dark behinJ the veil; so dark that he could see nothing at first. But after the moment in which his eves grew accus- tomecl to the change, he made out the vague lines of the statue in the faint light from above. He set to work about the pedestal, touching it gingerly at first, then more boldly. At length he looked up into the face, blurred in the half-light. 35 The False Gods When he had finished with the pedestal he pulled himself up between the outstretched arms, and perhaps a trifle hurriedly now, as he saw the face more distinctly, began to pass the cloth over the arms and back. Then, quick as the strike of a snake, the arms crushed him against the stone breast. He could not move; he could not cry out; he could not breathe. The statue, seen from the level of the pedestal, had changed its whole expression. Hate glowed in its eyes; menace lived in every line of its face. The arms tightened slowly, inexorably; then, as quickly as they had closed, unclasped; and Simpkins half-slid, half-fell to the floor. When the breath came back into his lungs and he found himself unharmed, he choked back the cry on his lips, for in that same mo- ment a suspicion floated half-formed through his brain. He forced himself to climb up on the pedestal again, and made a careful inspec- tion of the statue-but from behind this time. The arms were metal, enameled to the 36 The False Gods smoothness of the body, and jointed, though the joints were almost invisible. The statue was one of those marvelous creations of the ancient priests, and once, no doubt, it had stood behind the veil in some Egyptian temple to tempt and to punish the curiosity of the neo- phyte. Though Simpkins could find no clew to the mechanism of the statue, he determined that he had sprung it with his feet, and that during his struggles a lucky kick had touched the spring which relaxed the arms. "Did any one beside himself know their strength" he asked himself, as he stepped out into the hall again. Mrs. Athelstone was bent over her desk writ- ing; Brander was yawning over a novel in his corner, and neither paid any attention to him. So he busied himself going over the mummy- cases, and by the time he had worked around to the two beside Mrs. At'ielstone he had him- self well in hand, outwardly. But he was still so shaken internally that he knocked the black case rather roughly as he dusted. 7 37 The False Gods "What way is that to treat a king" de- manded 'Mrs. Athelstone; and the anger in her voice was so real that Simpkins, startled, blun- dered out: "I really meant no disrespect. Very care- less of me, I'm sure." He looked so dis- tressed that MIrs. Athelstone's anger melted into a delicious little laugh, as she answered: "Really, Simpkins, you musn't be so bun- gling. These mummies are priceless." And she got up and made a careful inspection of the case. Simpkins, rather crestfallen, went back to his desk and began to address circulars, his brain busy with the shadow which had crept into it. But there was nothing to make it more tangible, everything to dispel it, and he was forced to own as much. "It's a lovely little cozy corner," was his final conclusion; "but keep out of it, Simp., old boy. These mechanical huggers are great stuff, but they're too strong for a fellow that's been raised on Boston girls." 38 v RS. ATHELSTONIE was not in the office when he came down the next day-she had gone to \Vash- ington on ':he Society's affairs, Brander said-and so he moped about, find- ing the place tireary without her brightening presence. In fact, when Brander went out, he slipped into the sunlit ante-chamber, for com- panionship, he told himself; but in his heart he knew that he did not want to be alone with that thing behind the altar. He had satisfac- torily explained its mechanism to himself, but there was something else about it which he could not explain. 39 The False Gods Naylor had telegraphed that very morning: "Get story. Come home. What do you think you're doing" and he tried to make up his mind to end the whole affair by taking the night train to Boston. But he hated to go back empty-handed from a four (lays' assign- ment. Besides, though he knew himself a fool for it, he wanted to see Mrs. Athelstone once more. So it happened that he was lingering on in the outer office when the postman threw the afternoon mail on the desk. Simpkins was alone at the moment, and he ran over the let- ters carelessly until he came to one addressed to Brander in Mrs. Athelstone's writing. The blue card of the palace car company was in a corner of the envelope. "Whv the deuce is she writing that skunk before she's well out of town" he thought, scanning the envelope with jealous eyes. Then he held it up to the light, but the thick paper told nothing of what was within. Frowning, he laid the letter down, fingered it, withdrew 40 The False Gods his itching hand, hesitated, and finally put it in his pocket. Simpkins went straight from the office to his hotel, for, though he told himself that the letter contained some instructions which Mrs. Athelstone had forgotten to give Brander be- fore leaving, he was anxious to see just how those instructions were worded. Alone in his little room, he ripped open the letter and ran over its two pages with bewilderment grow- ing in his face. He finished by throwing it down on the table and exclaiming helplessly: "Well, I'll be damned!" The first sheet, without beginning or end- ing, contained only a line in Strs. Athelstone's handwriting, reading: "[ had to leave in such a hurry that I missed seeing you." There was not an intelligible word on the second sheet; it was simply a succession of scrawls and puerile outline pictures, such as a child might have drawn. - To Simpkins' first aggrieved feeling that his confidence had been abused, the certainty that 41 The False Gods he had stumbled on something of importance quickly succeeded. He concluded a second and more careful scrutiny of the letter with the exclamation, "Cipher! all right, all right," and, after a third, he jumped up excitedly and rushed off to Columbia University. An hour later, Professor Ashmore, whose well-known work on "Hieratic Writings" is so widely accepted an authority on that fascinat- ing subject, looked across to Simpkins, who for some minutes had been sitting quietly in a corner of his study, and observed dryly: "This is a queer jumble of hieroglyphics and hieratic writing, and is not, I should judge," and his eyes twinkled, "of any great antiquity." "Quite right, Professor," Simpkins assented cheerfully. "The lady who wrote it is inter- ested in Egyptology, and is trying to have a little fun with me." "If I may judge from the letter, she seems to be interested in you as well," the professor went on smilingly. "In fact, it appears to be -ahem-a love-letter." 42 The False Gods "Eh! What " exclaimed Simpkins, sudden- ly serious. "Let's have it." "tell, roughly, it goes something like this: 'MIy heart's dearest, my sun, my Nile duck- the hours are days without thee, the days an peon. The gods be thanked that this separa- tion is not for long. For apart from thee I have no life. That thing that I have to do is about done. May the gods guard thee and the all-mother protect thee. I embrace thee: I kiss thine eyes and thy lips.' That's a fair translation, though one cr two of the hiero- glyphics are susceptible of a slightly different rendering; but the sense would not be mate- rially affected by the change," the Professor concluded. His words fell on inattentive ears; for Simp- kins was sitting stunned under the revelation of the letter. Now that he had his story, he knew that he had not wanted it. But he roused himself when he became con- scious that the professor was peering at him curiously over the top of 'his glasses, and said: 43 The False Gods "Pretty warm stuff, eh! Good josh! Great girl! Ought to know her. She's daft on this Egyptian business." "Her letter is perhaps a trifle er-impul- sive," the professor answered. "But she com- bines the ancient and the modern charmingly. I congratulate you." "Thanks, Professor," Simpkins answered awkwardly, and took his leave. Once in the street, he plunged along, head down. It was worse than he had suspected. He had felt all along that the boy's surmises about Brander were correct; now he knew that his suspicions of Mrs. Athelstone were well founded. But he would keep her from that hypocrite, that hawk, that-murderer! Simp- kins stopped short at the intrusion of that word. It had come without logic or reason. but he knew now that it had been shaping in his head for two days past. And once spoken, it began to justify itself. There was the mo- tive, clear, distinct and proven; there were the means and the man. 44 The False Gods Next morning Simpkins was earlier than usual at the Oriental Building, where he found the youth waiting for Brander to come and open up the inner office. "Parson's late, eh" he threw out by way of greeting. "Always is," was the surly answer. "He's de 'rig'nal seven sleepers," "Puts vou behind with your cleaning, eh" "Naw; youse ought to know I don't do no cleanin'." "You don't I thought you tended to Mrs. Athelstone's rooms and-Mr. Brander's store- room." "Aw, go wan. I'm no second girl, an' de storeroom's never cleaned. Dere's nothin' to clean but a lot of stones an' bum mummies an such." "Brander can't sell muzh stuff; I never see anything being shipped." "Oh! I don't know! We sent a couple of embammed dooks to Chicago last week." "And last month"' 8 45 The False Gods "Search me; I only copped out me job here last mont' ; but seems as if his whiskers did say dere was somethin' doin'." And just then Mr. Brander came along. Simpkins had found out what he wanted to know, and he decided that hie must bring his plans to a head at once. Mrs. Athelstone was expected back the next day; he must search the storeroom that very night. If--well, he thought he could spoil one scoundrel. He worked to good advantage during the dlay, and at nine o'clock that night, when he was back outside the Oriental Building, there were three new keys in his pocket. 1Ie unlocked the door noiselessly, tiptoed up the staircase, and gained the friendly black- ness of the ante-chamber quite unobserved. The watchman was half a block away, sitting bv the only street entrance kept open at night. Simpkins took off his shoes and found his sandals without striking a light, and then felt his way to the door leading into the hall. The knob rattled a little tunder his hand. All that 46 The False Gods evening he had been nerving himself to go in there alone and in the dark, but now he coulnd have turned and run like a country boy pass- ing a graveyard at night. The hall was not utterly black, as he had expected. Light from the electric lamps with- out flickered through the stained-glass win- (lows. Ghastly rays of yellow played over the painted faces on the walls and lit up the gilded features of the mummiy 'by 'Mrs. Athelstone's desk. There were crimson spots, like blotches of blood, on the veil of Isis. And all about were moving shadows, creeping forward stealthily, falling back slowly, as the light without flared up or died down. Step by step Simpkins advanced on the black altar, his muscles rigid, his nerves quivering, his eves staring straight ahead, as a child stares into the dark for some awful shape which it fears to see, yet dares not leave un- seen. Once past that altar he would be safe at the door of the storeroom. How his heart was beating! He was al- 47 The False Gods most at it. Steadl-! A few steps now and he would gain the storeroom. Good God! What was that! In the blackness behind the altar two eyes flamed. Simpkins stopped; he was helpless to turn or to advance. Perhaps if he did not move, it would not. A moment he stood there, tense with terror, then-straight from the altar the thing flew at his throat. But quick as it was, the involuntary jerk of his arm upward was quicker, and it received the blow. Snarling, the-thing fell to the floor, and leaped back into the darkness. It was Airs. Athelstone's cat. So strong was SimApkins' revulsion of feel- ing, so great his relief, that he forgot the real cause of his terror, and sank down on the very steps of the altar, weakly exclaiming over and over again: "Only the cat! Only the cat! Great Scott! how it frightened me!" He had been sitting there for a few minutes when he heard a soft click, click, just to his right. Some one was turning a key in the 48 The False Gods door leading from Mlrs. Athelstone's apart- ments. As he jumped to his feet, he heard a hand grasp the doorknob. He looked around for a hiding-place, ran a few steps from the altar, doubled like a baited rat, and dove into the blackness behind the veil of Isis. There had been no time to choose; for hardly was he safe under cover and peeping out from be- tween the folds of the veil than the door swung open slowly. 49 This page in the original text is blank. VI T was Mrs. Athelstone who came through the doorway. She was all in white, a soft, silken white, which floated about her like a cloud, drift- ing back from her bare arms and throat, and suggesting the rounded outlines of her limbs. Her black hair, braided, hung below her waist. and from her forehead the golden asp bound back the curls. Her arms were full of roses- yellow, white and red. For an uncertain moment she stood just withiin the hall, bathed in the light that shone through from her apartments. Then she closed the door and wlalked toward the veil, As she came through the shafts of light from 5' TLhe False Gods the windows, her gown was stained with crim- son spots. She was at the altar now, and Simpkins could no longer see her without chalng ing his position. Stealthily he edged along, careless of the statue just behind him. As he parted the folds of the veil he saw that the altar was heaped with flowers. Just be- yond, the light playing fantastically on her up- turned face, stood Mrs. Athelstone. Simpkins closed the veil abruptly. There came to him the remembrance of the time when the boy had pulled the cat's tail, her anger and her curious exclamation; and again, the repetition of it in his case, when he had handled the mummy of Amosis roughly; and her affectation of Egyptian symbols as orna- ments. "She's the simon-pure Blavatsky, all right," he concluded, as he pieced these things into what he had just seen. "All others are base imitations." The reporter had gathered from his little reading that behind these monstrous gods and this complex symbolism there was something 52 'The False Gods near akin to Christianitv in a few great essen- tials, and he understood how a woman of MIrs. Athelstone's temperament, engrossed in the study of these things and living in these sur- roundings, might be affected by them. Even he, shrewd, hard Yankee .hat he was, had felt the influence of the place and there was that behind him then which made his heart beat quicker at the thought. When he looked out again Mrs. Athelstone was gone. He was impatient to get to his work in the storeroom; but first he peeped out again to make sure that she had returned to her room. She was still in the hall, walking about in the corner whoaere she ordinarily worked. There was something methodical in her movements now that woke a new interest in Simpkins. "What the dickens can she be up to " he thought. She had lit a lamp, and had shaded it, so that its ravs were contracted in a circle on the floor. From a cupboard let into the wall she was tak- ing bottles and brushes, a roll of linen band- 9 53 The False Gods ages and some boxes of pigments. After lay- ing these on the floor, she walked over to the big black mummy case by her table, and pushed until she had turned it around with its face to the wall. What heathen game was this Simpkins' interest increased, and he poked his head out boldly from the sheltering veil. AIrs. Athelstone was standing directly in front of the case now, pulling and tugging in an effort to bring it down on her shoulders. Finally, she managed to tilt it toward her, and then, straining, she lowered it until it rested flat on the floor. "Sorrv I couldn't have lent a hand," thought the gallant Simpkins; "the old buck must weigh a ton. Now what's she bothering around that passe, three-thousand-years-dead sport for " Her back was toward him; so, cautious and catlike, he stole from behind the veil and glided to the shelter of a post not ten feet from her. He peered around it eagerly. Still panting 54 The Faise Gods from her efforts, she was on her knees beside the case, fumbling a key in the Yale lock, a curious anachronism which Simpkins, in his cleaning, had found on all the more valuable muminy cases. The lid was of sycamnore wood, compara- tively light, and she lifted it without trouble. Then the rays of the lamp shone full into the open case, and Simpkins looked over the shoul- (lers of the kneeling wornan at the mummy of a man who had stood full six feet in life. He stared long at the face, seeking in those shriv- eled features a reason for the horror which grew in hinm as he gazed. trying to build back into life again that thing which once had been a man. For there xv.s something about it which seemed different fronm those Egyptians of whomr he had read. Slowly the vaouelv- familiar features filled out, until Simpkins saw -not the swarthy, low-browed face of an Egyptian king, but the ruddy handsome face of an Englishman, and-at last he was sure, a face like that of a photograph in his pocket. S The False Gods And in that same moment there went through his mind a sentence from the curious picture letter: "That thing that I have to do is about done." Already, in his absorption, he had started out from the shelter of the pillar, and now he crept forward. He was almost on her, and she had heard nothing, seen nothing, but sud- denlv she felt him coming, and turned. And as her eves, full of fear in the first startled consciousness of discovery, met his, he sprang at her, and pinioned her arms to her side. But only for a moment. Fear fought with her, and by a mighty effort she half shook herself free. Simpkins found himself struggling desper- ately now to regain his advantage. Already his greater strength was telling, wAhen the lamp crashed over, leaving them in darkness, and he felt the blow of a heavy body striking his back. Claws dug through his clothes, deep into his flesh. Something was at his head now, biting and tearing, and the warm blood was 56 Suddenl he felt him mig ad te. " 'i Suddenly she felt him coming, and turned." This page in the original text is blank. Tue False Gods trickling down into his eyes. A stealthy paw reached round for his throat. He could feel its silken surface passing over his bare flesh, the unsheathing of its steel to strike, and, as it sank into his throat, he seized it, loosening, to (1o this, his hold on AMrs. Athelstone, quite care- less of her in the pain and menace of that moment. Still clutching the great black cat, though it Lit and tore at his hands. he gained his feet. In the darkness he could see nothing but two blazing eyes, and not until the last spark died in them did his fingers relax. Then, with a savage joy, he threw thee limp body against the altar of Isis, and turned to see what had become of 'Mrs. Athelstone. She lay quite still where lie had left her, a huddled heap of white upon the floor. Sinipkins righted and lit the overturned lamp and lifted the unconscious woman into a chair. There le bound her, wrapping her about with the linen bandages, until she was quite helpless to move. The obsidian eyes of 57 The False Gods the mummy seemed to follow him as he went about his task. Annoyed by their steady re- gard, he threw a cloth over the face and sat down to wait for the woman to come back to life. VII H0UGHI her gown was torn and spotted with his blood, Mrs. Athel- stone had never looked more love- ly. Put Simpkins was quite un- moved by the sight of her beauty. His infatu- ation for her, his personal interest in her even, had puffed out in that moment when he had discovered in the mummied face a likeness to Doctor Athelstone. He was regarding her now simply as "material. and fixing in his mind each detail of her appearance, that he might the more effectively describe her in his story. And what a splendid one it was! The Blavatsky "spread," with the opportunity which it afforded to ridicule two rather well- 59. The False Gods known women-that was good stuff; the scan- dal which had unfolded as he worked-that was better still; but this 'mysterious murder," with its novel features-this was the superla- tive of excellence in Yellow Journalism. "Talk about Teddy's luck," thought the reporter; "how about the luck of Simp., old boy" He looked at his watch anxiously. He had plenty of time-the paper did not go to press until two. Relieved, he glanced toward Mrs. Athelstone again. How still she was! She was taking an unreasonably long time about coming to! The shadows in the room began to creep in on him again, and to oppress him with a vague fear, now that he was sitting in- active. He got up, but just then the woman stirred, and he settled down again. Slowly she recovered consciousness and looked about her. Her eyes sought out Simp- kins last, and as they rested on him a flash of anger lit them up. Simpkins returned their stare unflinchingly. They had quite lost their power over him. 6o The False Gods "So you're a thief, Simpkins-and I thought you looked so honest," slhe began at last, con- tempt in her voice. "Not at all," Simpkins answered, relieved and grateful that she had only suspected him of being a thief, that there had been no tears, no pleadings, no hysterics; "I'm nothing of the sort. I'm just your clerk." "Then, what are you doing here at this time of night And why did Adou attack me Why have you bound me" "I'll be perfectly frank, Mirs. Athelstone." (Simpkins always prefaced a piece of duplicity by asseverating his innocence of guile.) "I've blundered on something in there," and he mo- tioned vaguely toward the coffin, "that is rea- son enough for binding you and turning you over to the police, sorry as I should be to take such a step." "And that something" "The body of your husband." "You beastly little cad," began 'Mrs. Athel- stone, anger flaming in her face again. Then 10 6i The False Gods she stopped short, and her expression went to one of terror. The change was not lost on Simpkins. "That's better," he said. "If a fellow has to condone murder to meet your standards of what's a perfect little gentleman, you can count me out. Now, just you make up your mind that repartee won't take us anywhere, and let's get down to cases. There may be, I be- lieve there are, extenuating circumstances. Tell him the whole truth and you'll find Simp. your friend, cad or no cad." As he talked, Mrs. Athelstone regained her composure, and when he was through she asked calmly enough: "And because you've blundered on something you don't understand, something that has aroused your silly suspi- cions, you would turn me over to the police" "It's not a silly suspicion, Mlrs. Athelstone, but a cinch. I know your husband was mur- dered there," and he pointed to the altar. "And you're not innocent, though how guilty mor- ally I'm not ready to say. There may be 62 The False Gods something behind it all to change mn present (letermination; that depends on whether Xou care to talk to me, or woul(d rather wait and take the third degree at headquarters." "Put you really have mrade a frightful mis- take," she protested, not angrily now, but rather soothingly. "Then I'll have to call an officer; perhaps hie can set us straight." And he stood up. "Sit down," she implored. "Let me ex- plain." "That's the wav to talk; you'll find it'll do you good to loosen tup," and Simpkins sat dlown, exulting that he was not to miss the most striking feature of his story. Until it was on the wire for Bostcn, and the New York papers had gone to press, he had as little use for officers as MIrs. Athelstone. "Remember," he added, as he leaned tack to listen, "that I know enough now to pick out any fancy work." "It's reallv absurdly simple. The cemented surface of this mummy had been damaged, as 63 The False Gods X ou can see" Mrs. Athelstone began, but Simpkins broke in roughly: "Come, come, there's no use doping out any more of that stuff to me. I want the facts. Tell me how Doctor Athelstone was killed or the Tombs for yours." He was on his feet now, shaking his fist at the woman, and he noticed with satisfaction that she had shrunk back in her chair till the linen bandages hung loosely across her breast. "Yes-yes-I'll tell," was the trembling an- swer; "only do sit down," and then after a mo- ment's pause, in which she seemed to be striv- ing to compose herself, she began: "I, sir, was a queen, Nefruari, whom they called the good and glorious woman." And she threw back her head proudly and paused. This was better than he had dared hope. Yet it was what he had half-believed; she was quite mad. He felt relieved at this final proof of it. After all, it would have hurt him to send this woman to "the chair"; but there would be no condemned cell for her;- onlv the 64 The False Gods madhouse. It might be harder for her; but it made it easier for him. Ile nodded a grave encouragement for her to continue. "This is mn munmv," she vent on, nodding toward the gilded case, "the shell from which my soul fled three thousand years ago. Since then it has been upon its xwanderings, living in birds and beasts, that the will of Osiris might be done." Again she paused, pleased, apparently, with the respectful interest which Simpkins showed. And, indeed, he was interested; for his read- ing on early Egyptian beliefs enabled him to follow the current of her madness and to trace it back to its sources. So he nodded again, and she contintied: "Throtugh all these wearv centuries, Amosis, mv husband, has been with me, first as king- ah! those days in hufidred-gated Thebes-and hlien at last my soul- lodged in this body he fotind me out' atain. As bov and girl we loved, as man andl woman we wvere married. And the davs that followed were as happy 65 The False Gods as those old days when we ruled an empire. Not that we remembered then. The memory of it all but just came back to me two months ago. "Did you tell the Doctor about it" asked Simpkins, in the wheedling tone of a physi- cian asking a child to put out her tongue. "I tried to stir his memory gently, by care- less hints, a word dropped here and there, re- calling some bright triumph of his reign, some splendid battle, but there was no response. And so I waited, hoping that of itself his mem- ory might quicken, as mine had." "Did Brander know anything about this- er-extraordinary swapping around of souls " "Not then " began the woman, but Simpkins cut her short by jumping to his feet with a cry of "What's that !" and his voice was sharp with fear. For in that silent sec- ond, while he waited for her answer, he had heard a noise out in the hall, the sound of stealthy feet behind the veil, and he had seen the woman's eves gleam triumph. 66 The False Gods Again the terror that lad mastered him an hour before leaped into life, and quakingly he faced the darkness. But lie saw nothing-onlv the shifting shadows, the crimson blotches crawling on the veil, and the vague outlines of the coffined dead. He looked back to the woman. Her face was masklike. It must have been a fancy, a vibration of his own tense nerves. But none the less, he rearranged the light, that while its ravs shone clear on Mirs. Athelstone, he might be in the shadow, and set his chair back close against the wall, that both the woman and the hall might be well in his eve. And when he sat down again one hard clutched tight the butt of a revolver. 67 This page in the original text is blank. VIiI' OU seem strangely disturbed, u Ad Simpkins, said Mrs. Athelstone quietly; bilt he fancied that there was a note of malicious pleasure in her voice. "Has anything happened to alarm you " "I thought I heard a slight noise, as if some- thing were moving behind me. Perhaps a mummy was breaking cut of its case," he an- swered, but his voice was scarcely steadv enough for the flippancy of his speech. "Hardly that," was the serious answer; "but it mnight have been my cat, Rameses." "Not unless it was Rameses II., because- well, it didn't sound like a cat," lie wound up, 11 6c) 'The False Gods guiltily conscious of his other reason for cer- taintv on this point. "Perhaps Isis has climbed down from her pedestal to stretch herself," and he smiled, but his eyes were anxious, and he shot a furtive glance toward the veil. "It's hardly probable," was the calm reply. "What Can't the thing use its legs as well as its arms" "Ah! then you know-" "Yes; she reached for me when I was dust- ing her off, but I kicked harder than Doctor Athelstone, I suppose, and so touched the spring twice." "You beast !" '"Well, let it go at that," Simpkins assented. "And let's hear the rest." THe was burning with impatience to reach the end and get away, back to noisy, crowded Broadway. But Mrs. Athelstone answered nothing, only looked off toward the altar. It almost seemed as if she waited for something. "Go on," commanded Simpkins, stirred to roughness by his growing uneasiness. 70 The False Gods "You will not leave while yet you may " and her tone doubled the threat of her words "No, not till I've heard it all," he answered doggedly, and gripped the butt of his revolver tighter. But though he told himself that her changed manner, this new confidence, this sud- den indifference to his going, was the freak of a madwoman, down deep he felt that it por- tended some evil thing for hiim, knew it, and would not go, could not go; for he dared not pass the ambushed terror of that altar. "You still insist " the woman asked with ris- ing anger. "So be it. Learn then the fate of meddlers, of (logs who dare to penetrate the mysteries of Isis." Simpkins took his eyes from her face and glanced mechanically toward the veil. But he looked back suddenly, and caught her signal- ling with a swift motion of her head to some- thing in the darkness. There could be no mistake this time. And following her eves he saw a form, black and shapeless, steal along to the nearest post. 71: The False Gods Revolver in hand, he leaped up and back, up- setting his chair. The thing remained hidden. He cleared the partitioning sarcophagus at a bound, and, sliding and backing, reached the centre of the hall, never for one instant taking his eyes from that post or lowering his re- volver. Step by step, back between the pillars, he retreated, stumbling toward the door and safety. Half-way, he heard the Nvonian hiss: "Stop him ! Don't let him escape ! And lhe saw the thing dart from behind the p1ost. En the uncontrollable madness of his fear he hurled. instead of firing, his revolver at it, and turned an(l ran. Tapping lightly on the flags behind, he heard swift feet. It was coming, it was gaining, but he was at the door, through it and had slammed it safely behind him A leap, a bound, and he was through the ante-chamber, and, as the door behind him opened, he was slipping ouit into the passageway. He wvent (lown the stairs in great jumps. Thank God! he had left the 72 The Fals e Gods street door unlocked. -But already the sound of pursuit had stopped, and he reached the open air safely. Down the deserted street to Broadway he ran. There he hailed a cab and directed the Iriver to the telegraph office. Then he leaned back and looked at the garish lights, the pass- ing cabs, the theatre crowds hurrying along home, laughinig and chatting as if the world hel(l no such horror as that which he had just escaped. That madwoman's words rang through his brain, drowning out the voices of the street; the tapping of those flying feet soun(le(l in his ears above the rattle of the cab. That or this must be unreal; vet how far off both seemed! Gradually the rough jolting of the cab shook himn back to a sense of his surroundings and their safety. He began to regain his nerve, and to busv himself knotting the strands of the story into a connected narrative. And when, a few minutes later, he handed a message to the manager of the telegraph office and demanded 73 T he False Gods a clear wire into the Banner office, he was quite the old breezy Simpkins. Then, coat off, a cigar between his teeth, he sat down beside the operator and began to write his story, his flying fingers keeping time with the clicking instrument. He made no mention of the fears that had beset him in the hall and the manner of his exit from it. But there was enough and to spare of the dramatic in what he sent. After a sensational half-col- unmn of introduction, fitting the murder on Mrs. Athelstone, and enlarging on the cer- tainty of one's sin finding one out, provided it were assisted by a Bantner reporter, he swung into the detailed story, dwelling on the wom- an's madness and sliding over the details of the murder as much as possible. Then he described how, for more than a month, Mrs Athelstone had labored over the body, hiding it days in the empty case and dragging it out nights, until she had finished it, with the exception of some detail about the head, into a faithful replica of the mummy of 74 The False Gods Amosis, the original of which she had no doubt burned. It all made a vivid story; for never had his imagination been in such working or- der, and never had it responded more gener- ously to his demands upon it. About two in the morning lhe finished his third column and con- cluded his story with: "So this awful confession of madness and murder ended. I left the woman bound and helpless, sitting in her chair, her victim at her feet, to wait the coming of the police." Then he added to Naylor personally, "Going notifv police headquarters now an(l go back to hall." N aylor, who had been reading the copy page bv page as it came from the wire, and who, natulrallv, was taking a mcre cold-blooded view of the case than Simpkins, telegraphed back: "WVhat share did Brander have in actual murder You don't bring that out in story." "Couldn't get it out of her," Simpkins sent back, truthfully enough. "Find out," was the answer. "Get back to hall quick. Brander mayi have looked in to 75 The False Gods help AMrs. A. with her night work while you were gone. Will hold enough men for an ex- tra." Simpkins called a cab and started for police headquarters at breakneck speed, but on the way he stopped at Bran(ler's rooms; for a mis- erable suspicion was growing in his brain. "If that really was Isis," he was thinking, "it's funny she (li(n't nail me before I got to the (loor, even with the start I hacl." On his representation that lie had called on a matter of life and (ldeath. the janitor admitted him to Brander's rooms. TheyA were empty, an(l the bed had not been slept in. 76 Ix S T was just after three o'clock when Simpkins, an officer on either side, entered the Oriental Building again, and hurried up the stairs to the Society's office. There they were halted, for Simpkins had left his key sticking in tlhe spring lock inside and slammed the door belhind him, a piece of carelessness over which the officers were greatly exercised; for he had not confided to them that he had started off in a hurry. In the end. they sent the door crashing in with their shoulders and preceded Simpkins-and he was scrupulously polite about this-into the ante-chamber. 1 2 77 The False Gods There an incandescent lamp over the youth's desk gave them light and Simpkins momentary relief. The men used hard language when they found the second door in the same condi- tion as the first, lout Simpkins took their rating meekly. They tried their shoulders again, but the oak was stout and long withstood their assaults. \Vhen at last it yielded it gave way suddenly, and thev all tumbled pell-mell into the hall. Simpkins jumped tup with incredible agility, and was back in the lighted ante-chamn- ber before the others had struggled to their feet. Suddenly they stopped swearing. They looked around them. Then they, too, stepped back into the ante-chamber. "Ain't there any way of lighting this place " asked one of them rather sullenly. "Nothing but three incandescents over the desks," answered Simpkins. "Usye votr lantern then, Tom; come on now, young feller, and show us where this woman is," he said roughly, and he pushed Simpkins through the door. 78 The False Gods As the officers followedL him, he fell back be- tween them and linked his arms through theirs. And silently they advanced on the altar, a gro- tesque and rather unsteady trio, the bull's eves on either side flashing ahead into the darkness. "The lamp's still burning," whispered Simp- kins. They were far enough into the hall now to see the glow from it in the corner. "Flash your lights around those pillars, boys. T here, over there !" The bull's eyes jumped about searching her out. "There! now! Hold still !" cried Simp- kins as they focused on the chair. The black mummy lax as he had left it, the cloth still on the face, but the chair was empty. Straight to the veil the reporter ran, and pulled the cord. Light broke from above, and beat down on an altar heaped with dying roses and the statue of a woman, smiling. And at her feet there crouched a great black cat, that arched its back and snarlhd at Simpkins. Beyond, the lights were still burning in 'Mrs. Athelstone's apartment, but there was no one 79 The False Gods in the rooms. Some opened drawers in the bureau and the absence of her toilet articles from the table told of preparations for a hasty flight. They did not linger long over their exam- ination of the rooms. But after replacing the broken doors as best they could and sealing them, they went out by, the main entrance to question the wNatchman, whom they found doz- ing in his chair. Hadl he seen anything of Mrs. Athelstone Sure; he'd called a cab for her about an hour ago and she'd driven off with her brother. "Her brother!" echoed Simpkins. "Yep," yawned the watchman; "you know him-parson-Doctor Brander. What's uip" "Nothing," Simpkins returned sourly, but to himself he added, "Oh, hell !" 80 x NCE in the street again, after a xword of explanation to the watch- man, the officers and Simpkins separated, they to report and send out an alarm for Mrs. Athelstone and Brander, he to call up his office before rejoining them. His exultation over his beat was keyed some- what lower, now that he understood what Brander's real interest in AIrs. Athelstone was, Mentally, lie wrung the neck of Buttons for not having known it; figuratively, he kicked himself for not having guessed it; literally, lie damned his employers for their British reserve, their cool assumption that because he was their clerk he was not interested in their family af- Si The False Gods fairs. "Cuss 'em for snobs," he wound up finally, a deep sense of his personal grievance stirring his sociable Yankee soul. Of course, this sickening brother and sister business wouldn't touch the main fact of the story, but it knocked the "love motive" and the "heart interest" higher than a kite, utterly ruin- ing some of his prettiest bits of writing, be- sides letting him in for a call-down from Nay- lor. Still, the old man couldn't be very hard on him-he'd understand that some trifling lit- tle inaccuracies were bound to creep into a great big story like this, dug out and worked up by one man. At this more cheerful conclusion, a newsboy, crying his bundle of still damp papers, came along, and Simpkins hailed him eagerly. Standing under a lamp on the corner, skipping from front page to back, then from head to head inside, with an eye skilled to catch at a glance the stories which a loathed contempo- rary had that the Banner had missed, he ran through the bunch. The Sun-not a line about 82 The False Gods Athelstone in it. Bully! The Amierican-he was a little afraid of the Amicricanz. Safe again. The World-Sain Blythe's humorous descriptive story of the convention led. He stopped to pity Sam and the New York papers, as he thought of the Boston newsboys, crying his magnificent beat, till all Washington Street rang with the glory of it. And hie could see the fellows in MIrs. Atkinson's, letting their coffee grow cold as they devoured the Banner, stopping onlyr here and there to call across to each other: "Good work, Simp., old boy! Great story !" Then-Simpkins turned the page. Acci- dent-ten killed-bank robbed-caught-Mrs. Jones gets divorce. . . . What! NOTED SCIENTIST SECURES IMPORTANT RIGHTS DOCTOR ATHELSTONE ARRANGES FOR ROYAL. SOCIETY TO EXPLOIT RECENT DISCOVERIES 8t The False Gods Simpkins stuttered around for an exclama- tion; then looked up weakly. Instinct started him on the run for the nearest long-distance telephone, but before he had gone twenty feet he stopped. The paper was long since off press and distributed. Hie had no( desire to know what Naylor was saying. He could not even guess. There are heights to which the imagination cannot aspire. Then came a faint ray of hope. That was all Associated Press dispatch-a late one prob- ably. But if it had reached the New York papers in time to catch the edition, Naylor must have received it soon enough to kill his story. But even as this hope came it went. The news interest of the dispatch was largely local. Doubtless it had been sent out only to the New York papers. Simpkins forced himself 1o read the body of the message now, although he gagged over every line of it: London, etc. Dr. Alfred W. R. Athelstone, well known in London as the president of the 84 The Fallse Gods American branch of the Royal Society of Egyptian Exploration and Research, arrived here this morning and is stopping at tile Carl- ton. He announces that the Khedive has been graciously pleased to grant to his society the sole right to excavate the tombs recently dis- covered by one of its agents in the Karnak region. Doctor Athelstone left home quietly some weeks ago, and held back any announce- ment of the discoveries, which promise to be very important, while the negotiations, now brought to a happy conclusion, were pending. He sails for New York on the Campania to- morrow. "Do I go off half-cocked Am I yellow Is a pup yellow-' groaned Simpkins, and he started off aimlessly toward the park, fighting, his Waterloo over again and counting up his losses. That foolish, Foolish letter! \lhv had he soiled his fingers by opening it! Of course, that line which loomed so large and fine in his story, that pointed the impressive finger of Fate at Crime, "That thing that I haze to do is about dollc!" referred to Doctor Athelstone's silly nego-iations. The letter must have been from hirm. Now, who could 13 85 The False Gods have known that a grown man would indulge in such fool monkey-business as writing love- letters in hieroglyphics to his own wife . . . And that blame black mummy. Back to dark- est Africa for his! If any one ever said mummy to him there'd be murder done, all right. Oh, for the happy ignorance of those days when lhe knew nothing about Egypt ex- cept that it was the place from which the ci- garettes came! . . . Brander, no doubt, had gone out to send a cablegram of congratula- tion to Doctor Athelstone, and while he was away the woman had started in to repair a crack in that precious old Amosis of hers. Per- haps the moths had got into him ! "And she thought that I was crazy, and was stringing me along, waiting till the Nile Duck got back," muttered the reporter, stopping short in his agony. "Oh! you're guessing good now, Simp., all right, because there's only one way to guess." And as he started along again he concluded: "Damn it! even the cat came back !" 86 The False Gods If there was one thing in all the world that Simpkins did not want to see it was a copy of the Bannter with that awful story of his staring out at him from the first page, headed and played tup with all the brutal skill in handling type of which Naylor was a master; but he felt himself drawn irresistibly to the Grand Central Station, where the Boston papers would first be put on sale. Half an hour to wai:. Gad! He could never go back and face Naylor! . . . Libel ! Why, there wasn't money enough in the world to pay the damages the Athelstones would get against the paper. He'd take just one look at it and then catch the first train for Chicago. Perhaps he could get a job there digging sew- ers, or selling ribbons in Fields', or start a school of journalism. Aniy old thing, if they didn't nab him and put him in Bloomingdale before he could get away. . . . He made for the street again. Hle wouldn't look at the Baniner. What malignant little devils the types were when they shouted your sins, not another 87 The False Gods fellow's, from the front page, or whispered them in a stage aside from some little para- graph in an obscure corner of the paper-a corner that the whole world looked into. Eell, he'd get out of the filthy business! Think of the light and frolicsome way in which he'd written up domestic scandals, the entertaining specials he'd turned out on unfaithful hus- bands, the snappy columns on unhappy wives, careless of the cost of his sensation in blood and tears! And now they'd write him up- Navlor would attend to that editorial himself, and do it in his most virtuous style-and brand him as a fakir, a liar, and a yellow dog. Simpkins was back at the news-stand again and there were the Boston papers. He snatched a Baii ncr from the top of the pile. No, he must have the wrong paper. He tore through it from front to back and then to front again, his heart bounding with joy. There was not a line of his story in it. They had re- ceivedl that Associated Press dispatch, after all. Yes, there it wvas, but oh, how differently it 88 The False Gods looked ! It spelt damniation an hour ago, it meant salvation now. After all, hadn't his mistake been a natural one Hadn't he done his best for the paper Wasn't it his duty to ru:i down a lead like that He'd made errors of judgment, per- haps, but he'd like to see the man who wouldn't have under the circumstances. Of course, mistakes would creep in occasionally and give innocent people the worst of it, but look at the good he'd done in his life by exposing scoun- drels. How could he, how could any man, have acted differentlv whc was loyal to his pa- per, whose first interests x ere the public good If Navlor didn't appreciate a star man when he had him, he thought he knew an editor or two who did. Simp., o0l boy, wasn't going to starve. . . . Starve It had been hungry work, so he'd just step across to the 'Manhat- tan, get a bite of breakfast, and look up the trains to Boston. 89 The False Gods Naylor did know a good man when he had him, and likewise-quite as valuable a bit of knowledge-he knew when a man had had enough. So when Simpkins sat down that af- ternoon to tell him his experiences, he only smiled quizzically as the reporter wound up by asking, "Now, what do you think " and an- swered: "Well, for one thing, I think it did you a power of good to look behind that veil, because I reckon that for once in your life you've told me the truth as near as you know how." "No, but aside from this pleasant personal conclusion," persisted Simpkins, modestly shedding the compliment. "Well, I guess we won't bother with the Blavatsky story just now, but here's a clipping about a woman who's discovered what she calls soul aura-says we've got red, white and blue souls and all that sort of stuff. You're our soul expert now, so go over to the City Hall and ask the mayor and any politicians you meet what's the color of their souls. It ought 90 The False Gods to make a fair Sunday special." And Navlor swung around to his desk, for the city editor had just told him that the headless trunk of a woman had been picked up in the river-a find that promised a good story--and a newspaper man cannot waste time on yesterday. Simpkins' face fell. That he had not been assigned to find the head was, he knew, the beginning of his punishment. But as he walked down the dingy hall to the street his step became more buoyant. and once in the open air he started off eager and smiling. For a good opening sentence wa-.s already shaping in his head, and as he stepped into the City Hall he was repeating to himself: "Yesterday, when the Mlayor was asked, 'What is the color of vour soul' he returned his stereotyped 'Nothing to give out on that subject,' and then added, 'BUt it would be vio- lating no confidence to tell you that Boss Coo- nahan's is black.' " To Simpkins it had been given to lift the veil and to know the truth; yet he was back again serving the false gods. 9' This page in the original text is blank. WHERE LOVE CONQUERS. The Reckoning. By ROBERT W. CHAMBERS. The author's intention is to treat, in a series of four or five romances, that part of the war for independence which particularly affected the great landed families of northern New York, the Johnsons, represented by Sir WV liam, Sir John, Guy Johnson, and Colonel Claus; the notorious Butlers, father and son, the Schuvlers, Van Rensselaers, and others. The first romance of the series, Cardigan, was followed by the second, The Maid-at-Arms. The third, in order, is not completed. The fourth is the present volume. As Cardigan pretended to portray life on the baronial estate of Sir William Johnson, the first uneasiness concerning the coming trouble, the first discordant note struck in the harmonious councils of the Long House, so, in The MIaid-at-Arms, which followed in order, the author attempted to paint a patroon family disturbed by the approaching rumble of battle. 'hat romance dealt with the first serious split in the Iroquois Confederacy; it showed the Long House shattered thcugh not fallen; the demoralization and final flight of the great landed families who remained loyal to the British Crown; and it struck the key-note to the future attitude of the Iroquois toward the patriots of the frontier-revenge for their losses at the battle of Oriskany-and ended with the march of the militia and continental troops on Saratoga. The third romance, as yet incomplete and unpublished, deals with the war-path and those who followed it led by the landed gentry of Tryon County; and ends with the first solid blow de- livered at the Long House, and the terrible punishment of the Great Confederacy. The present romance, the fourth in chronological order, picks up the thread at that point. The author is not conscious of having taken any liberties with history in preparing a framework of facts for a mantle of romance. ROBERT W. CHAMBERS. NEW YORK, Mfay z6, o904. D. APPLETON AND COMPANY, NEW YORK. WORKS OF ROBERT W. CHAMBERS. IOLE Colored inlay on the cover, decorative borders, head- pieces, thumb-nail sketches, and tail-pieces. Frontispiece and three full-page illustrations. I 2mo. Ornamental Cloth, 1.25. Does anybody remember the opera of The Inca, and that heart-breaking episode where the Court Undertaker, in a morbid desire to increase his pro- fessional skill, deliberately accomplishes the destruction of his middle-aged relatives in order to inter them for the sake of practice If 1 recollect, his dismal confession runs something like this: It was in bleak November When I slew them, I remember, As I caught them unawares Drinking tea in rocking-chairs." And so he talked them to death, the subject being " What Really Is Art " Afterward he was sorry- s The squeak of a door, The creak of a floor, My horrors and fears enhance; And I wake with a scream As I hear in my dream The shrieks of my maiden aunts!" Now it is a very dreadful thing to suggest that those highly respectable pseudo-spinsters, the Sister Arts, supposedly cozily immune in their polyga- mous chastity (for every suitor for favor is popularly expected to be wedded to his particular art)-I repeat, it is very dreadful to suggest that these impeccable old ladies are in danger of being talked to death. But the talkers are talking and Art Nouveau rockers are rocking, and the trousers of the prophet are patched with stained glass, and it is a day of dinki- ness and of thumbs. Let us find comfort in the ancient proverb: " Art talked to death shall rise again." Let us also recollect that " Dinky is as dinky does ; " that ' All is not Shaw that Bernards; " that " Better Yeates than Clever; " that words are so inexpensive that there is no moral crime in robbing Henry to pay James. Firmly believing all this, abjuring all atom-pickers, slab furniture, and woodchuck literature-save only the immortal verse: "And there the wooden-chuck doth tread; While from the oak trees' tops The red, red squirrel on the head The frequent acorn drops." Abjuring, as I say, dinkiness in all its forms, we may still hope that those cleanly and respectable spinsters, the Sister Arts, will continue throughout the ages, rocking and drinking tea unterrified by the million-tongued clamor in the back yard and below stairs, where thumb and forefinger continue the question demanded by intellectual exhaustion: " L'arr I Kesker say larr " D. APPLETON AND COMPANY, PUBLISHERS, NEW YORK. THE MASTERPIECE OF A MASTER MIND. The Prodigal Son. By HALL CAINE. I2mo, Ornamental Cloth, I.50. "The Prodigal Son " follows the lines of the Bible para- ble in the principal incidents, but in certain important particulars it departs from them. In a most convincing way, and with rare beauty, the story shows that Christ's parable is a picture of heavenly mercy, and not of human justice, and if it were used as an example of conduct among men it would destroy all social conditions and disturb ac- cepted laws of justice. The book is full of movement and incident, and must appeal to the public by its dramatic story alone. The Prodigal Son at the close of the book has learned this great lesson, ard the meaning of the parable is revealed to him. Neither success nor fame can ever wipe out the evil of the past. It is not from the unalterable laws of nature and life that forgiveness can be hoped for. "Since 'The Manxman' Hall Caine has written nothing so moving in its elements of pathos and tragedy, so plainly marked with the power to search the human heart and reveal its secret springs of strength and weakness, its passion and strife, so sincere and satisfying as ' The Prodi- gal Son.' "-Aew York Yimnes. " It is done with supreme self-confidence, and the result is a work of genius."-yVew York Evening Post. " ' The Prodigal Son' will hold the reader's attention from cover to cover."-Philadelphia Record. " This is one of Hall Caine's best novels-one that a large portioD of the fiction-reading public will thoroughly enjoy." -Chicago Record-Herald. "It is a notable piece of fiction."--Philadelphia Inquirer. "In 'The Prodigal Son' Hall Caine has produced his greatest work." -Boston Herald. "Mr. Caine has achieved a work of extraordinary merit, a fiction as finely conceived, as deftly constructed, as some of the best work of out living novelists."-London Daily Mail. "'The Prodigal Son' is indeed a notable novel; and a work that may certainly rank with the best of recent fiction.. .. e" - Westminster Gaze.tte. D. APPLETON AND COMPANY, NEW YORK. "A beautiful romance of the days of Robert Burns." Nancy Stair. A Novel. By ELINOR MACARTNEY LANE, author of" Mills of God." Illustrated. 12mo. Cloth, 1.5o. "With very much the grace and charm of Robert Louis Stevenson, the author of 'The Life of Nancy Stair' com- bines unusual gifts of narrative, characterization, color, and humor. She has also delicacy, dramatic quality, and that rare gift-historic imagination. " ' The Life of Nancy Stair' is interesting from the first sentence to the last; the characters are vital and are, also, most entertaining company; the denouement unexpected and picturesque and cleverly led up to from one of the earliest chapters; the story moves swiftly and without a hitch. Robert Burns is neither idealized nor caricatured; Sandy, Jock, Pitcairn, Danvers Carmichael, and the Duke of Borthewicke are admirably relieved against each other, and Nancy herself as irresistible as she is natural. To be sure, she is a wonderful child, but then she manages to make you believe she was a real one. Indeed, reality and naturalness are two of the charms of a story that both reaches the heart and engages the mind, and which can scarcely fail to make for itself a large audience. A great deal of delightful talk and interesting incidents are used for the development of the story. Whoever reads it will advise everybody he knows to read it; and those who do not care for its literary quality cannot escape the interest of a love. story full of incident and atmosphere." " Powerfully and attractively written."-Pittsburg Post. "A story best described with the word ' charming."' - Washington Post. D. APPLETON AND COMPANY, NEW YORK. WIT, SPARKLING, SCNTILLATING WIT, IS THE ESSENCE OF Kate of Kate Hall, By ELLEN THORNEYCROFT FOWLER, whose reputation was made by her first book, "' Concerning Isabel Carnaby," and enhanced by her last success, " Place and Power." " In 'Kate of Kate Hall,' by Ellen Thomeycroft Fowler, the ques- tion of imminent concern is the marriage of super-dainty, peppery- tempered Lady Katherine Clare, whose wealthy godmother, erstwhile deceased, has left her a vast fortune, on condition that she shall be wedded within six calendar months from date of the testator's death. "An easy matter, it would seem, for bonny Kate, notwithstanding her aptness at sharp repartee, is a morsel fit for the gods. " The accepted suitor appears in due time; but comes to grief at the last moment in a quarrel with Lady Kate over a kiss bestowed by her upon her godmother's former man of affairs and secretary. This inci- dent she haughtily refuses to explain. Moreover, she shatters the bond of engagement, although but three weeks remain of the fatal six months. She would rather break stones on :he road all day and sleep in a pauper's grave all night, than marry a man who, while professing to love her, would listen to mean and malicious gossips picked up by tell-tales in the servants' hall. " So the great estate is likely to be lost to Kate and her debt-ridden father, Lord Claverley. How it is conserved at last, and gloomy appre- hension chased away by dazzling visions of material splendor-that is the author's well-kept secret, not to be shared here with a careless and indolent public."--Philade/phia Xortli American. "The long-standing reproach that women are seldom humorists seems in a fair way of passing out of existence. Several contemporary feminine writers have at least sufficient sense of humor to produce char- acters as deliciously humorous as delightful. Of such order is the Countess Claverley, made whimsically real and lovable in the recent book by Ellen Thorneycroft Fowler and A. L. Felkin, 'Kate of Kate Hall.' "-Chicago Record-Herald. "' Kate of Kate Hall' is a novel iTi which Ellen Thorneycroft Fowler displays her brilliant abilities at their best. The story is well constructed, the plot develops beautifully, the incic ents are varied and brisk, and the dialogue is deliciously clever."-Rochester Democrat and Chronicle. D. APPLETON AND COMPANY, NEW YORK. LOVE. MYSTERY. VENICE. The Clock and the Key. By ARTHUR HENRY VESEY. 12mO. Ornamental Cloth, 1.50. This is a tale of a mystery connected with an old clock. The lover, an American man of means, is startled out of his sensuous, inactive life in Venice by his lady-love's scorn for his indolence. She begs of him to perform any task that will prove his persistence and worth. With the charm of Venice as a background, one follows the adventures of the lover endeavoring to read the puzzling hints of the old clock as to the whereabouts of the famous jewels of many centuries ago. After following many false clues the lover ultimately solves the mystery, triumphs ovet his rivals, and wins the girl. AMERICA. " For an absorbing story it would be hard to beat."-Haroer's Weekly. ENGLAND. " It will hold the reader till the last page."-London Times. SCOTLAND. " It would hardly suffer by comparison with Poe's immortal ' Gold Bug." -Glasgow HIerald. NORTH. It ought to make a record. "-Montreal Sun. SOUTH. " It is as fascinating in its way as the Sherlock Holmes stories-charming -unique."-New Orleans Picayune. EAST. " Don't fail to get it."-New York Sun. W EST. " About the most ingeniously constructed bit of sensational fiction that ever made the weary hours speed. "-St. Paul Pioneer Press. "If you want a thrilling story of intrigue and mystery, which will cause you to burn the midnight oil until the last page is finished, read ' The Clock and the Key.'"-Mlwaukee l isconsin. " One of the most highly exciting and ingenious stories we have read for a long time is ' The Clock and the Key.' "-London Mail. D. APPLETON AND COMPANY, NEW YORK. A GOOD AUTOMOBILE STORY. Baby Bullet. By LLOYD OSBOURNE, Author of "The Motor- maniacs." Illustrated. I2mo. Ornamental Cloth, I.50. This is the jolliest, most delightfully hunmorous love story that has been written in the last ten years. Baby Bullet is an "orphan automobile." It is all through the adoption of Baby Bullet by her travelling companion that a dear, sweet, human modern girl meets a very nice young man, and a double romance is begun and finished on an automobiling tour through England. "The story is smoothly written, full of action and healthful fun." -Philadelphia Public Ledger. "'Baby Bullet' is without doubt the best written and most enter- taining automobile story yet published. The most enjoyable feature of this book is its genuine, unforced humor, which finds expression not only in ludicrous situations, but in bright and spirited dialogue, keen observation and natural characterization. '-St. Paul Dispatch. "Certain stories there are that a man fervently wishes he might claim as his own. Of these, 'Baby Bulltt' is one."-Baltiinore Sun. " It is broad comedy, full of adventurous fun, clever and effective. The tale is fascinating from the start. The adventures of Baby Bullet are distinctly funny."-Vew York Sun. " The characters are lightly drawn, but with great humor. It is a story that refreshes a tired brain and provokes a light heart." -Chicago Tribune. "It is a most satisfying and humorous narrative." -Indianapolis iezis. "One of the funniest scenes in recent fiction is the escape of the automobile party from the peroxide b.onde who has answered their advertisement for a chaperon."-.San Fr'ncisco Chronicle. D. APPLETON AND COMPANY, NEW YORK. A SPLENDID NEWSPAPER YARN. : __ _ - - - A Yellow Journalist. By MIRIAM MICHELSON, Author of "In the Bishop's Carriage," etc. Illustrated. i2mo. Or- namental Cloth, 1.50. This novel has the true newspaper thrill in it from beginning to end. The intense desire to "cover" one's assignment completely and well is brought out in the midst of the melodramatic at- mosphere in which a modern newspaper woman must live. The stories are all true to life, and mixed with the excitement there is a wealth of humor and pathos. "There is a dash about ' A Yellow Journalist ' that exhilarates like a fresh breeze on a sharp winter morning." -Chicago Record-Herald. The book is bright and entertaining."-Minneapolis Tribune. "There are just a few writers who have succeeded in reducing to paper the atmosphere of a newspaper office, and since the appearance of ' A Yellow Journalist,' Miriam Michelson must be numbered among them. "--The Bookman. " Miss Michelson's work has found great favor. The stories contained in this book are characteristic." -Philadelj6hia Public Ledger. "Only one with the genuine journalistic instinct, who has agonized over a story and known the ecstacy of a ' beat' and the anguish of being beat, can write of news-gathering as Miss Michelson does. But she has other good qualities in addition to these-a good dramatic instinct, a piquant humor, and a knowledge of human nature. The fourteen chapters of 'A Yellow Journalist' are mighty interesting reading."-Bal/imore News. D. APPLETON AND COMPANY, NEW YORK.